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+Revision 1.16 2006/10/27 14:22:32 Wibbleboy
+o Added small illustrations for puzzles
+o Corrected image heights to match updated images.
+o Made changes in response to suggestions in Wiki.
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+Revision 1.14 2006/09/12 08:48:28 Wibbleboy
+o Made several changes in response to suggestions in Wiki.
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+Revision 1.13 2006/09/06 09:01:32 Wibbleboy
+o Fixed a few formatting errors
+o Implemented series-wide consistency changes
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+Revision 1.12 2006/09/05 14:29:29 Wibbleboy
+o Fixed a few formatting errors
+o Made a few changes in response to wiki entries.
+o Removed obsolete errata comment text in header
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+Revision 1.11 2006/08/08 15:31:14 Wibbleboy
+o Fixed a few Errata entries
+o Updated errata and footnote lists.
+o Initial provisional placement of small illustrations
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+Revision 1.10 2006/08/07 15:26:33 Wibbleboy
+o Fixed a few minor non-errata typos.
+o Added footnotes regarding ammo deductions
+o Updated errata and footnote lists.
+o Began adding small illustrations
+
+Revision 1.9 2006/07/31 11:09:25 Wibbleboy
+o Fixed a few minor non-errata typos.
+o Added link to book 2
+o Added footnotes regarding ammo deductions
+o Updated errata and footnote lists.
+
+Revision 1.8 2006/07/28 09:05:30 Wibbleboy
+o Fixed a few minor non-errata typos.
+o Replaced 'potassium iodine' with 'potassium iodide'.
+o Started a new paragraph for Cutter's speech in section 253.
+o Updated errata list.
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+Revision 1.7 2006/06/19 08:19:11 Wibbleboy
+Made errata changes for consistency with other books in series.
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+Revision 1.6 2005/12/19 12:49:28 Wibbleboy
+o Fixed a few minor non-errata typos.
+o Replaced 'Denton county' with 'Denton County', 'Gulley' with 'Gully' and 'key-in' with 'key in'.
+o Updated item lists using capitals, replaced with initial capitals for consistency.
+o Updated errata list, adding missed and new entries as required.
+
Revision 1.5 2005/12/17 21:36:37 angantyr
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-- Updated herader, title and acknowledgement parts (incl. bios and links)
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-196: "gasolene" should be "gasoline"
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-ERRATA106-140
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<meta>
<title>Highway Holocaust</title>
<creator class="short">Joe Dever</creator>
<publisher>Project Aon</publisher>
<date class="publication"><year>2005</year><month>12</month><day>17</day></date>
<description class="blurb">
- <p>You are Cal Phoenix, the freeway warrior, champion and protector of Dallas Colony One. A murderous gang of H.A.V.O.C. clansmen, led by the psychotic Mad Dog Michigan, are bent on destroying your fragile colony as it crosses the wastelands of Texas on the first stage of a life-or-death exodus to the California coast. These bike-riding clansmen are a formidable enemy: armed, cunning, and extremely dangerous, capable of launching a lightning raid at any time, day or night. You will need all your wits about you if you are to defend your people and reach your destination intact!</p>
+ <p>You are Cal Phoenix, the Freeway Warrior, champion and protector of Dallas Colony One. A murderous gang of HAVOC clansmen, led by the psychotic Mad Dog Michigan, are bent on destroying your fragile colony as it crosses the wastelands of Texas on the first stage of a life-or-death exodus to the California coast. These bike-riding clansmen are a formidable enemy: armed, cunning, and extremely dangerous, capable of launching a lightning raid at any time, day or night. You will need all your wits about you if you are to defend your people and reach your destination intact!</p>
</description>
<description class="publication">
<p>Internet Edition published by <a href="&link.project.website;">Project Aon</a>. This edition is intended to reflect the complete text of the original version. Where we have made minor corrections, they will be noted in the <a idref="errata">Errata</a>.</p>
<dl>
<dt>Transcription</dt>
<dd>Matthew Reynolds</dd>
- <dt>Illustration Transcription</dt>
- <dd></dd>
+ <dt>Illustration Transcription</dt>
+ <dd></dd>
<dt>XML</dt>
- <dd>Jonathan Blake<br />Iain Smith</dd>
- <dt>Replacement Illustrations</dt>
- <dd>Iain Smith</dd>
+ <dd>Iain Smith<br />Jonathan Blake<br />Thomas Wolmer</dd>
<dt>Proofreading</dt>
- <dd>Iain Smith (frontmatter)<br />Matthew Reynolds (sections 1&endash;105, 246-280)<br />Simon Osborne (sections 106&endash;245, 281-350)</dd>
+ <dd>Iain Smith (frontmatter)<br />Matthew Reynolds (sections 1&endash;105, 246&endash;280)<br />Simon Osborne (sections 106&endash;245, 281&endash;350)</dd>
<dt>Editing</dt>
- <dd>Simon Osborne</dd>
+ <dd>Iain Smith<br />Jonathan Blake<br />Simon Osborne<br />Ingo Klöcker<br />Neil McGrory<br />Mark Baumann</dd>
<!-- <dt>PDF Layout</dt>
<dd></dd> -->
<dt>Coordination</dt>
- <dd>Jonathan Blake<br />Iain Smith</dd>
+ <dd>Iain Smith</dd>
<dt>Special Thanks</dt>
- <dd></dd>
+ <dd>Nicholas Matzen</dd>
</dl>
</data>
</section>
</meta>
<data>
- <p><strong>1900-1998</strong><br />Rise of global terrorism on an unprecedented scale. Political violence funded by organized crime syndicate called HAVOC - The Hijack, Assassination and Violent Opposition Consortium.</p>
- <p><strong>1998-2003</strong><br />The governments of many small and impoverished nations fall into the hands of HAVOC. International terrorists receive arms, training and shelter in these 'Badlands'.</p>
+ <p><strong>1990-1998</strong><br />Rise of global terrorism on an unprecedented scale. Political violence funded by organized crime syndicate called HAVOC<ch.emdash/>The Hijack, Assassination and Violent Opposition Consortium.</p>
+ <p><strong>1998-2003</strong><br />The governments of many small and impoverished nations fall into the hands of HAVOC. International terrorists receive arms, training, and shelter in these 'Badlands'.</p>
<p><strong>2003-2008</strong><br />Raids on oil and gas installations, assassinations, and the kidnapping of prominent world statesmen become commonplace as HAVOC attempt to terrorize the civilized world into submission. Despite public outrage and growing international tension, the major powers steadfastly refuse to give in to HAVOC's demands.</p>
<p><strong>2008</strong><br />President of the United States and General Secretary of Supreme Soviet both assassinated at emergency summit meeting. US, USSR and major European nations create the World Defence League and declare war on HAVOC. The Badlands are invaded, key HAVOC bases destroyed, and thousands of HAVOC agents are captured.</p>
- <p><strong>2009</strong><br />HAVOC leaders imprisoned for life in 'Deep Pens' - maximum security gaols located deep underground - to prevent their escape or release by HAVOC agents still at large.</p>
+ <p><strong>2009</strong><br />HAVOC leaders imprisoned for life in 'Deep Pens'<ch.emdash/>maximum security gaols located deep underground<ch.emdash/>to prevent their escape or release by HAVOC agents still at large.</p>
<p><strong>2010</strong><br />New leadership emerges to unify the scattered remnants of HAVOC and plan revenge.</p>
<p><strong>2011</strong><br />A WDL train transporting seventeen 100-kiloton nuclear warheads, destined to be neutralized and dismantled, is attacked by HAVOC agents. The train is destroyed and its deadly cargo stolen.</p>
- <p><strong>2012 New Years Day</strong><br />HAVOC hijack a WDL news satellite and broadcast a chilling ultimatum. They have planted the seventeen stolen warheads in major cities throughout the US, USSR and Europe. They call for the immediate release of all HAVOC agents held in Deep Pens, plus the payment of $2 trillion in gold bullion, or they will trigger the warheads one by one until their demands are met in full. A twenty-four hour deadline is set. WDL leaders declare emergency and request that the deadline be extended. HAVOC refuse.</p>
+ <p><strong>2012 New Year's Day</strong><br />HAVOC hijack a WDL news satellite and broadcast a chilling ultimatum. They have planted the seventeen stolen warheads in major cities throughout the US, USSR and Europe. They call for the immediate release of all HAVOC agents held in Deep Pens, plus the payment of $2 trillion in gold bullion, or they will trigger the warheads one by one until their demands are met in full. A twenty-four hour deadline is set. WDL leaders declare emergency and request that the deadline be extended. HAVOC refuse.</p>
<p><strong>2nd January</strong><br />First warhead detonated at Brie Nuclear Energy Plant, ten miles south of Paris, France. Blast and radioactive fallout claim millions of lives. HAVOC repeat their demand and extend deadline by twenty-four hours.</p>
<p><strong>3rd January 'The Day'</strong><br />World Defence League agents discover location of HAVOC command headquarters on an island in the South Pacific Ocean. Immediately orders are given to infiltrate and destroy the HQ and its occupants. The assault is swift and decisive; the complex is quickly overrun and its inhabitants are killed. Yet, ironically, as the news of this victory is being relayed around the world, HAVOC enact their ultimate revenge. A transmitter hidden on the island, fitted with a time-delay mechanism, clicks on, sending its high-frequency radio signal to a communications satellite orbiting the earth. This signal is amplified and returned to earth where, simultaneously, it triggers the remaining nuclear warheads. The initial explosions set off a disastrous chain reaction that feeds on civil and military nuclear installations all across the northern hemisphere. Hundreds of millions of people are killed within days, and many more perish during the years that follow, falling victim to the lingering radioactivity and the severe climatic changes that affect the earth.</p>
<p><strong>2012-2019</strong><br />Gale force winds sweep across the world, carrying enormous amounts of dust into the upper atmosphere and preventing much sunlight from reaching the earth's surface. Temperatures plummet, deterring survivors from remaining above ground. Communications are disrupted by gamma radiation, making all radio, cable and satellite contact impossible. Small colonies of survivors develop in total isolation from one another during these years of darkness.</p>
- <p><strong>2019-2020</strong><br />Gradually, the dust storms die down and the sun penetrates the atmosphere, thawing the earths frozen surface. Radiation has decayed to tolerable levels, and survivors emerge to reclaim what little remains of the world they once knew.</p>
+ <p><strong>2019-2020</strong><br />Gradually, the dust storms die down and the sun penetrates the atmosphere, thawing the earth's frozen surface. Radiation has decayed to tolerable levels, and survivors emerge to reclaim what little remains of the world they once knew.</p>
</data>
</section>
</meta>
<data>
- <p>You are Cal Phoenix, a survivor, born on Thanksgiving in the year 2000 AD. When you cast your mind back to the time before 'Tthe Day', you recall your two brothers and your sister, your parents' house in California, and summer vacations spent cruising the blue Pacific off Catalina Island aboard your father's boat. They are your fondest memories, yet your most vivid recollections are of winter vacations, when the family would drive to Dallas to spend Christmas with Uncle Jonas and Aunt Betty-Ann. Of all your Texan Christmases, the 2011 visit was the most memorable. It was also the last time you saw your family alive.</p>
+ <p>You are Cal Phoenix, a survivor, born on Thanksgiving in the year 2000 AD. When you cast your mind back to the time before 'The Day', you recall your two brothers and your sister, your parents' house in California, and summer vacations spent cruising the blue Pacific off Catalina Island aboard your father's boat. They are your fondest memories, yet your most vivid recollections are of winter vacations, when the family would drive to Dallas to spend Christmas with Uncle Jonas and Aunt Betty-Ann. Of all your Texan Christmases, the 2011 visit was the most memorable. It was also the last time you saw your family alive.</p>
<p>Your parents had decided to cancel the trip to Dallas that year. The oil shortage had pushed up the price of gasolene to $30 a gallon, and only the rich could afford to drive long distances, even in cars equipped with solar-pacs. You were so disappointed when you heard the news that you decided to walk the 1300 miles to Dallas, and would have done so had your father not caught up with you three miles from home. Then, when Uncle Jonas and Aunt Betty-Ann got to hear of it, they fixed it with your parents so that you at least could spend Christmas with them at their ranch near Denton.</p>
<p>From the moment they met your charter flight at Addison Airport you knew it was going to be a vacation to remember. Uncle Jonas was an oilman. He had been one ever since he graduated from the University of Texas in '95 with a degree in geology. Earlier that summer he had been put in charge of construction at a shale-oil mine near Austin, the very first of its kind in Texas, and as a special Christmas treat he promised to take you on a guided tour of the whole underground complex.</p>
<p>On New Year's Day 2012, the three of you started out early on the road to your uncle's mine, located on the Austin Chalk, over 200 miles south of Dallas. The trip would take at least two days, with an overnight stop in Waco. For, in an effort to conserve energy, the Federal government had imposed a speed restriction of fifteen miles per hour on all state highways. It was a slow journey, and despite the sombre radio bulletins that gave news of HAVOC's latest threats, you can still remember your excitement at the thought of exploring those tunnels deep below the earth.</p>
<p>Your arrival at the mine was met by a military patrol, posted there by the World Defence League. The job of the patrol was to prevent sabotage; oil installations all over the world had become one of HAVOC's primary targets in their campaign of terror. The mine was officially closed for the New Year's recess but Uncle Jonas had right of access at all times and, after checking his papers, the patrol allowed you in. It was a massive complex and, for security reasons, it was totally self-supporting. A central shaft serviced the many working levels to which there were attached laboratories, workshops and even refineries for processing the precious crude oil after it had been extracted from the rock. Uncle Jonas was explaining the function of these refineries, 300 feet below the surface, when it happened.</p>
<p>The ground shuddered when the shock waves from the first distant explosions reached the mine, and you remember thinking that it must be the start of an earthquake, the like of which you had experienced many times at home in California. But as the levels nearest the surface began to collapse and the central shaft filled with falling rubble, you realized the awful truth. The unthinkable had happened. </p>
- <p>At first there was no way of telling the extent of the surface devastation. Below ground, the safety generators had automatically switched into operation when the main power supply failed, and the tremors faded quickly, encouraging your aunt and uncle to believe that the damage above was superficial. Uncle Jonas was confident that the military would mount a rescue operation and that you would be brought out within a few days - a week at the most. Aunt Betty-Ann was also optimistic. After all, there were emergency supplies, enough to feed 200 men for a whole month. Little did she know that the three of you would end up consuming all of those supplies, or that the mine would become your home, your shelter and your prison for the next eight years of your lives.</p>
- <p>It was a month after 'the Day' when the three of you accepted that there would never be a rescue operation. Many days had been spent in silence, hoping and praying for the sounds of excavation or a voice on the radio lint to the surface. But all that could be heard was the static crackle of the gamma radiation which was blanketing the earth. Uncle Jonas proposed that an attempt be made to reach the surface by tunnelling through the blocked central shaft. It was an awesomely dangerous feat, to dig vertically through 300 feet of compressed concrete rubble and twisted steel girders, but there was no other way you could ever hope to escape from the mine. Progress was painfully slow but the work gave you all a sense of purpose, a reason to go on, even though you feared what could be awaiting you on the surface.</p>
- <p>Those years spent in the mine taught you invaluable lessons in survival. Uncle Jonas showed you how to refine gasolene from crude oil to keep the generators alive; to coax fresh water from porous rock; to manufacture spare parts in order to maintain vital machinery. Aunt Betty-Ann, who had at one time been a nurse and a high school teacher in Denton county, attended to your education and made sure that you stayed fit and healthy. Their love and support enabled you to grow during those dark days underground despite the enormous sense of loss you felt for your parents, brothers and sister. You vowed then that one day you would repay their kindness by protecting and caring for them.</p>
+ <p>At first there was no way of telling the extent of the surface devastation. Below ground, the safety generators had automatically switched into operation when the main power supply failed, and the tremors faded quickly, encouraging your aunt and uncle to believe that the damage above was superficial. Uncle Jonas was confident that the military would mount a rescue operation and that you would be brought out within a few days<ch.emdash/>a week at the most. Aunt Betty-Ann was also optimistic. After all, there were emergency supplies, enough to feed 200 men for a whole month. Little did she know that the three of you would end up consuming all of those supplies, or that the mine would become your home, your shelter and your prison for the next eight years of your lives.</p>
+ <p>It was a month after 'The Day' when the three of you accepted that there would never be a rescue operation. Many days had been spent in silence, hoping and praying for the sounds of excavation or a voice on the radio link to the surface. But all that could be heard was the static crackle of the gamma radiation which was blanketing the earth. Uncle Jonas proposed that an attempt be made to reach the surface by tunnelling through the blocked central shaft. It was an awesomely dangerous feat, to dig vertically through 300 feet of compressed concrete rubble and twisted steel girders, but there was no other way you could ever hope to escape from the mine. Progress was painfully slow but the work gave you all a sense of purpose, a reason to go on, even though you feared what could be awaiting you on the surface.</p>
+ <p>Those years spent in the mine taught you invaluable lessons in survival. Uncle Jonas showed you how to refine gasolene from crude oil to keep the generators alive; to coax fresh water from porous rock; to manufacture spare parts in order to maintain vital machinery. Aunt Betty-Ann, who had at one time been a nurse and a high school teacher in Denton County, attended to your education and made sure that you stayed fit and healthy. Their love and support enabled you to grow during those dark days underground despite the enormous sense of loss you felt for your parents, brothers and sister. You vowed then that one day you would repay their kindness by protecting and caring for them.</p>
<p>It was early September in the year 2019 when finally you broke through to the surface. Aunt Betty-Ann was convinced that radiation levels would still be dangerously high, and at first she was against leaving the mine. But, during the last few months of your incarceration, the static that had always jammed the radio wavelengths had gradually cleared, and Uncle Jonas was able to persuade her that this meant it was now safe to live above ground.</p>
- <p>When you first emerged from the mine, you thought you were on the surface of another planet. Surely this could not be Earth? Few structures had survived the blizzards and intense cold that had swept around the world in the years following 'the Day', and now, after the dust had settled and the sun returned, the once-fertile plains of Austin resembled little more than a desert of parched and broken rock, littered with the artefacts of an absent civilization. During the first few days, when you set out to explore this wilderness, it was easy to believe that you were the only survivors. But on the morning of the fifth day, Uncle Jonas made a chance radio contact with a family called Ewell who were living near the ruins of McKinney, thirty miles north of Dallas. They told him that they had been in touch with a handful of other groups who had managed somehow to survive the holocaust. Most were isolated, unable to move due to lack of fuel, food or water. They had urged those who could travel to join them in McKinney, to start a new community, and some were already on their way. Your uncle and aunt also accepted their invitation. McKinney was not very far from Denton, and they were curious to see if anything remained of their ranch. They planned to return home, salvage whatever they could that might be of use, and then move on to McKinney. The Ewells were enthusiastic, but they warned that not everyone who had survived wanted to establish a new community. The ruins of Dallas and Fort Worth were controlled by gangs of criminals who fought with each other and terrorized anyone seeking to reestablish law and order. They advised you to avoid them at all costs when travelling north.</p>
