<p>Internet Edition published by <a href="&link.project.website;">Project Aon</a>. This edition is intended to reflect the complete text of the original version. Where we have made minor corrections, they will be noted in the <a idref="errata">Errata</a>.</p>
</description>
<rights class="copyrights">
- <line>Text copyright <ch.copy/> 1988 Joe Dever.</line>
- <line>Illustrations copyright <ch.copy/> 1988 Brian Williams.</line>
+ <line>Text <ch.copy/> 1988 Joe Dever.</line>
+ <line>Illustrations <ch.copy/> 1988 Brian Williams.</line>
</rights>
<rights class="license-notification">
- <p>
- <line>Text copyright <ch.copy/> 1989 Joe Dever.</line>
- <line>Illustrations copyright <ch.copy/> 1989 Brian Williams.</line>
- <line>Distribution of this Internet Edition is restricted under the terms of the <a idref="license">Project Aon License</a>.</line>
- </p>
+ <p>Text <ch.copy/> 1989 Joe Dever. Illustrations <ch.copy/> 1989 Brian Williams.</p>
+ <p>Distribution of this Internet Edition is restricted under the terms of the <a idref="license">Project Aon License</a>.</p>
</rights>
</meta>
<meta><title>237</title></meta>
<data>
- <p>Marine Knott begins his descent to the basement while you race up the stairs to a landing on the first floor where a corridor stretches away into the darkness. To your right is a door, slightly ajar, which bears the faded words <signpost>EL PASO JOURNAL<ch.emdash/>NEWS ROOM</signpost> on its panelled wood surface. You enter to discover a large, dusty room cluttered with desks and computer terminals. A fire escape sign catches your eye: it is positioned above a window on the far side of the room.</p>
+ <p>Marine Knott begins his descent to the basement while you race up the stairs to a landing on the first floor where a corridor stretches away into the darkness. To your right is a door, slightly ajar, which bears the faded words <signpost>El Paso Journal<ch.emdash/>News Room</signpost> on its panelled wood surface. You enter to discover a large, dusty room cluttered with desks and computer terminals. A fire escape sign catches your eye: it is positioned above a window on the far side of the room.</p>
<p>A noise on the stairs makes your heart skip a beat: someone is approaching. Hurriedly you weave your way through the maze of office furniture, taking great pains to avoid making a noise, only to discover that the fire escape window is jammed shut. A light shines across the door and you hear the snuffling whine of a bloodhound in the corridor outside.</p>
<choice idref="sect153">If you wish to smash the glass and escape through the window, <link-text>turn to 153</link-text>.</choice>
<choice idref="sect9">If you decide to hide among the desks, <link-text>turn to 9</link-text>.</choice>
<p>(<a idref="sect232">232</a>) Replaced <quote>Knott, and</quote> with <quote>Knott and</quote>.</p>
<p>(<a idref="sect234">234</a>) Replaced <quote>pistol; the</quote> with <quote>pistol, the</quote>. Replaced <quote>the Montana Road</quote> with <quote>Montana Avenue</quote>.</p>
<p>(<a idref="sect235">235</a>) Replaced <quote>If, after this accident, you are still alive</quote> with <quote>If you are still alive after this accident</quote>.</p>
+ <p>(<a idref="sect237">237</a>) Replaced <quote>EL PASO JOURNAL<ch.emdash/>NEWS ROOM</quote> with <quote>El Paso Journal<ch.emdash/>News Room</quote>.</p>
<p>(<a idref="sect238">238</a>) Replaced <quote>water canteen and</quote> with <quote>water canteen, and</quote>.</p>
<p>(<a idref="sect241">241</a>) Replaced <quote>binouclars</quote> with <quote>binoculars</quote>.</p>
<p>(<a idref="sect242">242</a>) Replaced <quote>flash, then</quote> with <quote>flash, and then</quote>.</p>
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