- <p>Interstate Freeway 35 was the only highway still intact amid the devastation that surrounded the mine. It offered a direct route home to Denton, if only transportation could be found, for Uncle Jonas considered conditions far too dangerous to attempt such a long journey on foot. It took more than a week to discover a vehicle that was still serviceable. It was an old school bus, one that had been parked in an underground lot and had survived the years of subzero blizzards. With a few new parts, a tankful of gas and a lot of hard work it was eventually brought back to life.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small8.gif" width="386" height="150" />
+ <instance class="pdf" src="small8.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>When you first emerged from the mine, you thought you were on the surface of another planet. Surely this could not be Earth? Few structures had survived the blizzards and intense cold that had swept around the world in the years following 'The Day', and now, after the dust had settled and the sun returned, the once-fertile plains of Austin resembled little more than a desert of parched and broken rock, littered with the artefacts of an absent civilization. During the first few days, when you set out to explore this wilderness, it was easy to believe that you were the only survivors. But on the morning of the fifth day, Uncle Jonas made a chance radio contact with a family called Ewell who were living near the ruins of McKinney, thirty miles north of Dallas. They told him that they had been in touch with a handful of other groups who had managed somehow to survive the holocaust. Most were isolated, unable to move due to lack of fuel, food, or water. They had urged those who could travel to join them in McKinney, to start a new community, and some were already on their way. Your uncle and aunt also accepted their invitation. McKinney was not very far from Denton, and they were curious to see if anything remained of their ranch. They planned to return home, salvage whatever they could that might be of use, and then move on to McKinney. The Ewells were enthusiastic, but they warned that not everyone who had survived wanted to establish a new community. The ruins of Dallas and Fort Worth were controlled by gangs of criminals who fought with each other and terrorized anyone seeking to reestablish law and order. They advised you to avoid them at all costs when travelling north.</p>
+ <p>Interstate Freeway 35 was the only highway still intact amid the devastation that surrounded the mine. It offered a direct route home to Denton, if only transportation could be found, for Uncle Jonas considered conditions far too dangerous to attempt such a long journey on foot. It took more than a week to discover a vehicle that was still serviceable. It was an old school bus, one that had been parked in an underground lot and had survived the years of sub-zero blizzards. With a few new parts, a tankful of gas and a lot of hard work it was eventually brought back to life.</p>
<p>Provisions, including a small generator, were hoisted out of the mine and stowed aboard before you began the journey back to the ranch. The noisy old bus bumped along the rock-strewn freeway that stretched northward across an empty sea of dust. It was a harrowing sight. Hardly a trace remained of what were once thriving communities, and the once-populous cities of Temple and Waco had barely enough buildings still standing to qualify as small towns.</p>
- <p>It was not until you reached the outskirts of Fort Worth that you encountered signs of human habitation. The road ahead was blocked by a line of wrecked autos, and at your approach a group of hard faced men and women, clad in composite costumes of leather and rivetted steel, suddenly popped up from behind this barricade. Uncle Jonas was suspicious and slowed the bus almost to a halt. Suddenly they produced handguns and rifles and began to take aim at the windshield, and he knew it was not the time to stop to ask for directions! He told you and Aunt Betty-Ann to brace yourselves, thenstamped his foot on the gas and drove the bus straight through the wall of cars, scattering the punks like ten-pins in a strike. The bus was shot at many times as it sped through Fort Worth, but the street gangs had been caught out and you managed to escape from the ruined city before they could give chase.</p>
+ <p>It was not until you reached the outskirts of Fort Worth that you encountered signs of human habitation. The road ahead was blocked by a line of wrecked autos, and at your approach a group of hard faced men and women, clad in composite costumes of leather and rivetted steel, suddenly popped up from behind this barricade. Uncle Jonas was suspicious and slowed the bus almost to a halt. Suddenly they produced handguns and rifles and began to take aim at the windshield, and he knew it was not the time to stop to ask for directions! He told you and Aunt Betty-Ann to brace yourselves, then stamped his foot on the gas and drove the bus straight through the wall of cars, scattering the punks like ten-pins in a strike. The bus was shot at many times as it sped through Fort Worth, but the street gangs had been caught out and you managed to escape from the ruined city before they could give chase.</p>
+
+ <p>When you got to Denton you discovered that the ranch, like all the other nearby dwellings, had been reduced to a heap of broken bricks and shattered timbers. The sight greatly upset your aunt, and Uncle Jonas felt it better not to stop but to continue overland to McKinney. It was easy to find where the Ewells lived, for their ranch was the only place in town that was still standing. It looked more like an old frontier post than a ranch, with its fortified perimeter wall, lookout posts and stake-filled moat. But, after your brush with the citizens of Fort Worth, it was easy to understand the need for these defences.</p>
<illustration class="inline">
<meta>
<instance class="pdf" src="small4.pdf" width="386" height="150" />
</illustration>
- <p>When you got to Denton you discovered that the ranch, like all the other nearby dwellings, had been reduced to a heap of broken bricks and shattered timbers. The sight greatly upset your aunt, and Uncle Jonas felt it better not to stop but to continue overland to McKinney. It was easy to find where the Ewells lived, for their ranch was the only place in town that was still standing. It looked more like an old frontier post than a ranch, with its fortified perimeter wall, lookout posts and stake-filled moat. But, after your brush with the citizens of Fort Worth, it was easy to understand the need for these defences.</p>
- <p>'Pop' Ewell, the seventy-year-old grandfather of the Ewell family, was the leader of this small colony of survivors; it was he who had urged Uncle Jonas to join them when they had first made radio contact. The colony numbered less than a dozen at the time of your arrival, yet as the airwaves became clearer, soon this number had more than doubled to twenty five. It was decided that a name was needed to identify the settlement. The name 'Dallas Colony One' was adopted - 'DC1' for short - and from that day on everyone worked hard to make DC1 a secure haven for those seeking refuge from the hostile wastelands and marauding city gangs.</p>
+ <p>'Pop' Ewell, the seventy-year-old grandfather of the Ewell family, was the leader of this small colony of survivors; it was he who had urged Uncle Jonas to join them when they had first made radio contact. The colony numbered less than a dozen at the time of your arrival, yet as the airwaves became clearer, soon this number had more than doubled to twenty five. It was decided that a name was needed to identify the settlement. The name 'Dallas Colony One' was adopted<ch.emdash/>'DC1' for short<ch.emdash/>and from that day on everyone worked hard to make DC1 a secure haven for those seeking refuge from the hostile wastelands and marauding city gangs.</p>
<p>'Cutter' Jacks was one such refugee. Before the holocaust he had been chief mechanic at the International Grand Prix Circuit near Lake Dallas, and his incredible skill and knowledge of engines was soon to prove invaluable to the colony. He taught you how to drive, and from a pile of old wrecks that you helped him salvage from the circuit he built you a powerful, customized car. You used it to patrol the highways north of the city, keeping a lookout for gangs of city punks who frequently mounted raids to steal or destroy DC1's supplies. 'Cutter' also taught you to shoot, and it was your prowess with a gun and your skill behind the wheel that was to earn you the begrudging respect of your enemies who took to calling you 'Freeway Warrior'.</p>
<illustration class="inline">
<instance class="pdf" src="small5.pdf" width="386" height="150" />
</illustration>
- <p>Six months after you arrived at DC1, the colony was faced with a major crisis. A heat wave was causing a drought that threatened to destroy the food supply. Crops were failing and the colony's artesian well - its only source of uncontaminated water - was beginning to dry up. The drought was also provoking more attacks from the city punks who were desperate for food and water. Their common need united them and they posed a very real threat to the security of DC1.</p>
+ <p>Six months after you arrived at DC1, the colony was faced with a major crisis. A heat wave was causing a drought that threatened to destroy the food supply. Crops were failing and the colony's artesian well<ch.emdash/>its only source of uncontaminated water<ch.emdash/>was beginning to dry up. The drought was also provoking more attacks from the city punks who were desperate for food and water. Their common need united them and they posed a very real threat to the security of DC1.</p>
<p>It was the last day of May 2020 when Pop Ewell made radio contact with another colony who were based in the city of Big Spring, 300 miles west of McKinney. It appeared that their situation was completely the reverse of DC1's: they had plenty of food and water but they were desperately short of fuel. They told of their contact with survivors in Tucson, Arizona, who were also without fuel. The Tucson colony reported that the territories west of the Sierra Nevada mountains had been spared the worst effects of the radioactive blizzards that had devastated the rest of the country and, miraculously, much of southern California was still widely populated. It had survived the last eight years virtually intact. When you heard the news you could hardly believe your ears. Perhaps your family were alive. You might be reunited after all!</p>
<p>Pop Ewell called for a meeting to decide how best to deal with the crisis now facing DC1. Everyone agreed that to stay at McKinney would lead to eventual death, either slowly from starvation or suddenly at the hands of the murderous city gangs. The only option open to DC1 was to try to reach California; only there lay any real hope for the future of the colony. Your decision was relayed to the survivors at Big Spring and a deal was struck to rendezvous with them as soon as possible. DC1 would exchange fuel for food and water, and together they would join up with the Tuscon colony for the final journey to California.</p>
<p>Preparations began almost immediately. Morale was so high that a heady sense of adventure and optimism enveloped everyone. Few guessed just how fraught with danger the journey would be.</p>
</meta>
<data>
- <p>Before embarking on your adventure, you must first determine your personal characteristics and the weapons and provisions with which you are equipped. On pages 6 and 7 you will find an <a idref="action">Action Chart</a> on which to record and amend these details as the adventure unfolds. For ease of use during play it is recommended that you photocopy these pages.</p>
- <p>Your personal characteristics comprise two basic attributes: <typ class="attribute">CLOSE COMBAT SKILL</typ> and <typ class="attribute">ENDURANCE</typ>. To discover your initial <typ class="attribute">CLOSE COMBAT SKILL</typ>, take a pencil and, with your eyes closed, point the blunt end of it on to the <a idref="random">Random Number Table</a> at the back of this book. If you pick a 0 it counts as zero. Add 10 to the number you have picked and write the total in the <typ class="attribute">CLOSE COMBAT SKILL</typ> section of your Action Chart (for example, if your pencil falls on the number 5 in the <a idref="random">Random Number Table</a>, you have a CLOSE <typ class="attribute">COMBAT SKILL</typ> total of 15). When you fight an enemy in hand-to-hand combat, your <typ class="attribute">CLOSE COMBAT SKILL</typ> will be measured against that of your enemy, so a high score in this section is desirable.</p>
+ <p>Before embarking on your adventure, you must first determine your personal characteristics and the weapons and provisions with which you are equipped. An <a idref="action">Action Chart</a> has been supplied on which to record and amend these details as the adventure unfolds.</p>
+ <p>Your personal characteristics comprise two basic attributes: <typ class="attribute">CLOSE COMBAT SKILL</typ> and <typ class="attribute">ENDURANCE</typ>. To discover your initial <typ class="attribute">CLOSE COMBAT SKILL</typ>, take a pencil and, with your eyes closed, point the blunt end of it on to the <a idref="random">Random Number Table</a>. If you pick a 0 it counts as zero. Add 10 to the number you have picked and write the total in the <typ class="attribute">CLOSE COMBAT SKILL</typ> section of your Action Chart (for example, if your pencil falls on the number 5 in the <a idref="random">Random Number Table</a>, you have a <typ class="attribute">CLOSE COMBAT SKILL</typ> total of 15). When you fight an enemy in hand-to-hand combat, your <typ class="attribute">CLOSE COMBAT SKILL</typ> will be measured against that of your enemy, so a high score in this section is desirable.</p>
<p>To discover your <typ class="attribute">ENDURANCE</typ> level, repeat the process, but this time add 20 to the number you have picked from the <a idref="random">Random Number Table</a>. Write the total in the <typ class="attribute">ENDURANCE</typ> section of your <a idref="action">Action Chart</a> (for example, if your pencil falls on the number 8 on the <a idref="random">Random Number Table</a>, you have a total <typ class="attribute">ENDURANCE</typ> score of 28). If you are wounded in combat, or injured at any other time during your adventure you will lose <typ class="attribute">ENDURANCE</typ> points. If, at any time, your <typ class="attribute">ENDURANCE</typ> points total falls to zero, you are dead and the adventure is over. You can regain lost <typ class="attribute">ENDURANCE</typ> points during the course of the adventure, but your <typ class="attribute">ENDURANCE</typ> level can never rise above your initial score.</p>
<section class="frontmatter-separate" id="sskills">
<data>
<p>Ever since the day you returned to the surface, you have endeavoured to develop your skills and natural instincts fully in order to best defend yourself and your colony.</p>
- <p>Listed on your <a idref='action'>Action Chart</a> are your five basic survival skills:</p>
+ <p>Listed on your <a idref='action'>Action Chart</a> are your five basic Survival Skills:</p>
<section class="frontmatter" id="driving">
<meta><title>Driving</title></meta>
</data>
</section>
- <p>Your ability in each of these five individual skills is measured in skill points. You begin with 3 points per skill. Before starting the adventure, you may allocate an additional 4 skill points to your list of five survival skills. These 4 extra points can be used to improve one or more of your five skills. During your adventure, all five skills will be severely tested, therefore the higher the individual skill level, the better your chances of survival. You may allocate your 4 additional points entirely how you like.</p>
+ <p>Your ability in each of these five individual skills is measured in skill points. You begin with 3 points per skill. Before starting the adventure, you may allocate an additional 4 skill points to your list of five Survival Skills. These 4 extra points can be used to improve one or more of your five skills. During your adventure, all five skills will be severely tested, therefore the higher the individual skill level, the better your chances of survival. You may allocate your 4 additional points entirely how you like.</p>
<p>When you have decided where to allocate your 4 additional skill points, make a note of the totals in the Survival Skills section of your <a idref="action">Action Chart</a>. (In your first adventure, your total number of skill points should be 19: five skills x 3 points each = 15, plus 4 additional skill points = 19 points.)</p>
- <p>If you complete successfully the mission set in Book 1 of the Freeway Warrior series, you may add an additional 4 points to your Survival Skills in Book 2. These additional points, together with any equipment and provisions that you possess at the end of Book 1, may then be used in the next Freeway Warrior adventure, which is called Slaughter Mountain Run.</p>
+ <p>If you complete successfully the mission set in Book 1 of the Freeway Warrior series, you may add an additional 4 points to your Survival Skills in Book 2. These additional points, together with any equipment and provisions that you possess at the end of Book 1, may then be used in the next Freeway Warrior adventure, which is called <cite><a href="&link.02smr;">Slaughter Mountain Run</a></cite>.</p>
</data>
</section>
<p>In order to equip yourself for the task ahead, you may choose up to four items from the following list:</p>
<ul>
<li><typ class="item">SOLAR TORCH</typ></li>
- <li><typ class="item">H.E. (High Explosive) GRENADE</typ></li>
+ <li><typ class="item">HE (High Explosive) GRENADE</typ></li>
<li><typ class="item">BINOCULARS</typ></li>
<li><typ class="item">COMPASS</typ></li>
- <li><typ class="item">C.B. RADIO</typ></li>
+ <li><typ class="item">CB RADIO</typ></li>
<li><typ class="item">SIGNAL FLARE</typ></li>
<li><typ class="item">THREE MEALS</typ> (each Meal takes up one space in your Backpack)</li>
<li><typ class="item">FLEXIBLE SAW</typ></li>
<li><typ class="item">GEIGER COUNTER</typ></li>
</ul>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small6.gif" width="386" height="150" />
+ <instance class="pdf" src="small6.pdf" width="386" height="150"/>
+ </illustration>
+
<p>List the items you have chosen on your <a idref="action">Action Chart</a>. If you have picked four items, adjust your current Stealth level accordingly.</p>
<p>Opportunities may arise during your adventure for you to pick up useful items. These items will appear in the text in bold print and, unless you are instructed otherwise, they can be stored and carried in your Backpack.</p>
<p>You will need to eat regularly. If you do not possess any food when you are instructed to eat a Meal, you will lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<section class="frontmatter" id="medikit">
<meta><title>Medi-kit</title></meta>
<data>
- <p>A well-stocked Medi-kit can make all the difference to your chances of survival should you suffer injury in the field or as a result of combat. It contains useful first aid supplies, such as dressings, antiseptics, antibiotics, water purification tablets, sulphonamides, pain killers, potassium iodine tablets (to delay absorption of radioactivity) and sutures.</p>
+ <p>A well-stocked Medi-kit can make all the difference to your chances of survival should you suffer injury in the field or as a result of combat. It contains useful first aid supplies, such as dressings, antiseptics, antibiotics, water purification tablets, sulfonamides, pain killers, potassium iodide tablets (to delay absorption of radioactivity) and sutures.</p>
<p>For convenience, these medical supplies are grouped into units. To find how many units you have in your Medi-kit, pick a number from the <a idref="random">Random Number Table</a> (0 equals 10) and add 2. Your total score equals the number of units with which you begin your adventure. To keep a record of them, circle the appropriate number of unit symbols in the Medi-kit section of your <a idref="action">Action Chart</a>. The maximum number of units you can carry in your Medi-kit is twelve.</p>
<p>You may use your Medi-kit units to restore lost <typ class="attribute">ENDURANCE</typ> points; each unit used in this way restores 3 points. Units cannot be used to restore <typ class="attribute">ENDURANCE</typ> points in lieu of a Meal or Water when instructed to eat or drink.</p>
</data>
<data>
<p>These weapons aid you in hand-to-hand fighting. You begin your adventure armed with a Hunting Knife which, when used in close combat, adds 2 points to your <typ class="attribute">CLOSE COMBAT SKILL</typ>. Note this Hunting Knife in the Close Combat Weapons section of your <a idref="action">Action Chart</a>.</p>
<p>If you find a close combat weapon during your adventure, you may pick it up and use it. Close combat weapons will appear in the text with a close combat skill number, for example, Machete (3). This number indicates how many points this weapon will add to your <typ class="attribute">CLOSE COMBAT SKILL</typ> when used in a hand-to-hand fight.</p>
- <p>The maximum number of close combat weapons you may carry is two.</p>
+ <p>The maximum number of close combat weapons you may carry is <em>two</em>.</p>
</data>
</section>
<p>In order to be able to use a missile weapon, you must have sufficient ammunition of the correct calibre. The following list shows the calibre of each weapon, the amount that is used every time the weapon is fired, and the number of rounds that you possess at the start of your adventure:</p>
<table>
- <tr>
- <th></th>
- <th>Calibre</th>
- <th>Rate of Fire</th>
- <th>Initial No. of Rounds</th>
- </tr>
- <tr>
- <td>PISTOL</td>
- <td>9mm</td>
- <td>1</td>
- <td>8</td>
- </tr>
- <tr>
- <td>MACHINE PISTOL</td>
- <td>9mm</td>
- <td>6</td>
- <td>30</td>
- </tr>
- <tr>
- <td>SHOTGUN</td>
- <td>12-gauge</td>
- <td>1</td>
- <td>4</td>
- </tr>
- <tr>
- <td>RIFLE</td>
- <td>7.62mm</td>
- <td>1</td>
- <td>4</td>
- </tr>
+ <tr><th></th><th>Calibre</th><th>Rate of Fire</th><th>Initial No. of Rounds</th></tr>
+ <tr><td>PISTOL</td><td>9mm</td><td>1</td><td>8</td></tr>
+ <tr><td>MACHINE PISTOL</td><td>9mm</td><td>6</td><td>30</td></tr>
+ <tr><td>SHOTGUN</td><td>12-gauge</td><td>1</td><td>4</td></tr>
+ <tr><td>RIFLE</td><td>7.62mm</td><td>1</td><td>4</td></tr>
</table>
<p>The initial number of rounds should be noted in the Ammo Pouch section of your <a idref="action">Action Chart</a>. Missile weapons cannot be used if you run out of ammunition or possess rounds of the wrong calibre. However, the opportunity may arise for you to replenish your supply of ammunition and/or discover a weapon of the correct calibre.</p>
</li>
<li><p>After working out your Combat Ratio, pick a number from the <a idref="random">Random Number Table</a>.</p></li>
<li>
- <p>Turn to the Close Combat Results Table on the inside back cover of the book. Along the top of the chart are the Combat Ratio numbers. Find the number that is the same as your Combat Ratio and cross-reference it with the number that you have picked (the random numbers appear down the side of the chart). You now have the <typ class="attribute">ENDURANCE</typ> points lost by both Cal Phoenix and his enemy in this round of close combat. (E represents points lost by the enemy; CP represents points lost by Cal Phoenix.)</p>
+ <p>Turn to the <a idref="crtable">Close Combat Results Table</a>. Along the top of the chart are the Combat Ratio numbers. Find the number that is the same as your Combat Ratio and cross-reference it with the number that you have picked (the random numbers appear down the side of the chart). You now have the <typ class="attribute">ENDURANCE</typ> points lost by both Cal Phoenix and his enemy in this round of close combat. (E represents points lost by the enemy; CP represents points lost by Cal Phoenix.)</p>
<p>Example<br />The Combat Ratio between Cal Phoenix and the Renegade Clansman has been established as <ch.plus/>1. If the number picked from the <a idref="random">Random Number Table</a> is a 4, then the result of the first round of close combat is:</p>
<ul>
- <li>Cal Phoenix loses 3 <typ class="attribute">ENDURANCE</typ> points.</li>
- <li>Renegade Clansman loses 4 <typ class="attribute">ENDURANCE</typ> points.</li>
- </ul>
+ <li>Cal Phoenix loses 3 <typ class="attribute">ENDURANCE</typ> points.</li>
+ <li>Renegade Clansman loses 4 <typ class="attribute">ENDURANCE</typ> points.</li>
+ </ul>
</li>
<li><p>On the <a idref="action">Action Chart</a>, mark the changes in <typ class="attribute">ENDURANCE</typ> points to the participants in the close combat.</p></li>
<li><p>Unless otherwise instructed, or unless you have an option to evade, start the next round of close combat.</p></li>
<li><p>Repeat the sequence from stage 3.</p></li>
</ol>
<p>This procedure continues until the <typ class="attribute">ENDURANCE</typ> points of either the enemy or Cal Phoenix are reduced to zero, at which point the one whose score is zero is declared dead. If Cal Phoenix is dead, the adventure is over. If the enemy is dead, Cal Phoenix proceeds but with a reduced <typ class="attribute">ENDURANCE</typ> point score.</p>
- <p>A <a idref="crsumary">
summary of the Close Combat Rules</a> appears on the page after the <a idref="random">Random Number Table</a>.</p>
+ <p>A <a idref="crsumary">
Summary of the Close Combat Rules</a> appears on the page after the <a idref="random">Random Number Table</a>.</p>
<section class="frontmatter" id="evasion">
<meta><title>Evasion of Combat</title></meta>
<data>
- <p>During your adventure you may be given the chance to evade close combat. If you have already engaged in a round of close combat and decide to evade, calculate the combat for that round in the usual manner. All ENDURANCE points lost by the enemy as a result of that round are ignored; only Cal Phoenix may lose <typ class="attribute">ENDURANCE</typ> points during that round, but that is the risk of running away! You may evade combat only if the text of the particular section allows you to do so.</p>
+ <p>During your adventure you may be given the chance to evade close combat. If you have already engaged in a round of close combat and decide to evade, calculate the combat for that round in the usual manner. All <typ class="attribute">ENDURANCE</typ> points lost by the enemy as a result of that round are ignored; only Cal Phoenix may lose <typ class="attribute">ENDURANCE</typ> points during that round, but that is the risk of running away! You may evade combat only if the text of the particular section allows you to do so.</p>
</data>
</section>
</data>
<meta><title>1</title></meta>
<data>
- <p>After a week of careful preparation, the colony is ready to begin the long trek to Big Spring. Three vehicles have been picked to make up the convoy: the school bus, your customized roadster, and a gasolene tanker that was salvaged from an old drilling site at nearby Greenville. Cutter and your uncle have rigged up a square canvas canopy to hide the tanker's tell-tale cylindrical body, which now holds over 5,000 gallons of petroleum, syphoned from the underground storage tanks at the Ewell ranch. In this fuel-starved world, gasolene is the most valuable of all commodities. If the city gangs were to discover that DC1 were transporting such a precious load they would stop at nothing to capture it.</p>
+ <p>After a week of careful preparation, the colony is ready to begin the long trek to Big Spring. Three vehicles have been picked to make up the convoy: the school bus, your customized roadster, and a gasolene tanker that was salvaged from an old drilling site at nearby Greenville. Cutter and your uncle have rigged up a square canvas canopy to hide the tanker's tell-tale cylindrical body, which now holds over 5,000 gallons of petroleum, siphoned from the underground storage tanks at the Ewell ranch. In this fuel-starved world, gasolene is the most valuable of all commodities. If the city gangs were to discover that DC1 were transporting such a precious load they would stop at nothing to capture it.</p>
<p>Most of the colony will be travelling aboard the bus, which will be driven by your uncle. Cutter will drive the tanker and you, acting as scout, will drive your roadster at the head of the convoy. With the bus full of passengers, luggage is limited to essential supplies only; everything else will be destroyed before leaving McKinney. At dawn, on the day before the convoy is to set off, a thorough check is made of the vehicles and provisions. There is enough food and water to reach your destination but, apart from your personal weapons, the colony has very few firearms with which to defend itself.</p>
- <p>Long Jake Bannerman, a former roustabout from Gainsville, has volunteered to drive north and search for weapons and ammunition. His brother once owned a hardware store in Sherman and kept his stock of sporting guns locked in the basement. Although they may have to be dug out there is a good chance that they have survived intact. Everyone agrees that it is worth a try, and so Jake, equipped with a C.B. radio, a shovel, and a rusty revolver, sets out for Sherman in his beat-up old truck.</p>
-<!--
- <illustration class="inline">
- <meta>
- <creator>Melvyn Grant</creator>
- </meta>
- <instance class="html" src="small3.gif" width="386" height="150" />
- </illustration>
--->
- <p>Two hours later he radios a message from Sherman. He has found rifles and ammunition, but his truck has broken down and he is now stranded in the town. He has also found a survivor - a teenage girl - and he requests that you come to pick them up as soon as possible. Uncle Jonas agrees. He tells him to sit tight and wait for you to arrive.</p>
+ <p>Long Jake Bannerman, a former roustabout from Gainsville, has volunteered to drive north and search for weapons and ammunition. His brother once owned a hardware store in Sherman and kept his stock of sporting guns locked in the basement. Although they may have to be dug out there is a good chance that they have survived intact. Everyone agrees that it is worth a try, and so Jake, equipped with a CB radio, a shovel, and a rusty revolver, sets out for Sherman in his beat-up old truck.</p>
+ <p>Two hours later he radios a message from Sherman. He has found rifles and ammunition, but his truck has broken down and he is now stranded in the town. He has also found a survivor<ch.emdash/>a teenage girl<ch.emdash/>and he requests that you come to pick them up as soon as possible. Uncle Jonas agrees. He tells him to sit tight and wait for you to arrive.</p>
<p>'Trust Jake to go an' maroon hi'self with a gal!' grumbles Uncle Jonas, wryly. 'Cal, you better git your body up to Sherman and haul 'em back here. An' no messin' with street punks on the way, y'hear!'</p>
<p>'We'll be back in time for breakfast!' you reply, cheerily, as you slide behind the wheel of your roadster and fire up its throaty V-8 engine. Then, with a farewell wave, you power the car out of McKinney and speed northwards to Sherman along what remains of Highway 75.</p>
<choice idref="sect204"><link-text>Turn to 204</link-text>.</choice>
<data>
<p>You press your face against the metal stock of your machine pistol, take careful aim at the enemy sniper perched on the building opposite, and squeeze the trigger.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small12.gif" width="386" height="150" />
+ <instance class="pdf" src="small12.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect349">If your total score is now 10 or less, <link-text>turn to 349</link-text>.</choice>
<choice idref="sect229">If your total score is now 11 or more, <link-text>turn to 229</link-text>.</choice>
<meta><title>4</title></meta>
<data>
- <p>You recall that these letters are the chemical symbol for sodium chloride - common salt. You have stumbled upon a huge stockpile of a substance that is vital to human survival, yet one that is becoming harder to find with every passing day. In your excitement you let out a shout and can barely stop yourself from dancing around the crate in sheer delight.</p>
+ <p>You recall that these letters are the chemical symbol for sodium chloride<ch.emdash/>common salt. You have stumbled upon a huge stockpile of a substance that is vital to human survival, yet one that is becoming harder to find with every passing day. In your excitement you let out a shout and can barely stop yourself from dancing around the crate in sheer delight.</p>
<p>You decide to take as many tubs of salt as you can carry and return to the convoy without delay.</p>
<choice idref="sect29"><link-text>Turn to 29</link-text>.</choice>
</data>
<section class="numbered" id="sect5">
<meta><title>5</title></meta>
+ <footnotes>
+ <footnote id="sect5-1-foot" idref="sect5-1">
+ <p>Remember to deduct six rounds of 9mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You pull and release the bolt of your G-12, then level the barrel at the leading dog as it gets ready to make its leap. Hurriedly you squeeze off a burst of fire that rips through its chest and sends its lifeless body spinning backwards among the rest of the pack. The death of their brother, and the noise and fury of your weapon, brings the pack to a sudden halt.</p>
+ <p>You pull and release the bolt of your G-12, then level the barrel at the leading dog as it gets ready to make its leap. Hurriedly you squeeze off a burst of fire that rips through its chest and sends its lifeless body spinning backwards among the rest of the pack.<a id="sect5-1" idref="sect5-1-foot" class="footnote" /> The death of their brother, and the noise and fury of your weapon, brings the pack to a sudden halt.</p>
<choice idref="sect90"><link-text>Turn to 90</link-text>.</choice>
</data>
</section>
<meta><title>12</title></meta>
<data>
- <p>The climb is steep and tortuous but you manage to reach the top of the gulley in one piece. Carefully, you pick your way around the edge until you happen upon a narrow path that ascends towards the flickering light on the mountainside above. As you draw closer, you see that the light is being cast by a small fire burning at the entrance to a cave. You approach with caution. As you draw level with the cave, you are greeted by a strange and curious sight.</p>
+ <p>The climb is steep and tortuous but you manage to reach the top of the gully in one piece. Carefully, you pick your way around the edge until you happen upon a narrow path that ascends towards the flickering light on the mountainside above. As you draw closer, you see that the light is being cast by a small fire burning at the entrance to a cave. You approach with caution. As you draw level with the cave, you are greeted by a strange and curious sight.</p>
<choice idref="sect305"><link-text>Turn to 305</link-text>.</choice>
</data>
</section>
<data>
<p>It takes just four seconds for the clansman to pump thirty bullets into the side of your roadster. Several of the special armour-piercing loads pass straight through the thin metal sheeting that encases the driving compartment, and wound you in a line from your shoulder to your thigh. The force of their impact knocks you across the passenger seat and, as you fall, you pull the steering wheel and send the car veering wildly out of control. It careers off the road and rolls over and over until finally it explodes with a tremendous roar.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small11.gif" width="386" height="150" />
+ <instance class="pdf" src="small11.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Tragically, your journey and your life end here on Freeway 20.</p>
</data>
</section>
<footnotes>
<footnote id="sect20-1-foot" idref="sect20-1">
- <p>This is the correct answer to the keypad puzzle in <a idref="sect152">Section 152.</a></p>
+ <p>This is the correct answer to the keypad puzzle in <a idref="sect152">Section 152</a>.</p>
</footnote>
</footnotes>
<data>
- <p>The instant you tap the number 20 on the keypad,<a id="sect20-1" idref="sect20-1-foot" class="footnote" /> there is a sharp click and the steel door swings inwards to reveal the shelved walls of a strongroom beyond. You smile with satisfaction at having cracked the university's door code: the number in the last column of each row is the sum of the numbers in the first two columns, minus the number in the third column.</p>
- <p>Curious as to what lies within, you enter the strongroom and inspect its dusty shelves. This concrete vault contains the documentation of experiments and small quantities of what were once considered precious metals - gold, platinum, silver and titanium. After a thorough search you find three items that you may be able to put to practical use:</p>
+ <p>The instant you tap the number 20 on the keypad,<a id="sect20-1" idref="sect20-1-foot" class="footnote" /> there is a sharp <onomatopoeia>click</onomatopoeia> and the steel door swings inwards to reveal the shelved walls of a strongroom beyond. You smile with satisfaction at having cracked the university's door code: the number in the last column of each row is the sum of the numbers in the first two columns, minus the number in the third column.</p>
+ <p>Curious as to what lies within, you enter the strongroom and inspect its dusty shelves. This concrete vault contains the documentation of experiments and small quantities of what were once considered precious metals<ch.emdash/>gold, platinum, silver and titanium. After a thorough search you find three items that you may be able to put to practical use:</p>
<ul>
- <li><typ class="item">GEIGER COUNTER</typ></li>
- <li><typ class="item">ALTIMETER</typ></li>
- <li><typ class="item">RADIATION SUIT</typ> (occupies two item spaces in the Backpack)</li>
+ <li><typ class="item">Geiger Counter</typ></li>
+ <li><typ class="item">Altimeter</typ></li>
+ <li><typ class="item">Radiation Suit</typ> (occupies two item spaces in the Backpack)</li>
</ul>
<p>If you wish to keep any of these items, amend your <a idref="action">Action Chart</a> accordingly.</p>
<choice idref="sect29">To leave the strongroom and return to the convoy, <link-text>turn to 29</link-text>.</choice>
<data>
<p>Obstructions are few on this stretch of Freeway 35. Most of the wrecks that once choked this route into Fort Worth now lie in dusty heaps at the side of the road, their bodies having been stripped of serviceable parts long ago by city gang scavengers. The piles of auto-shells steadily increase as you near the outskirts of Fort Worth, warning you of the increasing likelihood of ambush and prompting you to keep your eyes peeled for anything that could pose a threat to the convoy.</p>
<p>To your left, you can see the buildings of downtown Dallas perched precariously around the edge of a huge crater. These once-gleaming towers of mirrored glass and steel now lie black and broken, like a circle of charred bones. It is a murderously chilling sight.</p>
- <p>At a junction on the outskirts of Fort Worth, you decide to leave Freeway 35 and follow a safer route that will take you around the city. The remains of Highway 820 serve your purpose well, until you reach another junction where the Jacksboro Highway crosses your path. In order for the convoy to connect with Freeway 20, the interstate highway that leads all the way to Big Spring, you must traverse one major obstacle - the Trinity River.</p>
- <p>You consult your map. There are two places where the convoy can cross the Trinity, both of them close by. Two miles further along Highway 820 there is a bridge over Lake Worth. Two miles north, along the Jacksboro Highway, another bridge crosses the river at a place called Lakeside Village.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>At a junction on the outskirts of Fort Worth, you decide to leave Freeway 35 and follow a safer route that will take you around the city. The remains of Highway 820 serve your purpose well, until you reach another junction where the Jacksboro Highway crosses your path. In order for the convoy to connect with Freeway 20, the interstate highway that leads all the way to Big Spring, you must traverse one major obstacle<ch.emdash/>the Trinity River.</p>
+ <p>You consult your <a idref="map">map</a>. There are two places where the convoy can cross the Trinity, both of them close by. Two miles further along Highway 820 there is a bridge over Lake Worth. Two miles north, along the Jacksboro Highway, another bridge crosses the river at a place called Lakeside Village.</p>
<choice idref="sect312">If you wish to check out the bridge at Lakeside Village, <link-text>turn to 312</link-text>.</choice>
<choice idref="sect149">If you decide to continue along Highway 820, and attempt to cross the Trinity River at Lake Worth, <link-text>turn to 149</link-text>.</choice>
</data>
<section class="numbered" id="sect23">
<meta><title>23</title></meta>
+ <footnotes>
+ <footnote id="sect23-1-foot" idref="sect23-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You squeeze the trigger and immediately the rider throws his hands to his face. He swoons, falls backwards, and then tumbles from the saddle. Before the sidecar rider can jump free, the speeding machine careers off the road into the wall of an office building, and explodes in a searing ball of flame.</p>
- <p>With grim satisfaction you stare at the burning wreckage, but your gaze is soon distracted by a column of motorcycles - the main body of the clan - as it rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.' The tanker has made it across the platform and is now parked with the other vehicles on the far side of the river. Kate is running towards you from the factory, and as she reaches the bridge, you call out to her: 'Set the bomb! I'll cover you!'</p>
+ <p>You squeeze the trigger and immediately the rider throws his hands to his face.<a id="sect23-1" idref="sect23-1-foot" class="footnote" /> He swoons, falls backwards, and then tumbles from the saddle. Before the sidecar rider can jump free, the speeding machine careers off the road into the wall of an office building, and explodes in a searing ball of flame.</p>
+ <p>With grim satisfaction you stare at the burning wreckage, but your gaze is soon distracted by a column of motorcycles<ch.emdash/>the main body of the clan<ch.emdash/>as it rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.' The tanker has made it across the platform and is now parked with the other vehicles on the far side of the river. Kate is running towards you from the factory, and as she reaches the bridge, you call out to her: 'Set the bomb! I'll cover you!'</p>
<p>Tensely you watch the clansmen as they gun their bikes along the freeway, and you glance repeatedly over your shoulder, praying for Kate to signal that the bomb is ready. Then the front line of bikers open fire with their machine pistols, and suddenly the air is filled with the whine and whistle of bullets. 'It's ready!' shouts Kate, and takes off across the bridge at a run.</p>
- <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your Stealth skill total. (Note: If your <typ class="attribute">ENDURANCE</typ> is low and you are heavily encumbered, it may be advisable to discard some of your Backpack items in order to increase your Stealth skill level.)</p>
+ <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your Stealth skill total. (Note: If your <typ class="attribute">ENDURANCE</typ> is low and you are heavily encumbered, it may be advisable to discard some of your Backpack Items in order to increase your Stealth skill level.)</p>
<choice idref="sect324">If your total is 11 or less, <link-text>turn to 324</link-text>.</choice>
<choice idref="sect200">If your total is 12 or more, <link-text>turn to 200</link-text>.</choice>
</data>
<meta><title>24</title></meta>
<data>
- <p>You thumb back the switch and point the narrow beam of light at the ground. To your surprise you are standing on the edge of a deep gulley, the remains of a dried-out stream that once gushed and tumbled down this rocky mountainside.</p>
- <p>Carefully, you pick your way around the gulley and follow a narrow path that ascends towards the flickering light. As you draw closer, you see that the light is being cast by a small fire burning at the entrance to a cave. You switch off your torch and approach with caution. As you draw level with the cave, you are greeted by a strange and curious sight.</p>
+ <p>You thumb back the switch and point the narrow beam of light at the ground. To your surprise you are standing on the edge of a deep gully, the remains of a dried-out stream that once gushed and tumbled down this rocky mountainside.</p>
+ <p>Carefully, you pick your way around the gully and follow a narrow path that ascends towards the flickering light. As you draw closer, you see that the light is being cast by a small fire burning at the entrance to a cave. You switch off your torch and approach with caution. As you draw level with the cave, you are greeted by a strange and curious sight.</p>
<choice idref="sect305"><link-text>Turn to 305</link-text>.</choice>
</data>
</section>
<meta><title>26</title></meta>
<data>
- <p>Silently you unsling your shotgun and trombone a 12-gauge shell into the breach. The machine-gunner disappears from view, reappearing a moment later with his reloaded gun held at waist level, ready to fire.</p>
+ <p>Silently you unsling your shotgun and trombone a 12-gauge shell into the breach. The machine gunner disappears from view, reappearing a moment later with his reloaded gun held at waist level, ready to fire.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>In one swift, smooth movement you bring your gun to your shoulder and fire.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect275">If the total is now 0-5, <link-text>turn to 275</link-text>.</choice>
<section class="numbered" id="sect28">
<meta><title>28</title></meta>
+ <footnotes>
+ <footnote id="sect28-1-foot" idref="sect28-1">
+ <p>Remember to deduct a round of 7.62mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>As you unsling your rifle you glance at the breach, taking note of the red tag which indicates that a round is chambered ready to fire. Then swiftly you raise the gun to your shoulder, flick the safety and take aim at the leading dog. You fire as it leaps and your bullet passes clean through its body, killing it instantly and wounding another in the pack behind.</p>
+ <p>As you unsling your rifle you glance at the breach, taking note of the red tag which indicates that a round is chambered ready to fire. Then swiftly you raise the gun to your shoulder, flick the safety and take aim at the leading dog. You fire as it leaps and your bullet passes clean through its body, killing it instantly and wounding another in the pack behind.<a id="sect28-1" idref="sect28-1-foot" class="footnote" /></p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect190">If you wish to fire a second round at these rabid dogs and are able to do so, <link-text>turn to 190</link-text>.</choice>
<choice idref="sect64">If you have run out of ammunition, or choose not to fire a second round, <link-text>turn to 64</link-text>.</choice>
</data>
<data>
<p>With your back bent beneath the combined weight of your equipment, fifty pounds of salt and the thick roll of polythene sheeting that is slung around your shoulders, you slowly make your way back to the convoy. The sight of you staggering out of the campus, half-hidden beneath the mountain of items you have salvaged, provokes a loud roar of laughter from the bus. Cutter Jacks and Uncle Jonas come to your aid, both resisting the urge to poke fun at you. When they discover what you are carrying, their mouths drop open in amazement.</p>
- <p>Word spreads and everyone is suddenly eager to congratulate you. You decide to keep one of the tubs (mark the <typ class="item">Salt</typ> on your <a idref="action">Action Chart</a> as a Backpack Item - if you already carry the maximum number, you must discard another item in favour of this one). As soon as all your precious discoveries are loaded safely on the bus, you climb back into your roadster and lead the convoy along the southbound carriageway of Freeway 35.</p>
+ <p>Word spreads and everyone is suddenly eager to congratulate you. You decide to keep one of the tubs (mark the <typ class="item">Salt</typ> on your <a idref="action">Action Chart</a> as a Backpack Item<ch.emdash/>if you already carry the maximum number, you must discard another item in favour of this one). As soon as all your precious discoveries are loaded safely on the bus, you climb back into your roadster and lead the convoy along the southbound carriageway of Freeway 35.</p>
<choice idref="sect22"><link-text>Turn to 22</link-text>.</choice>
</data>
</section>
<data>
<p>The billowing smoke threatens to suffocate you before you have a chance to break free. Frantically you pull at the ropes until they give, then you stagger out of the smoke, coughing and retching violently: lose 2 <typ class="attribute">ENDURANCE</typ> points.</p>
- <p>No sooner have you recovered from the effects of the smoke than you are faced with another peril. An indian clansman is running at you, holding a wide-bladed machete above his head. With a scream, he leaps forwards and takes a swipe at your neck.</p>
+ <p>No sooner have you recovered from the effects of the smoke than you are faced with another peril. An Indian clansman is running at you, holding a wide-bladed machete above his head. With a scream, he leaps forwards and takes a swipe at your neck.</p>
<illustration class="float">
<meta>
<creator>Melvyn Grant</creator>
- <description>An indian clansman is running at you, holding a wide-bladed machete above his head.</description>
+ <description>An Indian clansman is running at you, holding a wide-bladed machete above his head.</description>
</meta>
- <instance class="html" src="ill2.gif" width="386" height="591" />
- <instance class="pdf" src="ill2.pdf" width="386" height="591" />
+ <instance class="html" src="ill2.gif" width="386" height="589" />
+ <instance class="pdf" src="ill2.pdf" width="386" height="589" />
</illustration>
<combat><enemy>Choctaw</enemy><enemy-attribute class="closecombatskill">17</enemy-attribute><enemy-attribute class="endurance">28</enemy-attribute></combat>
<choice idref="sect228">If you win the combat, <link-text>turn to 228</link-text>.</choice>
<data>
<p>You stoop to pick up one of the spent cartridges, an empty 7.62mm casing. As you are inspecting it, a heavy weight lands on your back, forcing you to your knees: you have been smothered by a large rope net thrown from the roof of the sheriff's office.</p>
- <p>The silence is shattered by a riot of noise as a dozen screaming clansmen surround your struggling form. Grasping hands snatch your weapons (erase all your missile and close combat weapons from your <a idref="action">Action Chart</a>) before they drag you - still ensnared in the net - through the entrance doors and along a narrow corridor. At the far end of the corridor, a pair of evil-smelling clansmen pull you out of the net and throw you head first into an empty cell. As the heavy iron door clangs shut, you stagger wearily to your feet and survey your spartan surroundings.</p>
+ <p>The silence is shattered by a riot of noise as a dozen screaming clansmen surround your struggling form. Grasping hands snatch your weapons (erase all your missile and close combat weapons from your <a idref="action">Action Chart</a>) before they drag you<ch.emdash/>still ensnared in the net<ch.emdash/>through the entrance doors and along a narrow corridor. At the far end of the corridor, a pair of evil-smelling clansmen pull you out of the net and throw you head first into an empty cell. As the heavy iron door clangs shut, you stagger wearily to your feet and survey your spartan surroundings.</p>
<choice idref="sect346">If you possess either a <typ class="item">File</typ> or a <typ class="item">Flexible Saw</typ>, <link-text>turn to 346</link-text>.</choice>
<choice idref="sect294">If you possess neither of these items, <link-text>turn to 294</link-text>.</choice>
</data>
<data>
<p>As you cruise along the deserted freeway you glance frequently to the north, on the lookout for a dust cloud that would herald the arrival of the Detroit Lions. But no matter how hard you try to concentrate on your role as convoy scout, you cannot seem to think of anything but your growing affection for Kate. An hour later, as you reach Colorado City, your romantic daydreaming is brought to an abrupt end as a serious problem looms into view.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
<p>The apex of the bridge that carries Freeway 20 across the Colorado River has collapsed, leaving a gap nearly eight feet wide. You stop the convoy and Cutter examines the damage. He returns to report that the bridge is not beyond repair. 'It's gonna take at least three hours, maybe four, to rig a ramp across that gap strong enough to support the tanker,' he says, squinting at the bridge.</p>
<p>At length it is decided that you should scout along the river for another place to cross, while the colony sets to work building a ramp. Then, if your search proves fruitless, at least the repair of the bridge will be well under way.</p>
<choice idref="sect161">If you wish to scout along the river to the north, <link-text>turn to 161</link-text>.</choice>
<meta><title>38</title></meta>
<data>
- <p>A 1960s Thunderbird convertible, its bodywork and chrome gleaming as if it were only a day old, glides towards you like something out of a dream. Behind the driver stands a tall figure with dark, hungry eyes. He is dressed as an indian chief, with a lamella breastplate and a magnificent head-dress of eagle feathers which frames his stern face. The car draws to a halt and proudly the chief addresses the crowd that kneels before him.</p>
+ <p>A 1960s Thunderbird convertible, its bodywork and chrome gleaming as if it were only a day old, glides towards you like something out of a dream. Behind the driver stands a tall figure with dark, hungry eyes. He is dressed as an Indian chief, with a lamella breastplate and a magnificent head-dress of eagle feathers which frames his stern face. The car draws to a halt and proudly the chief addresses the crowd that kneels before him.</p>
<p>'We of the Nanoc are the chosen ones,' he cries, his words drawing the reply 'be it so' from his clan. 'By the strength of our faith have we been spared the great wrath of Hastsezini, god of fire. Now, the time has come for us to reclaim the land of our forefathers. I, Chief Drawoher, call upon Heng, the Thunder Spirit, to bring rains to quench the thirsty earth.'</p>
<p>On hearing his words, several of the clan get to their feet and begin to dance around the totem, chanting as they raise their faces to the sky. 'This night Heng will hear our call,' says the chief, excitedly. Then he points at you with his tomahawk and utters the chilling words. 'This night shall we offer this soul as sacrifice to the spirit of thunder.'</p>
<choice idref="sect239"><link-text>Turn to 239</link-text>.</choice>
<data>
<p>You cradle your rifle in your left hand and, with your right, you work a round into the chamber. The moving shadow of your enemy half fills the window as you raise your weapon, flick back the safety catch and take aim at his chest.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect275">If the total is now 0-5, <link-text>turn to 275</link-text>.</choice>
<choice idref="sect180">If it is 6 or more, <link-text>turn to 180</link-text>.</choice>
<data>
<p>You scream at your people to get away from the window as hurriedly you load, raise, and then aim your rifle at the rider's chest.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your Shooting skill total.</p>
<choice idref="sect340">If your total score is 13 or less, <link-text>turn to 340</link-text>.</choice>
<choice idref="sect302">If your total score is 14 or more, <link-text>turn to 302</link-text>.</choice>
<meta><title>43</title></meta>
<data>
- <p>You take hold of the crate, ready to wrench it open but, to your surprise, the wood is infested with dry rot and crumbles to dust under the slightest pressure. You strip away the flaky timbers to discover hundreds of square plastic tubs, held together by a sheet of clear polythene - just what your uncle wanted! Using your hunting knife, carefully you lay open the sheet, peeling it away from the tubs, and rolling it up for future use.</p>
- <p>On the tubs themselves are blue and white labels that display the letters: N a C 1.</p>
+ <p>You take hold of the crate, ready to wrench it open but, to your surprise, the wood is infested with dry rot and crumbles to dust under the slightest pressure. You strip away the flaky timbers to discover hundreds of square plastic tubs, held together by a sheet of clear polythene<ch.emdash/>just what your uncle wanted! Using your hunting knife, carefully you lay open the sheet, peeling it away from the tubs, and rolling it up for future use.</p>
+ <p>On the tubs themselves are blue and white labels that display the letters: NaCl.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Perception skill total.</p>
<choice idref="sect240">If the total is now 7 or less, <link-text>turn to 240</link-text>.</choice>
<choice idref="sect4">If it is 8 or more, <link-text>turn to 4</link-text>.</choice>
<meta><title>46</title></meta>
<data>
- <p>You arrive at a ridge of high ground that overlooks the ruins of Denton. The place is familiar - you have stopped here many times over the past few months during your routine patrols of the area, to check that the town was not being used as a base by the gangs who were raiding McKinney. Although you cannot see anything out of the ordinary, you sense that something is wrong, that there is a hidden danger lurking in Denton. Your skin prickles at the thought of investigating the ruins lest your suspicions prove correct, but, on the other hand, the convoy must reach the freeway. You consider your options carefully.</p>
+ <p>You arrive at a ridge of high ground that overlooks the ruins of Denton. The place is familiar<ch.emdash/>you have stopped here many times over the past few months during your routine patrols of the area, to check that the town was not being used as a base by the gangs who were raiding McKinney. Although you cannot see anything out of the ordinary, you sense that something is wrong, that there is a hidden danger lurking in Denton. Your skin prickles at the thought of investigating the ruins lest your suspicions prove correct, but, on the other hand, the convoy must reach the freeway. You consider your options carefully.</p>
<choice idref="sect339">If you possess some <typ class="item">Binoculars</typ>, <link-text>turn to 339</link-text>.</choice>
<choice idref="sect198">If you wish to return to the convoy and tell them to avoid Denton, <link-text>turn to 198</link-text>.</choice>
<choice idref="sect298">If you decide to ignore your fears and investigate the ruins, <link-text>turn to 298</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>The cell door swings back to reveal a barrel-chested clansman.</description>
</meta>
- <instance class="html" src="ill3.gif" width="386" height="591" />
- <instance class="pdf" src="ill3.pdf" width="386" height="591" />
+ <instance class="html" src="ill3.gif" width="386" height="590" />
+ <instance class="pdf" src="ill3.pdf" width="386" height="590" />
</illustration>
<p>'You scoutin' for the Skulls, ain't you boy?' he says, his hand caressing the butt of a pistol that is holstered on his hip. 'That 'roach Alcatraz sent you here t'check us out, didn't he?' Resentful mutterings fill the corridor outside, urging the beady-eyed clansman to settle the matter by shooting you.</p>
<p>'Do I look like a Skull?' you ask defensively.</p>
<p>'Maybe not,' he growls, 'but if you ain't a Skull, what are you doing nosin' around Albany?'</p>
- <p>Choosing your words with care, you manage to convince the clansman and his cohorts that you are a loner, desperately short of food and water, who ran across the town by chance and decided to enter in search of supplies. The clansman, who calls himself Manhattan, seems impressed by your story and invites you to join his gang, who are known as 'the Kickers'. You have little option but to accept his invitation in the hope that once you are released from the cell you will be able to escape.</p>
+ <p>Choosing your words with care, you manage to convince the clansman and his cohorts that you are a loner, desperately short of food and water, who ran across the town by chance and decided to enter in search of supplies. The clansman, who calls himself Manhattan, seems impressed by your story and invites you to join his gang, who are known as the 'Kickers'. You have little option but to accept his invitation in the hope that once you are released from the cell you will be able to escape.</p>
<p>'Good!' snarls Manhattan. He informs his men of your decision and orders them to make preparations for the Rite'. When you ask what 'the Rite' is, he narrows his eyes and sniggers. 'You must earn the right to become a Kicker,' he explains, grimly. 'You must prove to us that you are worthy.'</p>
<choice idref="sect337"><link-text>Turn to 337</link-text>.</choice>
</data>
<meta><title>50</title></meta>
<data>
- <p>Your return is met with great relief and joy that Maria is safe. Juan and Rosita - Maria's parents - cannot thank you enough for finding their child, and the others, especially your uncle and aunt, heap you with praise. After the excitement has abated you venture out into the storm once more, this time with Cutter, to retrieve food and other vital supplies from the bus.</p>
+ <p>Your return is met with great relief and joy that Maria is safe. Juan and Rosita<ch.emdash/>Maria's parents<ch.emdash/>cannot thank you enough for finding their child, and the others, especially your uncle and aunt, heap you with praise. After the excitement has abated you venture out into the storm once more, this time with Cutter, to retrieve food and other vital supplies from the bus.</p>
<p>'This is one heck of a blue norther,' he says, as you climb aboard the bus. 'Reckon it could hold us here for a day or two before it blows itself out.'</p>
- <p>'I sure hope you're wrong.' you reply, as you prise open the floor hatch that gives access to the luggage hold from inside the bus. 'Take a look at this.' A fetid smell rises from the compartment, the smell of rotten food.</p>
+ <p>'I sure hope you're wrong,' you reply, as you prise open the floor hatch that gives access to the luggage hold from inside the bus. 'Take a look at this.' A fetid smell rises from the compartment, the smell of rotten food.</p>
<p>'Dadburn it! That's all we need right now!' exclaims Cutter, as he examines the swollen food parcels at arm's length. 'The heat's put paid to these rations. Now we're really in for a hard time.'</p>
<p>The colony react to the news of the spoiled food with silent disbelief. What little that can be saved is carefully shared out, but it amounts to barely a day's ration per person. 'If we don't find some food to replace what we've lost,' says Aunt Betty-Ann, as she distributes the last of the stone-hard bread, 'it'll be a convoy of skeletons that drives into Big Spring.'</p>
<p>'Well, at least we've got enough water,' replies Pop Ewell. 'We can live for three weeks without food, but we'd all be dead in three days without water.'</p>
<data>
<p>Painfully you drag yourself to your feet. You wait until the footfalls of the patrol have passed out of earshot and then venture out into the park once more. You manage to avoid another patrol before escaping from the amusement park and meeting up with Cutter at the truck depot. You are both relieved to discover that the place is empty and unguarded, and quickly you make your way to the stores building. You find the records office, but without electricity you cannot access the computer files to pinpoint the exact location of the spare you need. With horror you realize that in order to find a new steering linkage you will have to search every one of the 1,600 storage bays that occupy the building.</p>
- <p>We'll be here forever if we have to search the shelves,' you whisper.</p>
+ <p>'We'll be here forever if we have to search the shelves,' you whisper.</p>
<p>'I guess you're right,' replies Cutter, 'but I think I know a quicker way of finding what we need. Follow me.'</p>
<p>Intrigued by Cutter's reply, you follow him out of the stores building, across a parking lot, and into another section of the depot that is marked:</p>
<signpost>ZONE 3: MUNICIPAL VEHICLE SERVICING</signpost>
<section class="numbered" id="sect58">
<meta><title>58</title></meta>
+ <footnotes>
+ <footnote id="sect58-1-foot" idref="sect58-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>As the rumbling sound of your gunfire rolls out across the lake bed, the figure throws his hands to his face, staggers drunkenly and then falls heavily to the ground. His body remains still, convincing you that your shooting has proved deadly accurate.</p>
+ <p>As the rumbling sound of your gunfire rolls out across the lake bed, the figure throws his hands to his face, staggers drunkenly and then falls heavily to the ground.<a id="sect58-1" idref="sect58-1-foot" class="footnote" /> His body remains still, convincing you that your shooting has proved deadly accurate.</p>
<choice idref="sect303">If you wish to search the body, <link-text>turn to 303</link-text>.</choice>
<choice idref="sect160">If you decide to press on with the crossing, <link-text>turn to 160</link-text>.</choice>
</data>
<data>
<p>It is dusk before you are able to escape from Albany under cover of the failing light. With relief you discover that your roadster is still parked at the farm where you left it, and quickly you climb in and accelerate away.</p>
<p>When you reach Moran you find that the convoy is awaiting your return with trepidation. Because you are so long overdue, they feared that you had fallen foul of Mad Dog Michigan and his bikers. You tell them what happened to you in Albany, and everyone agrees that, with darkness less than an hour away, it is too dangerous to continue.</p>
- <p>The night in Moran passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Hubbard Creek leads the convoy south-west, back towards Freeway 20. Shortly after midday you reach the freeway from which you can see the outskirts of Abilene less than five miles distant.</p>
+ <p>The night in Moran passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Hubbard Creek leads the convoy southwest, back towards Freeway 20. Shortly after midday you reach the freeway from which you can see the outskirts of Abilene less than five miles distant.</p>
<choice idref="sect100"><link-text>Turn to 100</link-text>.</choice>
</data>
</section>
<section class="numbered" id="sect62">
<meta><title>62</title></meta>
+ <footnotes>
+ <footnote id="sect62-1-foot" idref="sect62-1">
+ <p>Remember to deduct a round of 12-gauge ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Over an ounce of lead shot hits the clansman in the chest, bringing him crashing to the ground. As he disappears from sight, his partner unleashes a long burst of automatic fire that powders the scree above and behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
+ <p>Over an ounce of lead shot hits the clansman in the chest, bringing him crashing to the ground.<a id="sect62-1" idref="sect62-1-foot" class="footnote" /> As he disappears from sight, his partner unleashes a long burst of automatic fire that powders the scree above and behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
<p>As soon as you are sure that the coast is clear, you rise cautiously and then help Kate to her feet. The sound of a motorcycle riding away into the distance reassures you that your ambusher has fled, and confidently you scramble up the slope and go to examine the body of the one who did not get away.</p>
<choice idref="sect175"><link-text>Turn to 175</link-text>.</choice>
</data>
<meta><title>63</title></meta>
<data>
- <p>As you pull yourself free from beneath Copperhead's body, the Flick Knife (2) drops from his lifeless hand. (If you decide to keep this weapon, remember to mark it on your Weapons list.)</p>
+ <p>As you pull yourself free from beneath Copperhead's body, the Flick Knife (2) drops from his lifeless hand. (If you decide to keep this weapon, remember to mark it on your <a idref="action">Weapons List</a>.)</p>
<p>Another burst of fire echoes from across the street, and once more Long Jake urges you to take cover in the store. With your pulse racing, you jump to your feet and sprint, head down, towards the darkened doorway.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Stealth skill total.</p>
<choice idref="sect18">If the total is now 5 or less, <link-text>turn to 18</link-text>.</choice>
<section class="numbered" id="sect64">
<meta><title>64</title></meta>
+ <footnotes>
+ <footnote id="sect64-1-foot" idref="sect64-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch (if any).</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>The dogs rush towards you, undaunted by your valiant attempts to stop them. As one pounces at your chest, you grab a close combat weapon and prepare to defend yourself as best you can.</p>
+ <p>The dogs rush towards you, undaunted by your valiant attempts to stop them.<a id="sect64-1" idref="sect64-1-foot" class="footnote" /> As one pounces at your chest, you grab a close combat weapon and prepare to defend yourself as best you can.</p>
<combat><enemy>Rabid Dog</enemy><enemy-attribute class="closecombatskill">12</enemy-attribute><enemy-attribute class="endurance">32</enemy-attribute></combat>
<choice idref="sect113">If you win, and the fight lasts three rounds or less, <link-text>turn to 113</link-text>.</choice>
<choice idref="sect291">If the fight lasts four rounds or more, <link-text>turn to 291</link-text>.</choice>
<data>
<p>A bullet clips the flesh above your left elbow and spins you to the ground: lose 3 <typ class="attribute">ENDURANCE</typ> points. You clutch your injured arm to feel warm blood oozing through your fingers as you crawl along the ground towards your car. A second shot passes over your head and you notice the muzzle flash of the sniper's gun; he is hiding in the doorway of a diner on the other side of the highway. Two motorcycles are parked at the side of the building indicating that he is not alone.</p>
- <choice idref="sect116">If you possess a <typ class="item">C.B. Radio</typ>, <link-text>turn to 116</link-text>.</choice>
+ <choice idref="sect116">If you possess a <typ class="item">CB Radio</typ>, <link-text>turn to 116</link-text>.</choice>
<choice idref="sect99">If you do not possess this item, <link-text>turn to 99</link-text>.</choice>
</data>
</section>
<meta><title>66</title></meta>
<data>
- <p>The only items you find of practical value are a <typ class="item">Fire Extinguisher</typ> and a First Aid Box. The box contains dressings and antiseptics sufficient for two Medi-kit units.</p>
+ <p>The only items you find of practical value are a <typ class="item">Fire Extinguisher</typ> and a first aid box. The box contains dressings and antiseptics sufficient for two Medi-kit units.</p>
<p>If you choose to keep either of these items, remember to adjust your <a idref="action">Action Chart</a> accordingly.</p>
<choice idref="sect284"><link-text>Turn to 284</link-text>.</choice>
</data>
<creator>Melvyn Grant</creator>
<description>'The name's Rickenbacker,' he says, removing his goggles and shaking Uncle Jonas by the hand.</description>
</meta>
- <instance class="html" src="ill4.gif" width="386" height="595" />
- <instance class="pdf" src="ill4.pdf" width="386" height="595" />
+ <instance class="html" src="ill4.gif" width="386" height="588" />
+ <instance class="pdf" src="ill4.pdf" width="386" height="588" />
</illustration>
<p>'The name's Rickenbacker,' he says, removing his goggles and shaking Uncle Jonas by the hand. 'I'm from Big Spring. I saw y'all while I was scoutin' the freeway and thought I'd drop by. Shame about the radio: 'fraid my set's seen better days.'</p>
- <p>Rickenbacker warns the colony that a large group of clansmen is riding towards the town from the east. They are less than five miles distant and closing fast. He also tells you about another gang of bikers, a clan called 'the Mavericks', who have been the bane of the Big Spring colony for the last six months. They control the city of Lubbock, 100 miles to the north, and their raiding parties are in the area foraging for food. 'I know the next thirty miles ain't gonna be easy for you folks, but there's a big welcome waitin' for y'all at Big Spring,' he says, as he gets ready to take to the air once more. 'Don't delay now. We're countin' on you to make it through.'</p>
+ <p>Rickenbacker warns the colony that a large group of clansmen is riding towards the town from the east. They are less than five miles distant and closing fast. He also tells you about another gang of bikers, a clan called the 'Mavericks', who have been the bane of the Big Spring colony for the last six months. They control the city of Lubbock, 100 miles to the north, and their raiding parties are in the area foraging for food. 'I know the next thirty miles ain't gonna be easy for you folks, but there's a big welcome waitin' for y'all at Big Spring,' he says, as he gets ready to take to the air once more. 'Don't delay now. We're countin' on you to make it through.'</p>
<p>As soon as he is airborne, the colony sets to work on the bridge with renewed vigour. The Lions are closer than anyone dared imagine and everyone is eager to get across the river before they show up. When Cutter announces that the bridge is safe, you drive the roadster across the platform and park it on the freeway ready for a fast getaway. The colony crosses over on foot, and Cutter drives the empty bus across the bridge. The platform creaks and shudders, but Cutter is able to cross safely to the far side. Together with Kate, the three of you return to help guide Uncle Jonas and the tanker across.</p>
<p>Just as the front wheels are about to mount the platform, Kate screams a warning: The Lions are here!'</p>
<choice idref="sect135">If you possess a missile weapon, <link-text>turn to 135</link-text>.</choice>
<data>
<p>You step over the dead body of your enemy and rush along the centre aisle to help defeat the other three Mavericks who are aboard. Your arrival inspires the colony, and swiftly they help you to overcome these brutal bikers.</p>
- <p>You are helping to carry their bodies towards the door of the bus when you notice an orange light flickering outside the rear window. You decide to take a closer look and, when you peer through the glass, you are horrified to see that one of the Mavericks is holding a Molotov cocktail - a bottle filled with an inflammable mixture of oil and gasolene - fused with a gasolene-soaked rag. The rag is burning and, as he brings his motorcycle alongside the bus, he gets ready to hurl the bottle through the window.</p>
+ <p>You are helping to carry their bodies towards the door of the bus when you notice an orange light flickering outside the rear window. You decide to take a closer look and, when you peer through the glass, you are horrified to see that one of the Mavericks is holding a Molotov cocktail<ch.emdash/>a bottle filled with an inflammable mixture of oil and gasolene<ch.emdash/>fused with a gasolene-soaked rag. The rag is burning and, as he brings his motorcycle alongside the bus, he gets ready to hurl the bottle through the window.</p>
<choice idref="sect292">If you possess a missile weapon, <link-text>turn to 292</link-text>.</choice>
<choice idref="sect238">If you do not possess a missile weapon, or do not have sufficient ammunition to use it, <link-text>turn to 238</link-text>.</choice>
</data>
<data>
<p>You flick the safety catch off and rest your shotgun across the rollbar of your roadster in order to steady your aim. At 200 yards, the figure appears little more than 1/16 inch high and, as you squeeze the trigger, you pray that your buckshot load will have enough power to reach that far.</p>
- <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you wish to fire (minimum - one round; maximum - four rounds). For every round you fire, add one point to your current score.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you wish to fire (minimum: one round; maximum: four rounds). For every round you fire, add one point to your current score.</p>
<choice idref="sect164">If your total score is now 15 or less, <link-text>turn to 164</link-text>.</choice>
<choice idref="sect58">If it is 16 or more, <link-text>turn to 58</link-text>.</choice>
</data>
<meta><title>73</title></meta>
<data>
- <p>'You'll be needing one of these,' says Pop Ewell, handing you a C.B. transceiver. 'It'll do no good if you find Maria but can't find your way back here.' You take the handset (mark this on your <a idref="action">Action Chart</a> as a <typ class="item">C.B. Radio</typ>; if you already possess the maximum number of Backpack items, you must discard one in favour of this item), thank him, and then join the others to decide on a search plan.</p>
+ <p>'You'll be needing one of these,' says Pop Ewell, handing you a CB transceiver. 'It'll do no good if you find Maria but can't find your way back here.' You take the handset (mark this on your <a idref="action">Action Chart</a> as a <typ class="item">CB Radio</typ>; if you already possess the maximum number of Backpack Items, you must discard one in favour of this item), thank him, and then join the others to decide on a search plan.</p>
<choice idref="sect304"><link-text>Turn to 304</link-text>.</choice>
</data>
</section>
<data>
<p>Before you set off for Mineral Wells, you consult with Cutter and Uncle Jonas and devise a plan of action. It is decided that after you have investigated the source of the radio transmission, you will drive south on the remains of Highway 281 and rendezvous with the others at Santo, the next town west along the freeway, where the convoy intends to make camp for the night.</p>
- <choice idref="sect253">If you possess a <typ class="item">C.B. Radio</typ>, <link-text>turn to 253</link-text>.</choice>
+ <choice idref="sect253">If you possess a <typ class="item">CB Radio</typ>, <link-text>turn to 253</link-text>.</choice>
<choice idref="sect158">If you do not, <link-text>turn to 158</link-text>.</choice>
</data>
</section>
<section class="numbered" id="sect77">
<meta><title>77</title></meta>
+ <footnotes>
+ <footnote id="sect77-1-foot" idref="sect77-1">
+ <p>Remember to deduct a round of 7.62mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>At this range your bullet hits the clansman with devastating accuracy, passing through his heart and killing him instantly. He throws his hands in the air and falls forward. As he disappears from sight, his partner unleashes a long burst of fire that powders the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
+ <p>At this range your bullet hits the clansman with devastating accuracy, passing through his heart and killing him instantly.<a id="sect77-1" idref="sect77-1-foot" class="footnote" /> He throws his hands in the air and falls forward. As he disappears from sight, his partner unleashes a long burst of fire that powders the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
<p>As soon as you are sure that the coast is clear, you rise cautiously and help Kate to her feet. The sound of a motor cycle riding away into the distance reassures you that your ambusher has fled, and confidently you scramble up the slope and go to examine the body of the one who did not get away.</p>
<choice idref="sect175"><link-text>Turn to 175</link-text>.</choice>
</data>
<meta><title>80</title></meta>
<data>
- <p>You are within a few feet of the top when suddenly you lose your footing and plummet once more into the gulley. This time the fall proves fatal; you crash head first into the rocky base and shatter your skull. Death is instantaneous.</p>
+ <p>You are within a few feet of the top when suddenly you lose your footing and plummet once more into the gully. This time the fall proves fatal; you crash head first into the rocky base and shatter your skull. Death is instantaneous.</p>
<p>Your life and your journey end here.</p>
</data>
</section>
<data>
<p>It takes you a few minutes to clear the rubble away from the engine compartment, but your efforts are not in vain. Some of the engine components are still serviceable and could prove useful as spares for the colony's bus.</p>
- <p>Below are listed the items worth salvaging from the wreck. You may take two from the list, all of which are Backpack items:</p>
+ <p>Below are listed the items worth salvaging from the wreck. You may take two from the list, all of which are Backpack Items:</p>
<ul>
- <li><typ class="item">DISTRIBUTOR CAP</typ></li>
- <li><typ class="item">CONDENSER</typ></li>
- <li><typ class="item">GAS MODIFIER</typ></li>
- <li><typ class="item">OIL PLUG</typ></li>
- <li><typ class="item">FAN BELT</typ></li>
- <li><typ class="item">SPARK PLUGS</typ></li>
- <li><typ class="item">SOLAR REGULATOR</typ></li>
+ <li><typ class="item">Distributor Cap</typ></li>
+ <li><typ class="item">Condenser</typ></li>
+ <li><typ class="item">Gas Modifier</typ></li>
+ <li><typ class="item">Oil Plug</typ></li>
+ <li><typ class="item">Fan Belt</typ></li>
+ <li><typ class="item">Spark Plugs</typ></li>
+ <li><typ class="item">Solar Regulator</typ></li>
</ul>
<p>If you decide to keep any of these spares, remember to adjust your <a idref="action">Action Chart</a> accordingly.</p>
<choice idref="sect224">To return to the convoy, <link-text>turn to 224</link-text>.</choice>
<data>
<p>From the window of a room on the second floor you watch as the mob floods out of the alley and into the street below. They divide into two groups and begin searching the adjoining streets, seemingly convinced that you are still out in the open. Silently you crouch by the window, awaiting the chance to slip out of Cross Plains unseen. While you are lying low, you must take a drink or lose 3 <typ class="attribute">ENDURANCE</typ> points. It is dusk before you are able to escape from the town. With relief you discover that your roadster is still parked at the gas station, and quickly you climb in and accelerate away.</p>
<p>When you reach Rising Star you find that the convoy is awaiting your return with trepidation. Because you are so long overdue, they feared that you had fallen foul of Mad Dog Michigan and his bikers. You tell them what happened to you in Cross Plains and everyone agrees that, with darkness almost upon you, it is too dangerous to continue.</p>
- <p>The night at Rising Star passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy north-west, back towards Freeway 20. Shortly after midday you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
+ <p>The night at Rising Star passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy northwest, back towards Freeway 20. Shortly after midday you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
<choice idref="sect100"><link-text>Turn to 100</link-text>.</choice>
</data>
</section>
<data>
<p>Holding your breath to steady your nerves, you stare along the barrel of your shotgun and focus your aim on the driver's crash helmet.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect172">If your total score is now 11 or less, <link-text>turn to 172</link-text>.</choice>
<choice idref="sect23">If your total score is now 12 or more, <link-text>turn to 23</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>The pillion riders risk their lives to jump aboard the bus.</description>
</meta>
- <instance class="html" src="ill5.gif" width="386" height="590" />
- <instance class="pdf" src="ill5.pdf" width="386" height="590" />
+ <instance class="html" src="ill5.gif" width="386" height="587" />
+ <instance class="pdf" src="ill5.pdf" width="386" height="587" />
</illustration>
<p>Suddenly the bus loses speed. You sense that something is seriously amiss and you go back to find out what is wrong. You wave the tanker on, then slow almost to a standstill in order to allow Cutter to catch up. As he draws nearer you see that a running battle is taking place on board. You accelerate, bringing your roadster alongside the boarding door, then you tell Kate to move over into the driving seat and take the wheel. As soon as she has control of the car, you coil yourself like a spring and leap towards the door of the bus.</p>
<p>Add your current <typ class="attribute">ENDURANCE</typ> points score to your Stealth skill level, and make a note of the total in the margin of your <a idref="action">Action Chart</a>. Now, pick a number from the <a idref="random">Random Number Table</a> and add it to your total.</p>
<data>
<p>Slowly the two figures shamble to the edge of the highway and stare at you with vacant eyes. Your spirited dispatch of their dogs has not worried them in the slightest, neither do they appear unduly concerned for their own safety. You stand your ground, challenging them to attack if they dare. They laugh. It is a pitiful, thin sound, which makes your flesh crawl. You return their empty stares, noting with disgust the ulcer-like sores that cover their pale, greyish skins, their almost complete lack of hair and their teeth, black with decay. Your disgust turns to pity, however, when suddenly you realize why they show no fear: they are both afflicted with terminal radiation sickness. Death is already their companion.</p>
- <p>'Where are you from?' you call, anxious to discover if there is a hot spot - a zone of radioactivity - nearby.</p>
+ <p>'Where are you from?' you call, anxious to discover if there is a hot spot<ch.emdash/>a zone of radioactivity<ch.emdash/>nearby.</p>
<p>'Cisco,' comes the reply.</p>
<p>You take some dressings from your Medi-kit and place them on the ground in front of you (erase one Medi- kit unit from your <a idref="action">Action Chart</a>), then you turn and walk back to your roadster. The dressings may be of little comfort to these two Rad-vics (the name your colony gives to victims of high-dosage radioactivity), but they may know others who will benefit from them.</p>
<choice idref="sect327"><link-text>Turn to 327</link-text>.</choice>
<data>
<p>You grab a blanket and rush forward to fight the blaze. Several of the colony follow your example and, although you suffer from burns and toxic smoke, you manage eventually to quash the flames.</p>
<p>To find out the extent of the injuries you suffered whilst fighting the fire, pick a number from the <a idref="random">Random Number Table</a>.</p>
- <p>If the number you have picked is 0-3, lose 2 <typ class="attribute">ENDURANCE</typ> points. If it is 4-6, lose 3 <typ class="attribute">ENDURANCE</typ> points. I
t it is 7-9, lose 4 <typ class="attribute">ENDURANCE</typ> points. Make the necessary adjustments to your <a idref="action">Action Chart</a>.</p>
+ <p>If the number you have picked is 0-3, lose 2 <typ class="attribute">ENDURANCE</typ> points. If it is 4-6, lose 3 <typ class="attribute">ENDURANCE</typ> points. I
f it is 7-9, lose 4 <typ class="attribute">ENDURANCE</typ> points. Make the necessary adjustments to your <a idref="action">Action Chart</a>.</p>
<choice idref="sect188">To continue, <link-text>turn to 188</link-text>.</choice>
</data>
</section>
<data>
<p>The colony is divided in opinion. Roughly half urges an investigation of the signal; the other half believes, like you, that it would be foolish to risk walking into an ambush on the dubious merits of such a patchy broadcast.</p>
<p>A vote decides the course of action in your favour, and the convoy prepares for the next stage of its journey to Santo. You lead the way along Freeway 20 and, as you pass by the outskirts of a town called Brock, the sun dips reluctantly below the horizon. A full moon brightens the twilight and the temperature drops rapidly until you find yourself shivering in the cold night wind.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small11.gif" width="386" height="150" />
+ <instance class="pdf" src="small11.pdf" width="386" height="150"/>
+ </illustration>
+
<p>It takes forty minutes to reach Santo, and another twenty to find a site on which to set up camp overnight. Uncle Jonas orders that the vehicles be drawn into a circle, like a ring of wagons in the wild west, to offer the best protection against the threat of a night raid. Lots are drawn to see who will stand the first watch; unfortunately, you pick the shortest straw.</p>
<p>It is an hour after midnight when you see a cluster of lights in the middle distance. They are less than a mile away to the east, and approaching at speed. With only a few minutes at most before the bikers reach the camp, you sound the alarm.</p>
<p>Like a pack of screaming demons the marauding bikers descend on the convoy, shooting wildly as they weave in and out of the circle. One of the bikers guns his machine towards you, forcing you to dive aside to avoid being ridden down. You are staggering to your feet when another attacks you from behind.</p>
<section class="numbered" id="sect96">
<meta><title>96</title></meta>
+ <footnotes>
+ <footnote id="sect96-1-foot" idref="sect96-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your gunfire fails to bring down the clansman, but it passes close enough to make him veer away from the edge of the slope. Cursing your luck, you shoulder your weapon and turn to Kate.</p>
+ <p>Your gunfire fails to bring down the clansman, but it passes close enough to make him veer away from the edge of the slope.<a id="sect96-1" idref="sect96-1-foot" class="footnote" /> Cursing your luck, you shoulder your weapon and turn to Kate.</p>
<p>'I've got to stop him before he reaches the roadster,' you say. Kate protests, but you are determined to save your car, and reluctantly she agrees to cover you as best she can with a tiny Derringer pistol that she carries in her boot.</p>
<p>'I call it 'Chihuahua',' she quips, as she cocks the double-hammers and gets ready to fire. 'It don't look much but it makes one helluva noise!'</p>
- <p>You scan the slope. When you have picked out the best place to make your climb, you break cover and zig-zag along the shore towards it. Immediately, the machine-gunner opens up on you. Kate replies with a single shot, and he diverts his fire back to the rocks and bushes. Swiftly you claw your way to the top of the slope and run straight at the clansman, grimly determined to intercept him before he can do any damage. He sees you approaching, draws a pistol, and empties it at your chest.</p>
+ <p>You scan the slope. When you have picked out the best place to make your climb, you break cover and zig-zag along the shore towards it. Immediately, the machine gunner opens up on you. Kate replies with a single shot, and he diverts his fire back to the rocks and bushes. Swiftly you claw your way to the top of the slope and run straight at the clansman, grimly determined to intercept him before he can do any damage. He sees you approaching, draws a pistol, and empties it at your chest.</p>
<p>Add your Stealth skill total to your current <typ class="attribute">ENDURANCE</typ> points score.</p>
<choice idref="sect258">If your total is 9 or less, <link-text>turn to 258</link-text>.</choice>
<choice idref="sect83">If it is 10 or more, <link-text>turn to 83</link-text>.</choice>
<footnotes>
<footnote id="sect98-1-foot" idref="sect98-1">
- <p>This is the correct answer to the keypad puzzle in <a idref="sect255">Section 255.</a></p>
+ <p>This is the correct answer to the keypad puzzle in <a idref="sect255">Section 255</a>.</p>
</footnote>
</footnotes>
<data>
- <p>The moment you tap the correct number on the keypad,<a id="sect98-1" idref="sect98-1-foot" class="footnote" /> there is loud click and the steel door creaks inwards to reveal the shelved walls of a strongroom beyond. You smile with satisfaction at having cracked the university's door code: the number of the last column of each row is the sum of the number of the first two columns, minus the number in the third column.</p>
- <p>Intrigued by what lies within, you enter the strongroom and peer along the dusty shelves. The vault contains the documentation of experiments and quantities of what were once considered precious metals - gold, platinum, silver and titanium. After a thorough search, you find three items that may be put to practical use:</p>
+ <p>The moment you tap the correct number on the keypad,<a id="sect98-1" idref="sect98-1-foot" class="footnote" /> there is loud <onomatopoeia>click</onomatopoeia> and the steel door creaks inwards to reveal the shelved walls of a strongroom beyond. You smile with satisfaction at having cracked the university's door code: the number of the last column of each row is the sum of the number of the first two columns, minus the number in the third column.</p>
+ <p>Intrigued by what lies within, you enter the strongroom and peer along the dusty shelves. The vault contains the documentation of experiments and quantities of what were once considered precious metals<ch.emdash/>gold, platinum, silver and titanium. After a thorough search, you find three items that may be put to practical use:</p>
<ul>
- <li><typ class="item">GEIGER COUNTER</typ></li>
- <li><typ class="item">ALTIMETER</typ></li>
- <li><typ class="item">RADIATION SUIT</typ> (occupies two item spaces in the Backpack)</li>
+ <li><typ class="item">Geiger Counter</typ></li>
+ <li><typ class="item">Altimeter</typ></li>
+ <li><typ class="item">Radiation Suit</typ> (occupies two item spaces in the Backpack)</li>
</ul>
<p>If you wish to keep any of these items, amend your <a idref="action">Action Chart</a> accordingly.</p>
<choice idref="sect315">To leave the strongroom and return to the convoy, <link-text>turn to 315</link-text>.</choice>
<data>
<p>The convoy is too far away to see that you need help, and you dare not stand up and signal to them for fear of being hit. Two more bullets smack the side of your car and then you hear the sound of a rifle bolt being worked frantically back and forth: the sniper's gun has jammed. While he is trying to clear it, you dash across the highway and take cover behind the two motor cycles. You stop there just long enough to sabotage their engines, then you advance along the side of the diner towards an open window.</p>
- <choice idref="sect276">If you possess an <typ class="item">H.E. Grenade</typ>, <link-text>turn to 276</link-text>.</choice>
+ <choice idref="sect276">If you possess an <typ class="item">HE Grenade</typ>, <link-text>turn to 276</link-text>.</choice>
<choice idref="sect311">If you do not possess this item, <link-text>turn to 311</link-text>.</choice>
</data>
</section>
<p>As you approach the city a fierce wind arises. It sweeps down from the north and lashes the convoy, not with rain, but with blinding clouds of grit and sand. Within the space of half an hour the colony is engulfed in a ferocious duststorm that threatens to bury you all without trace. At the first opportunity you signal to the others to pull off the elevated freeway and seek shelter from the storm. The danger of grit finding its way into the engines of the convoy vehicles, causing them irreparable damage, is uppermost in your mind, and anxiously you search for shelter.</p>
<p>A signpost looms out of the swirling dust, pointing to what was once a high school. You signal to Cutter to follow you into the school yard, but the storm is reaching its peak and you are forced to halt before you can see the school itself. Quickly the colony disembarks and blindly you lead them in single file, heads bowed against the stinging wind, until you reach the school building. Fortunately, it still has a roof and four walls, and offers adequate protection from the storm. Once inside, Aunt Betty-Ann decides to take a roll call to make sure everyone is present. She is about to begin when Rosita Rodriguez cries out in anguish, 'Maria! Where is my Maria? She is not here!'</p>
<p>A check of the school reveals that Rosita's little six-year-old girl is missing. She was with the family when they left the bus and must still be close by, but with the storm now at its peak, everyone knows that her chances of survival outside are slim. Uncle Jonas calls for three volunteers to search for Maria, and immediately you step forward, as do Cutter and Kate.</p>
- <choice idref="sect304">If you possess a <typ class="item">C.B. Radio</typ>, <link-text>turn to 304</link-text>.</choice>
+ <choice idref="sect304">If you possess a <typ class="item">CB Radio</typ>, <link-text>turn to 304</link-text>.</choice>
<choice idref="sect73">If you do not possess this item, <link-text>turn to 73</link-text>.</choice>
</data>
</section>
<data>
<p>Using the rollbar of your roadster to steady your hand, you level your pistol and take aim at the distant figure. At 200 yards, your target appears little more than 1/16 inch high. It will take a great deal of skill and considerable luck to hit such a small target, using a pistol.</p>
- <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you will fire at the target (minimum - one round; maximum - six rounds). For every round you fire add one point to your current score.</p>
+ <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you will fire at the target (minimum: one round; maximum: six rounds). For every round you fire add one point to your current score.</p>
<choice idref="sect164">If your total score is now 12 or less, <link-text>turn to 164</link-text>.</choice>
<choice idref="sect58">If it is 13 or more, <link-text>turn to 58</link-text>.</choice>
</data>
<creator>Melvyn Grant</creator>
<description>A patrol of four clansmen appears.</description>
</meta>
- <instance class="html" src="ill6.gif" width="386" height="583" />
- <instance class="pdf" src="ill6.pdf" width="386" height="583" />
+ <instance class="html" src="ill6.gif" width="386" height="588" />
+ <instance class="pdf" src="ill6.pdf" width="386" height="588" />
</illustration>
<p>Instantly you dive through the doorway of a store to your right and crouch in the shadows. The patrol swaggers past the store without noticing you, and soon their footfalls have passed out of earshot.</p>
<choice idref="sect7">If you wish to search the store, <link-text>turn to 7</link-text>.</choice>
<meta><title>105</title></meta>
<data>
- <p>You bury the bodies of the three dead bikers - along with their motorcycles - in the gulley, and then take stock of your surroundings. Traces of a paved road that disappears towards the west are found, and Cutter Jacks, who lived only a few miles from Lake Lewisville before 'the Day', identifies it as the remains of State Highway 407.</p>
+ <p>You bury the bodies of the three dead bikers<ch.emdash/>along with their motorcycles<ch.emdash/>in the gully, and then take stock of your surroundings. Traces of a paved road that disappears towards the west are found, and Cutter Jacks, who lived only a few miles from Lake Lewisville before 'The Day', identifies it as the remains of State Highway 407.</p>
<p>'This'll get us back on course,' he says, confidently. 'Follow this baby and we'll make Freeway 35 in under an hour.'</p>
<p>Twenty minutes later, you can make out Freeway 35 in the distance, its long, concrete body bleached and quaking beneath the fiery sun. The road you are following passes beneath it but, as you draw closer, you notice a ramp coiling away to your right giving access to the freeway.</p>
- <p>A few hundred yards beyond the ramp you see another. It leads to the ruins of a once prestigious group of buildings - the North Texas State University.</p>
+ <p>A few hundred yards beyond the ramp you see another. It leads to the ruins of a once prestigious group of buildings<ch.emdash/>the North Texas State University.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small8.gif" width="386" height="150" />
+ <instance class="pdf" src="small8.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect82">If you wish to search the university, <link-text>turn to 82</link-text>.</choice>
<choice idref="sect22">If you decide to lead the convoy on to Freeway 35, <link-text>turn to 22</link-text>.</choice>
</data>
<meta><title>109</title></meta>
<data>
- <p>You vault over the trunk and land feet first in the driving seat, your hand poised to switch on the ignition. The engine growls, but before you can shift gear and speed away, there is another burst of gunfire. It shatters the windshield and forces you to throw yourself across the passenger seat to avoid being caught in a deadly crossfire. Then a savage voice screams a command and the firing ceases. You chance a glance over the dashboard and see, to your astonishment, a leather-clad punk come running towards you from out of the ruins. Long Jake takes aim. He fires, missing by a hand's breadth. Undeterred, the grim-faced renegade leaps into the car beside you, cackling like a maniac as he lunges for your throat with his flick knife.</p>
+ <p>You vault over the trunk and land feet-first in the driving seat, your hand poised to switch on the ignition. The engine growls, but before you can shift gear and speed away, there is another burst of gunfire. It shatters the windshield and forces you to throw yourself across the passenger seat to avoid being caught in a deadly crossfire. Then a savage voice screams a command and the firing ceases. You chance a glance over the dashboard and see, to your astonishment, a leather-clad punk come running towards you from out of the ruins. Long Jake takes aim. He fires, missing by a hand's breadth. Undeterred, the grim-faced renegade leaps into the car beside you, cackling like a maniac as he lunges for your throat with his flick knife.</p>
<combat><enemy>Copperhead</enemy><enemy-attribute class="closecombatskill">14</enemy-attribute><enemy-attribute class="endurance">24</enemy-attribute></combat>
<p>Owing to the surprise of the attack, you must fight the first round of combat unarmed.</p>
<choice idref="sect63">If you win, <link-text>turn to 63</link-text>.</choice>
<data>
<p>Your shotgun roars and spits out a deadly cloud of buckshot, catching the ambusher full in the chest. Briefly you see him thrown backwards through the air before his lifeless body crashes down upon the rubbish-strewn floor of the derelict drugstore. You eject the spent shell but keep your gun trained on the window in case he was not alone. After a minute of silence you lower your weapon and begin to breathe a little easier.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Remember to erase one 12-gauge round from your Ammo Pouch.</p>
<choice idref="sect251">To continue, <link-text>turn to 251</link-text>.</choice>
</data>
<meta><title>116</title></meta>
<data>
- <p>You pull the transceiver out of your Backpack, flick the power switch on and key-in the frequency that Pop Ewell monitors aboard the bus. 'Red Phoenix to DC1,' you say, using your emergency call sign. 'I'm pinned down by sniper fire. It's coming from the diner across the street. Suspect two clansmen. Request assistance.'</p>
+ <p>You pull the transceiver out of your Backpack, flick the power switch on and key in the frequency that Pop Ewell monitors aboard the bus. 'Red Phoenix to DC1,' you say, using your emergency call sign. 'I'm pinned down by sniper fire. It's coming from the diner across the street. Suspect two clansmen. Request assistance.'</p>
<p>The tiny speaker crackles into life and you hear Cutter's voice reply: 'Hang in there, Cal. I'll circle 'round the back and flush 'em out.'</p>
<p>A minute later you see Cutter jump down from the bus and scurry across the rock-strewn ground behind the diner, cradling a shotgun, which he loads as he runs. He disappears behind the building, then a few moments later you hear a burst of gunfire and see a swarthy-faced man, dressed in western clothes, come running out of the front door with a pistol in his hand.</p>
<choice idref="sect143">If you possess a missile weapon, <link-text>turn to 143</link-text>.</choice>
<meta><title>117</title></meta>
<data>
- <p>You have taken fewer than a dozen steps when suddenly the ground disappears beneath your feet. With a yelp of horror, you scrabble at the air as you fall head first into a steep-sided gulley.</p>
+ <p>You have taken fewer than a dozen steps when suddenly the ground disappears beneath your feet. With a yelp of horror, you scrabble at the air as you fall head first into a steep-sided gully.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> (0 equals 10). The number you pick is equal to the number of <typ class="attribute">ENDURANCE</typ> points you lose as a result of your fall.</p>
<choice idref="sect242">If you are still alive, adjust your <typ class="attribute">ENDURANCE</typ> points total and <link-text>turn to 242</link-text>.</choice>
</data>
<ul>
<li>Pistol (with four rounds of 9mm ammunition)</li>
<li>Rifle (with four rounds of 7.62mm ammunition)</li>
- <li>Water Canteen, containing enough water for three Drinks</li>
- <li>Serum, sulphonamides, and dressings, sufficient for three Medi-kit units.</li>
+ <li>Water Canteen containing enough water for three Drinks</li>
+ <li>Serum, sulfonamides, and dressings, sufficient for three Medi-kit units.</li>
<li>Flick Knife (2)</li>
<li>Club (2)</li>
<li><typ class="item">Binoculars</typ></li>
<meta><title>120</title></meta>
<data>
- <p>Once the convoy is clear of the bridge, Cutter pulls over to the side of the highway and you stop in line behind him and the tanker. Uncle Jonas jumps down from his cab and together you run forward to check the damage to the bus. The front and sides are riddled with bullet holes, many of which have penetrated the engine and passenger compartments, yet, miraculously, no one has been killed or seriously injured. Aunt Betty-Ann appears at a window and reports that four members of the colony have been hit. She says not to worry - they have minor wounds and she is sure they will pull through.</p>
+ <p>Once the convoy is clear of the bridge, Cutter pulls over to the side of the highway and you stop in line behind him and the tanker. Uncle Jonas jumps down from his cab and together you run forward to check the damage to the bus. The front and sides are riddled with bullet holes, many of which have penetrated the engine and passenger compartments, yet, miraculously, no one has been killed or seriously injured. Aunt Betty-Ann appears at a window and reports that four members of the colony have been hit. She says not to worry<ch.emdash/>they have minor wounds and she is sure they will pull through.</p>
<p>The radiator is leaking coolant but Cutter is confident that he can have it fixed within an hour. 'It's a real shame we've got so few guns aboard,' grumbles Cutter, as he sets to work sealing the perforated radiator mesh. 'It ain't no fun being the target for them punks when you don't get a chance to shoot back.'</p>
<p>A hundred yards along the highway you see a sign that points to a road leading off to the east. It says:</p>
<signpost>CARSWELL AIR FORCE BASE</signpost>
<meta><title>127</title></meta>
<data>
- <p>You pull over in order to check the battle damage and allow the rest of the convoy to catch up with you. Fortunately the vital rear sections of your roadster - the fuel tank, axle and tyres - are still intact. Most of the damage has been absorbed by the trunk and the fender, but the incident makes you sorely aware of the need for better protection, and you make a mental note to ask Cutter to help you reinforce the bodywork at the first opportunity.</p>
+ <p>You pull over in order to check the battle damage and allow the rest of the convoy to catch up with you. Fortunately the vital rear sections of your roadster<ch.emdash/>the fuel tank, axle and tyres<ch.emdash/>are still intact. Most of the damage has been absorbed by the trunk and the fender, but the incident makes you sorely aware of the need for better protection, and you make a mental note to ask Cutter to help you reinforce the bodywork at the first opportunity.</p>
<p>A few minutes later the convoy arrives. Having passed the burning remains of your adversaries the others are relieved to find you still in one piece. You inform them that the bikers were Detroit Lions, probably scouts, and that you suspect that the clan is no more than thirty miles away. 'Well, at least those two you ran into won't be reporting our position to Mad Dog, or anyone else for that matter,' says Cutter, wryly.</p>
<p>'Even so,' says Uncle Jonas, 'we daren't afford t' stop too long in any one place. We gotta keep ahead o' that pack all the way to Big Spring.'</p>
<p>The next town on the freeway is Sweetwater. Most of the buildings are still standing, although few have roofs as a result of yesterday's storm. Except for a few hungry coyote that have come down from the hills looking for jack rabbits, the place is deserted.</p>
<data>
<p>You pull the bolt of your G-12, priming it to fire, then rest its stubby barrel on the rollbar of your roadster to steady your aim. At 200 yards your target appears little more than 1/16 inch high. It will demand great skill and considerable luck to hit such a small target with a machine pistol.</p>
- <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill level. Now decide how many bursts of fire you intend to launch at the target (minimum - one round; maximum - five rounds). For every burst, add one point to your current score.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small12.gif" width="386" height="150" />
+ <instance class="pdf" src="small12.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill level. Now decide how many bursts of fire you intend to launch at the target (minimum: one burst; maximum: five bursts ). For every burst, add one point to your current score.</p>
<choice idref="sect164">If your total score is now 11 or less, <link-text>turn to 164</link-text>.</choice>
<choice idref="sect58">If it is 12, <link-text>turn to 58</link-text>.</choice>
</data>
<section class="numbered" id="sect132">
<meta><title>132</title></meta>
+ <footnotes>
+ <footnote id="sect132-1-foot" idref="sect132-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You draw your gun, take aim and kill the Maverick machine-gunner with a shot to the head. As he falls, you turn your weapon on the remaining biker, but he is using Kate as a shield and you dare not fire for fear of hitting her. With anger and fear welling up inside you, you reluctantly lower your gun.</p>
+ <p>You draw your gun, take aim and kill the Maverick machine gunner with a shot to the head.<a id="sect132-1" idref="sect132-1-foot" class="footnote" /> As he falls, you turn your weapon on the remaining biker, but he is using Kate as a shield and you dare not fire for fear of hitting her. With anger and fear welling up inside you, you reluctantly lower your gun.</p>
<choice idref="sect350"><link-text>Turn to 350</link-text>.</choice>
</data>
</section>
<meta><title>133</title></meta>
<data>
- <p>You take the food out of your Backpack and hurl it down into the trench. As soon as the dogs scent the aroma of the food, they switch their attention to the hollow and leap in feet first. Then the two men appear. They shamble to the edge of the trench and stare at you with vacant eyes. The skilful way in which you distracted their dogs does not seem to have antagonized them in the slightest, nor do they appear unduly concerned for their own safety. You stand your ground, challenging them to attack if they dare. They laugh. It is a pitiful, thin sound that makes your flesh crawl. You return their empty stares, noting with disgust the ulcer-like sores that cover their pale, greyish skins; their almost complete lack of hair; and their teeth, black with decay. Your disgust turns to pity, however, when suddenly you realize why they show no fear: they are both afflicted with terminal radiation sickness. Death is already their companion.</p>
+ <p>You take the food out of your Backpack and hurl it down into the trench. As soon as the dogs scent the aroma of the food, they switch their attention to the hollow and leap in feet-first. Then the two men appear. They shamble to the edge of the trench and stare at you with vacant eyes. The skilful way in which you distracted their dogs does not seem to have antagonized them in the slightest, nor do they appear unduly concerned for their own safety. You stand your ground, challenging them to attack if they dare. They laugh. It is a pitiful, thin sound that makes your flesh crawl. You return their empty stares, noting with disgust the ulcer-like sores that cover their pale, greyish skins; their almost complete lack of hair; and their teeth, black with decay. Your disgust turns to pity, however, when suddenly you realize why they show no fear: they are both afflicted with terminal radiation sickness. Death is already their companion.</p>
<illustration class="float">
<meta>
<creator>Melvyn Grant</creator>
<description>They are both afflicted with terminal radiation sickness. Death is already their companion.</description>
</meta>
- <instance class="html" src="ill7.gif" width="386" height="614" />
- <instance class="pdf" src="ill7.pdf" width="386" height="614" />
+ <instance class="html" src="ill7.gif" width="386" height="698" />
+ <instance class="pdf" src="ill7.pdf" width="386" height="698" />
</illustration>
- <p>'Where are you from?' you call, anxious to discover if there is a hot spot - a zone of radioactivity - nearby.</p>
+ <p>'Where are you from?' you call, anxious to discover if there is a hot spot<ch.emdash/>a zone of radioactivity<ch.emdash/>nearby.</p>
<p>'Cisco,' comes the reply.</p>
<p>You take some dressings from your Medi-kit and place them on the ground in front of you (erase one Medi-kit unit from your <a idref="action">Action Chart</a>), before turning and walking back to your roadster. The dressings may be of little comfort to these two Rad-vics (the name your colony gives to the victims of high-dosage radioactivity), but they may know others who will benefit from them.</p>
<choice idref="sect327"><link-text>Turn to 327</link-text>.</choice>
<data>
<p>You see a cloud of dust approaching, then the roar of 100 motorcycle engines fills the air as the Detroit Lions come racing along the freeway into Colorado City. 'You gotta hold 'em off until we've got this baby across,' shouts Cutter, as he waves frantic signals to Uncle Jonas, who is having to fight to keep the tanker in a straight line. The sight of the makeshift platform sagging under the weight of the heavy vehicle makes your stomach churn.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small9.gif" width="386" height="150" />
+ <instance class="pdf" src="small9.pdf" width="386" height="150"/>
+ </illustration>
+
<p>'Count on us!' you shout in reply, then turn and follow Kate as she runs back towards the town.</p>
<p>As you reach the end of the bridge you notice two ideal defensive positions. One is a three-storey factory that overlooks the freeway; the other is an auto wreck overturned on the approach ramp to the bridge.</p>
<choice idref="sect332">If you wish to hide behind the auto wreck, <link-text>turn to 332</link-text>.</choice>
<data>
<p>The dying screams of their chief dispels the trance into which the clansmen have fallen, but before they can act, you jump into the Thunderbird and twist the ignition key. The moment the antique engine growls into life, you stamp on the gas pedal and accelerate away from the crowd. In a cloud of dust and blue smoke you leave Cross Plains and return to the gas station where you parked your roadster. Before ditching the Thunderbird you search it thoroughly and discover that the trunk contains a Pistol and three rounds of 9mm ammunition. Then, with night drawing in, you climb into your own car and drive away at top speed.</p>
<p>When you reach Rising Star you find that the convoy is awaiting your return with trepidation. Because you are so long overdue, they feared that you had fallen foul of Mad Dog Michigan and his bikers. You tell them what happened to you in Cross Plains and everyone agrees that, with darkness almost upon you, it is too dangerous to continue.</p>
- <p>The night at Rising Star passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy north-west, back towards Freeway 20. It is shortly after midday when you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
+ <p>The night at Rising Star passes uneventfully and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy northwest, back towards Freeway 20. It is shortly after midday when you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
<choice idref="sect100"><link-text>Turn to 100</link-text>.</choice>
</data>
</section>
<meta><title>137</title></meta>
<data>
- <p>The journey south-west to Lake Lewisville is a slow and arduous trek across rough terrain, but one that cannot be avoided as you skirt around Denton. When finally you sight the dry lake, it is clear that crossing it will be a dangerous business as the convoy will make an easy target to anyone occupying the surrounding high ground. You must get the convoy across in the shortest time possible.</p>
+ <p>The journey southwest to Lake Lewisville is a slow and arduous trek across rough terrain, but one that cannot be avoided as you skirt around Denton. When finally you sight the dry lake, it is clear that crossing it will be a dangerous business as the convoy will make an easy target to anyone occupying the surrounding high ground. You must get the convoy across in the shortest time possible.</p>
<p>The bed of the lake is littered with rusted car wrecks and old household machinery. Between these heaps of twisted scrap are avenues covered with slabs of broken earth that jut upwards at all angles, their sharp edges baked hard by months in the furnace-like heat. The bus and the tanker, both heavily laden, are soon reduced to a snail's pace for fear of shredding their tyres, and you are forced to stay close in case they break down or fall victim to an ambush.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>.</p>
<choice idref="sect281">If the number you have picked is 0-6, <link-text>turn to 281</link-text>.</choice>
<data>
<p>You throw yourself to the ground. Your speedy reactions save you from being cut in half by the deadly tracer shells. The air is alive with bullet fragments and pieces of twisted metal, and you dare not raise your head for fear of being hit. Out of the corner of your eye you see Kate aiming her rifle from the window of the factory. She shoots and immediately the machine gun fire ceases. You look up to see the rider clutching his face with both hands. He swoons, falls backwards, and then tumbles from the saddle. Before the sidecar rider can jump free, the speeding machine careers off the road into the wall of an office building, and explodes in a searing ball of flame.</p>
- <p>With a smile you signal a thumbs-up to Kate and she returns your salute with a wave. A few minutes later a column of motorcycles - the main body of the clan - rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.' The tanker has made it across the platform and is now parked with the other vehicles on the far side of the river. Kate is running towards you from the factory and, as she reaches the bridge, you call out to her: 'Set the bomb! I'll cover you!'</p>
+ <p>With a smile you signal a thumbs-up to Kate and she returns your salute with a wave. A few minutes later a column of motorcycles<ch.emdash/>the main body of the clan<ch.emdash/>rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.' The tanker has made it across the platform and is now parked with the other vehicles on the far side of the river. Kate is running towards you from the factory and, as she reaches the bridge, you call out to her: 'Set the bomb! I'll cover you!'</p>
<p>Tensely you watch the clansmen as they gun their bikes along the freeway, and you glance repeatedly over your shoulder, praying for Kate to signal that the bomb is ready. Then the front line of bikers open fire with their machine pistols, and suddenly the air is filled with the whine and whistle of bullets. 'It's ready!' shouts Kate, and takes off across the bridge at a run.</p>
- <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your Stealth skill total. (NOTE: If your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack items in order to increase your Stealth skill level.)</p>
+ <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your Stealth skill total. (NOTE: If your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack Items in order to increase your Stealth skill level.)</p>
<choice idref="sect324">If your total is 11 or less, <link-text>turn to 324</link-text>.</choice>
<choice idref="sect200">If your total is 12 or more, <link-text>turn to 200</link-text>.</choice>
</data>
<meta><title>142</title></meta>
<data>
- <p>Grabbing the rollbar that protects the driving compartment, you pull yourself feet first into the driving seat and reach out for the ignition. The engine growls responsively, but its powerful roar is all but drowned by a sudden eruption of gunfire. Bullets shatter the windshield, forcing you to throw yourself across the passenger seat to avoid being caught in a deadly crossfire. Then a savage voice screams a command and the shooting ceases. You stay down and make a grab for the gear shift, but before you can speed away, a leather-clad punk leaps into the car beside you, cackling like a maniac as he draws his knife.</p>
+ <p>Grabbing the rollbar that protects the driving compartment, you pull yourself feet-first into the driving seat and reach out for the ignition. The engine growls responsively, but its powerful roar is all but drowned by a sudden eruption of gunfire. Bullets shatter the windshield, forcing you to throw yourself across the passenger seat to avoid being caught in a deadly crossfire. Then a savage voice screams a command and the shooting ceases. You stay down and make a grab for the gear shift, but before you can speed away, a leather-clad punk leaps into the car beside you, cackling like a maniac as he draws his knife.</p>
<combat><enemy>Copperhead</enemy><enemy-attribute class="closecombatskill">14</enemy-attribute><enemy-attribute class="endurance">24</enemy-attribute></combat>
<p>Owing to the speed of his attack, reduce your <typ class="attribute">CLOSE COMBAT SKILL</typ> by 2 for the first round of this combat.</p>
<choice idref="sect63">If you win the combat, <link-text>turn to 63</link-text>.</choice>
<ul>
<li>Pistol (with two rounds of 9mm ammunition)</li>
<li>Rifle (with two rounds of 7.62mm ammunition)</li>
- <li>Water Canteen, containing enough water for three Drinks</li>
- <li>Serum, sulphonamides, and dressings, sufficient for three Medi-kit units.</li>
+ <li>Water Canteen containing enough water for three Drinks</li>
+ <li>Serum, sulfonamides, and dressings, sufficient for three Medi-kit units.</li>
<li>Flick knife (2)</li>
<li>Club (2)</li>
<li><typ class="item">Binoculars</typ></li>
<data>
<p>Swiftly you bring your rifle to your shoulder, draw a breath through clenched teeth, then take careful aim at the enemy sniper perched on the building opposite.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect349">If your total score is now 9 or less, <link-text>turn to 349</link-text>.</choice>
<choice idref="sect229">If your total score is now 10 or more, <link-text>turn to 229</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>You hear the sound of two motorcycles and glimpse the ugly faces of their riders.</description>
</meta>
- <instance class="html" src="ill8.gif" width="386" height="593" />
- <instance class="pdf" src="ill8.pdf" width="386" height="593" />
+ <instance class="html" src="ill8.gif" width="386" height="584" />
+ <instance class="pdf" src="ill8.pdf" width="386" height="584" />
</illustration>
<p>The clansman to your right shouts something but the rush of wind steals his words. You sense something land in the car, and when you turn to look, you are horrified to see a live grenade lying on the passenger seat beside you.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>, and add to it your Driving and Stealth skill totals.</p>
<p>The heavy steel door is held shut by an electronic lock. At first you suspect that the lock has jammed, its power having run down long ago, but as soon as you touch the keypad, a blue LED display glows into life above it.</p>
<p>Eleven numbers appear, arranged in three rows. There are four numbers on the top row, four on the second, and three on the third:</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance class="html" src="small13.gif" width="386" height="200" />
+ <instance class="pdf" src="small13.pdf" width="386" height="200"/>
+ </illustration>
+
+<!--
<table>
- <tr>
- <td>2</td>
- <td>12</td>
- <td>5</td>
- <td>9</td>
- </tr>
- <tr>
- <td>4</td>
- <td>20</td>
- <td>7</td>
- <td>17</td>
- </tr>
- <tr>
- <td>12</td>
- <td>12</td>
- <td>4</td>
- <td>-</td>
- </tr>
+ <tr><td>2</td><td>12</td><td>5</td><td>9</td></tr>
+ <tr><td>4</td><td>20</td><td>7</td><td>17</td></tr>
+ <tr><td>12</td><td>12</td><td>4</td><td>-</td></tr>
</table>
+-->
<p>You study the rows of numbers carefully, looking for a pattern. By tapping on the keypad the number that is missing from the last row, you will release the lock and open the door.</p>
<p>When you think you know the missing number, turn to the entry that bears that number.<a id="sect152-1" idref="sect152-1-foot" class="footnote" /></p>
<choice idref="sect171">If you cannot work out the correct answer, <link-text>turn to 171</link-text>.</choice>
<section class="numbered" id="sect153">
<meta><title>153</title></meta>
+ <footnotes>
+ <footnote id="sect153-1-foot" idref="sect153-1">
+ <p>Remember to deduct six rounds of 9mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your short burst of fire catches the clansman across the midriff and doubles him over as he runs. As he crashes to the ground, his partner panics and begins to fire wildly, powdering the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape while he still can.</p>
+ <p>Your short burst of fire catches the clansman across the midriff and doubles him over as he runs.<a id="sect153-1" idref="sect153-1-foot" class="footnote" /> As he crashes to the ground, his partner panics and begins to fire wildly, powdering the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape while he still can.</p>
<p>As soon as you are sure that the coast is clear, you rise and help Kate to her feet. The sound of a motorcycle riding away into the distance reassures you that your ambusher has fled, and confidently you scramble up the slope and walk over to examine the body of the one who did not get away.</p>
<choice idref="sect175"><link-text>Turn to 175</link-text>.</choice>
</data>
<meta><title>155</title></meta>
<data>
- <p>You bring your roadster to a halt on a ridge that overlooks the ruins of Denton. The place is familiar - you have stopped here many times in the past few months during the routine patrols of the area, to check that the town was not being used as a base by the gangs who were raiding McKinney. The ruins look deserted but you decide to check them anyway just to make sure.</p>
- <p>Having driven through the town and seen nothing unusual, you are turning around to return to the convoy when you hear the sound of motorcycle engines being kicked into life. Three bikes burst out of a building in the centre of the town and come racing after you, their riders whooping like red indians. All three machines are carrying pillion passengers, who are armed with an assortment of weapons. As the first bike draws level, its passenger gets ready to leap into the seat beside you.</p>
+ <p>You bring your roadster to a halt on a ridge that overlooks the ruins of Denton. The place is familiar<ch.emdash/>you have stopped here many times in the past few months during the routine patrols of the area, to check that the town was not being used as a base by the gangs who were raiding McKinney. The ruins look deserted but you decide to check them anyway just to make sure.</p>
+ <p>Having driven through the town and seen nothing unusual, you are turning around to return to the convoy when you hear the sound of motorcycle engines being kicked into life. Three bikes burst out of a building in the centre of the town and come racing after you, their riders whooping like Red Indians. All three machines are carrying pillion passengers, who are armed with an assortment of weapons. As the first bike draws level, its passenger gets ready to leap into the seat beside you.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>, and add to this number your current Driving skill total.</p>
<choice idref="sect76">If your total is now 0-9, <link-text>turn to 76</link-text>.</choice>
<choice idref="sect244">If it is 10 or more, <link-text>turn to 244</link-text>.</choice>
<data>
<p>'You had better take this with you,' says Pop Ewell, reaching into a satchel that he carries over his shoulder. He removes a hand-held transceiver and offers it to you. 'It's tuned to 153 megahertz. I'll be listenin' out for you the whole time you're away.'</p>
- <p>You take the <typ class="item">C.B. Radio</typ> (mark this on your <a idref="action">Action Chart</a> as a Backpack Item - you must discard another item in its favour if you already carry the maximum quota of items), check the setting and make sure there is sufficient power left in its miniaturized solar-pac before you walk to your roadster.</p>
+ <p>You take the <typ class="item">CB Radio</typ> (mark this on your <a idref="action">Action Chart</a> as a Backpack Item<ch.emdash/>you must discard another item in its favour if you already carry the maximum quota of items), check the setting and make sure there is sufficient power left in its miniaturized solar-pac before you walk to your roadster.</p>
<p>'Good luck, Cal,' says Uncle Jonas, as you switch on your ignition and check your instrumentation. 'Don't take no unnecessary risks, y'hear!'</p>
<p>With a wave, you bid him farewell, before accelerating the roadster along the highway that leads to Mineral Wells.</p>
<choice idref="sect325"><link-text>Turn to 325</link-text>.</choice>
<data>
<p>As you raise your shotgun, you shout at your people to get away from the window. Their screams of terror fill your ears as you take aim at the rider's chest and squeeze the trigger.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your Shooting skill total.</p>
<choice idref="sect340">If your total score is 7 or less, <link-text>turn to 340</link-text>.</choice>
<choice idref="sect302">If your total score is 8 or more, <link-text>turn to 302</link-text>.</choice>
<meta><title>160</title></meta>
<data>
- <p>Two miles and two hours later you reach the opposite side of the lake. Half an hour further on, the convoy makes a rest stop and takes stock of its surroundings. Traces of a paved road that disappears towards the west are found, and Cutter Jacks, who lived only a few miles from Lake Lewisville before 'the Day', identifies it as the remains of State Highway 407. 'This'll get us back on course,' he says confidently. 'Follow this baby and we'll make Freeway 35 in under an hour.'</p>
+ <p>Two miles and two hours later you reach the opposite side of the lake. Half an hour further on, the convoy makes a rest stop and takes stock of its surroundings. Traces of a paved road that disappears towards the west are found, and Cutter Jacks, who lived only a few miles from Lake Lewisville before 'The Day', identifies it as the remains of State Highway 407. 'This'll get us back on course,' he says confidently. 'Follow this baby and we'll make Freeway 35 in under an hour.'</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Twenty minutes later, Freeway 35 appears in the distance, its long, concrete body lying bleached and quaking beneath the fiery sun. The road you are following passes beneath it but, as you draw closer, you notice a ramp coiling away to your right, giving access to the freeway.</p>
- <p>A few hundred yards beyond the ramp you see another. It leads to the ruins of a once prestigious building - the North Texas State University.</p>
+ <p>A few hundred yards beyond the ramp you see another. It leads to the ruins of a once prestigious building<ch.emdash/>the North Texas State University.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small8.gif" width="386" height="150" />
+ <instance class="pdf" src="small8.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect82">If you wish to search the university, <link-text>turn to 82</link-text>.</choice>
<choice idref="sect22">If you decide to lead the convoy on to Freeway 35, <link-text>turn to 22</link-text>.</choice>
</data>
<meta><title>161</title></meta>
<data>
- <p>Using your map of central Texas as your guide, you leave Colorado City and follow the remains of State Highway 208 north towards Lake Thomas. You are hoping that the dam marked there on your map is still intact, for most dams have a service road running across the top.</p>
+ <p>Using your <a idref="map">map</a> of central Texas as your guide, you leave Colorado City and follow the remains of State Highway 208 north towards Lake Thomas. You are hoping that the dam marked there on your map is still intact, for most dams have a service road running across the top.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small8.gif" width="386" height="150" />
+ <instance class="pdf" src="small8.pdf" width="386" height="150"/>
+ </illustration>
+
<p>An hour later you arrive at Lake Thomas to find that the dam is still standing. Excitedly you stop the car and start walking towards it. As you get nearer you see that the service road is no wider than a garden path: the bus and the tanker will never be able to cross the river here. Sadly you return to your car.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>, and add to it your Field Craft and Perception skill totals.</p>
<choice idref="sect274">If your total score is now 10 or less, <link-text>turn to 274</link-text>.</choice>
<meta><title>162</title></meta>
<data>
- <p>You park beside the control tower, switch off the engine, then wait. Only when you are sure that the area is deserted do you leave your vehicle and enter the derelict building. A spiral staircase leads to the main control room where once sophisticated technology now lies scorched and twisted beyond recognition. You open a service hatch to find yourself staring at the skeletal remains of an air force sergeant.</p>
+ <p>You park beside the control tower, switch off the engine, then wait. Only when you are sure that the area is deserted do you leave your vehicle and enter the derelict building. A spiral staircase leads to the main control room where once-sophisticated technology now lies scorched and twisted beyond recognition. You open a service hatch to find yourself staring at the skeletal remains of an air force sergeant.</p>
<illustration class="float">
<meta>
<creator>Melvyn Grant</creator>
<description>You open a service hatch to find yourself staring at the skeletal remains of an air force sergeant.</description>
</meta>
- <instance class="html" src="ill9.gif" width="386" height="590" />
- <instance class="pdf" src="ill9.pdf" width="386" height="590" />
+ <instance class="html" src="ill9.gif" width="386" height="587" />
+ <instance class="pdf" src="ill9.pdf" width="386" height="587" />
</illustration>
<p>You regain your composure quickly and move to close the hatch. Then you notice that a holster and ammunition pouch are still attached to the dead soldier's belt, and your scavenger's instincts get the better of you.</p>
- <p>The holster contains a Pistol and the pouch holds twelve rounds of 9mm ammunition. If you decide to keep either of these items, amend your Weapons list and Ammo pouch accordingly.</p>
+ <p>The holster contains a Pistol and the pouch holds twelve rounds of 9mm ammunition. If you decide to keep either of these items, amend your <a idref="action">Weapons List</a> and Ammo Pouch accordingly.</p>
<choice idref="sect123">To leave the control tower, <link-text>turn to 123</link-text>.</choice>
</data>
</section>
<meta><title>163</title></meta>
<data>
- <p>You step away from Meltdown's body and turn to face the cheering crowd. Manhattan comes striding towards you, his face beaming, delighted that you have disposed of his would-be rival. 'Nice work, kid. I knew y'was a Kicker when I first set eyes on you,' he says glibly. Then he calls to one of his sidekicks and says something to him that you cannot hear. 'Follow Tweet,' he says, nodding to his grimy, one-eyed helper. 'He'll give you some chow and make sure you get some new equipment. Come see me in an hour - I've got a special job for you.'</p>
+ <p>You step away from Meltdown's body and turn to face the cheering crowd. Manhattan comes striding towards you, his face beaming, delighted that you have disposed of his would-be rival. 'Nice work, kid. I knew y'was a Kicker when I first set eyes on you,' he says glibly. Then he calls to one of his sidekicks and says something to him that you cannot hear. 'Follow Tweet,' he says, nodding to his grimy, one-eyed helper. 'He'll give you some chow and make sure you get some new equipment. Come see me in an hour<ch.emdash/>I've got a special job for you.'</p>
<p>Tweet takes you to a motel near the centre of town, where he offers you enough food for one Meal, enough water for two Drinks, and a choice of the following weapons, ammunition and equipment:</p>
<ul>
<li>Machine Pistol plus twenty rounds of 9mm ammunition</li>
<li><typ class="item">Compass</typ></li>
<li><typ class="item">Geiger Counter</typ></li>
</ul>
- <p>(You may take any number of the above Backpack items.)</p>
+ <p>(You may take any number of the above Backpack Items.)</p>
<p>After you have eaten and re-equipped yourself, you ask to be allowed to visit the latrine. Tweet points to a restroom in the Motel's lobby and tells you to be quick: Manhattan does not like to be kept waiting. Once inside, you discover what you were hoping to find: a window. The small window overlooks an old parking lot, and seconds later, you jump down into it.</p>
<p>You have been gone less than a few minutes when Tweet raises the alarm. Soon the town is swarming with clansmen searching for you. In desperation you hide in an old timber yard, where you wait patiently for the chance to slip out of Albany unseen. While you are lying low, you must take a drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<choice idref="sect61">To continue, <link-text>turn to 61</link-text>.</choice>
<section class="numbered" id="sect164">
<meta><title>164</title></meta>
+ <footnotes>
+ <footnote id="sect164-1-foot" idref="sect164-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>The hollow sound of your gunfire echoes across the dry lake bed and for a moment your target is obscured by smoke. As the cloud thins, you see that your efforts were in vain. The black figure is now running away from the tree towards a motorcycle that is lying on its side. Frantically he pulls the machine upright, kicks it into life, and makes a speedy escape.</p>
+ <p>The hollow sound of your gunfire echoes across the dry lake bed and for a moment your target is obscured by smoke.<a id="sect164-1" idref="sect164-1-foot" class="footnote" /> As the cloud thins, you see that your efforts were in vain. The black figure is now running away from the tree towards a motorcycle that is lying on its side. Frantically he pulls the machine upright, kicks it into life, and makes a speedy escape.</p>
<p>Helpless to prevent him from getting away, you signal once more to the others to restart their engines and continue with the difficult crossing.</p>
<choice idref="sect271"><link-text>Turn to 271</link-text>.</choice>
</data>
<meta><title>165</title></meta>
<data>
- <p>With terror gnawing at your insides you reach down and take hold of the grenade. In the next instant you hurl it out of the car and slam your foot down on the gas pedal. Seconds later there is a dull thud, and in your rear view mirror you see the biker to your left disappear in a ball of orange flame as the grenade explodes underneath his motorcycle and ignites the fuel tank.</p>
+ <p>With terror gnawing at your insides you reach down and take hold of the grenade. In the next instant you hurl it out of the car and slam your foot down on the gas pedal. Seconds later there is a dull thud, and in your rear-view mirror you see the biker to your left disappear in a ball of orange flame as the grenade explodes underneath his motorcycle and ignites the fuel tank.</p>
<p>Cutter sounds the bus's horn to alert you to the position of the remaining clansman. He is coming up fast on your blind side and, as he draws level, he jerks a machine pistol from his saddle-bag, cocks the bolt with his teeth, and opens fire</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>.</p>
<choice idref="sect17">If the number you have picked is 0-1, <link-text>turn to 17</link-text>.</choice>
<section class="numbered" id="sect168">
<meta><title>168</title></meta>
+ <footnotes>
+ <footnote id="sect168-1-foot" idref="sect168-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You lift your gun and squeeze the trigger, trusting your aim to instinct alone. At the same time, the double muzzle flash of your enemy's weapon lights up the gloomy interior, making you cry out in anticipation of being caught by its deadly blast. But luck is with you. The shotgun spits its cloud of lead away to your right and you survive unscathed. Your enemy is not so lucky. Your gunfire hits him squarely in the chest, killing him instantly.</p>
+ <p>You lift your gun and squeeze the trigger, trusting your aim to instinct alone.<a id="sect168-1" idref="sect168-1-foot" class="footnote" /> At the same time, the double muzzle flash of your enemy's weapon lights up the gloomy interior, making you cry out in anticipation of being caught by its deadly blast. But luck is with you. The shotgun spits its cloud of lead away to your right and you survive unscathed. Your enemy is not so lucky. Your gunfire hits him squarely in the chest, killing him instantly.</p>
<choice idref="sect220"><link-text>Turn to 220</link-text>.</choice>
</data>
</section>
<section class="numbered" id="sect172">
<meta><title>172</title></meta>
+ <footnotes>
+ <footnote id="sect172-1-foot" idref="sect172-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You have aimed too high: your gunfire passes over the driver's head, alerting his partner to your position. He returns fire, sending a hail of bullets into the wreckage that shields you. They strike with devastating effect, the deadly tracer shells blowing the rusty metal to pieces.</p>
+ <p>You have aimed too high: your gunfire passes over the driver's head, alerting his partner to your position.<a id="sect172-1" idref="sect172-1-foot" class="footnote" /> He returns fire, sending a hail of bullets into the wreckage that shields you. They strike with devastating effect, the deadly tracer shells blowing the rusty metal to pieces.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Stealth skill total.</p>
<choice idref="sect47">If your total score is 7 or less, <link-text>turn to 47</link-text>.</choice>
<choice idref="sect138">If your total score is 8 or more, <link-text>turn to 138</link-text>.</choice>
<section class="numbered" id="sect174">
<meta><title>174</title></meta>
+ <footnotes>
+ <footnote id="sect174-1-foot" idref="sect174-1">
+ <p>Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You hear your enemy scream and catch a brief glimpse of him in your rear-view mirror when his body hits the dusty ground behind your speeding car. The other bikers lose interest and soon give up the chase. They peel away, cursing and firing ill-aimed shots at your back as you make your escape from Denton.</p>
+ <p>You hear your enemy scream and catch a brief glimpse of him in your rear-view mirror when his body hits the dusty ground behind your speeding car.<a id="sect174-1" idref="sect174-1-foot" class="footnote" /> The other bikers lose interest and soon give up the chase. They peel away, cursing and firing ill-aimed shots at your back as you make your escape from Denton.</p>
<choice idref="sect198"><link-text>Turn to 198</link-text>.</choice>
</data>
</section>
<li>Enough water for three Drinks</li>
<li>Enough pain killers, antibiotics, and dressings for five Medi-kit units</li>
<li><typ class="item">Cigarette Lighter</typ></li>
- <li><typ class="item">H.E. Grenade</typ></li>
+ <li><typ class="item">HE Grenade</typ></li>
<li><typ class="item">Compass</typ></li>
<li><typ class="item">Gold Nugget</typ></li>
</ul>
<meta><title>176</title></meta>
<data>
- <p>You spring to your feet and run at the exit. However, the stripy-faced youth, whom you encountered earlier wielding a lasso, suddenly appears in the doorway, blocking your escape. As he reaches for a revolver, which is tucked into his waistband, you lower your shotgun and fire. Only one barrel discharges - the other misfires - but the blast is great enough to lift your adversary off his feet and send him cartwheeling out of the door.</p>
+ <p>You spring to your feet and run at the exit. However, the stripy-faced youth, whom you encountered earlier wielding a lasso, suddenly appears in the doorway, blocking your escape. As he reaches for a revolver, which is tucked into his waistband, you lower your shotgun and fire. Only one barrel discharges<ch.emdash/>the other misfires<ch.emdash/>but the blast is great enough to lift your adversary off his feet and send him cartwheeling out of the door.</p>
<p>You leap over his body and run along an alley that leads into a side street. You hear the mob yell out when they find the body, and you know that they will press their pursuit, so frantically you search for somewhere safe to hide. An old boarding house on the corner of the street looks like the answer to your prayers. You enter before the mob reaches the end of the alley.</p>
<choice idref="sect86"><link-text>Turn to 86</link-text>.</choice>
</data>
<meta><title>177</title></meta>
<data>
- <p>'Let's go!' says Cutter, and simultaneously you leap into action. Your sudden appearance draws a volley of shots from a shallow gulley situated twenty yards ahead, and a wave of fear knots your stomach as the bullets whistle past your head. Then Kate and the others open fire and force the bikers to duck behind their parapet of earth.</p>
- <p>On the far side, Cutter races across the rocky ground as fast as his skinny legs will carry him. A biker pops out of the gulley like a jack-in-the-box and fires his pistol at your friend's lanky form, missing him by inches. Cutter fires back, a snap shot from the hip that hits the biker full in the chest, sending him spinning backwards into the trench. Three more bikers appear, panicked by the death of their confederate. One falls victim to covering fire; the second is felled by Cutter's second barrel; but the third escapes the crossfire and comes running out of the gulley straight at you. He yelps with horror as he sees you, skids to a halt, and levels his pistol at your face.</p>
+ <p>'Let's go!' says Cutter, and simultaneously you leap into action. Your sudden appearance draws a volley of shots from a shallow gully situated twenty yards ahead, and a wave of fear knots your stomach as the bullets whistle past your head. Then Kate and the others open fire and force the bikers to duck behind their parapet of earth.</p>
+ <p>On the far side, Cutter races across the rocky ground as fast as his skinny legs will carry him. A biker pops out of the gully like a jack-in-the-box and fires his pistol at your friend's lanky form, missing him by inches. Cutter fires back, a snap shot from the hip that hits the biker full in the chest, sending him spinning backwards into the trench. Three more bikers appear, panicked by the death of their confederate. One falls victim to covering fire; the second is felled by Cutter's second barrel; but the third escapes the crossfire and comes running out of the gully straight at you. He yelps with horror as he sees you, skids to a halt, and levels his pistol at your face.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting and Stealth skill totals.</p>
<choice idref="sect49">If the total is now 0-9, <link-text>turn to 49</link-text>.</choice>
<choice idref="sect348">If it is 10 or more, <link-text>turn to 348</link-text>.</choice>
<data>
<p>You awake ten hours later in a schoolroom bathed in bright sunlight. The storm has passed during the night and the sun has returned, bringing with it the oppressive heat. 'Ninety-two degrees already,' says Cutter, tapping at an old mercuric thermometer that hangs on the wall. 'And it's not yet eight o'clock. Today's a day for fryin' eggs on the sidewalk <ch.ellips/> if we had any eggs, that is.'</p>
<p>Soon the colony is busy making preparations to leave. After clearing away the dust you check your roadster thoroughly, making sure that the fuel is clean and that the engine runs as smoothly as ever. Meanwhile, Cutter oversees a group who are working on the bus and Uncle Jonas heads another team who are servicing the tanker. The others, led by Kate, search the school for anything that could be useful on the road ahead. By mid-morning the convoy is back on the road, following Freeway 20 away from the dust-blown ruins of Abilene on the next stage of the journey west.</p>
- <p>You have been driving for little over an hour when you see a bridge in the distance and notice a glint of sunlight bouncing off a point near the centre of the parapet. Not until you are within 100 yards of the bridge do you realize what is causing the refraction: it is the telescopic sight of a sniper's rifle and it is aimed directly at you.</p>
- <p>Pick a number from the <a idref="random">Random Number Table</a>, and add it to your Driving and Stealth skill totals.</p>
- <choice idref="sect326">If your total score is now 7 or less, <link-text>turn to 326</link-text>.</choice>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small11.gif" width="386" height="150" />
+ <instance class="pdf" src="small11.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>You have been driving for little over an hour when you see a bridge in the distance and notice a glint of sunlight bouncing off a point near the centre of the parapet. Not until you are within 100 yards of the bridge do you realize what is causing the refraction: it is the telescopic sight of a sniper's rifle and it is aimed directly at you.</p>
+ <p>Pick a number from the <a idref="random">Random Number Table</a>, and add it to your Driving and Stealth skill totals.</p>
+ <choice idref="sect326">If your total score is now 7 or less, <link-text>turn to 326</link-text>.</choice>
<choice idref="sect104">If your total is now 8-13, <link-text>turn to 104</link-text>.</choice>
<choice idref="sect21">If your total is now 14 or more, <link-text>turn to 21</link-text>.</choice>
</data>
<data>
<p>You squeeze the trigger and feel the butt of your rifle kick your shoulder. Your enemy has no time to cry out as the bullet finds its mark with deadly accuracy. It passes straight through his heart, killing him instantly.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Remember to erase one 7.62mm round from your Ammo Pouch.</p>
<choice idref="sect251">To continue, <link-text>turn to 251</link-text>.</choice>
</data>
<meta><title>181</title></meta>
<data>
- <p>Quickly you tear open your Backpack and remove the rope. You slide down the slope, riding the shale feet first, and, as you near the bottom, get ready to throw Kate your line. Twice you cast it across the water to no avail. Then, on the third attempt, she manages to grab it and you are able to pull her, breathless and bedraggled, on to the muddy shore.</p>
+ <p>Quickly you tear open your Backpack and remove the Rope. You slide down the slope, riding the shale feet-first, and, as you near the bottom, get ready to throw Kate your line. Twice you cast it across the water to no avail. Then, on the third attempt, she manages to grab it and you are able to pull her, breathless and bedraggled, on to the muddy shore.</p>
<choice idref="sect335"><link-text>Turn to 335</link-text>.</choice>
</data>
</section>
<data>
<p>The twin beams of your headlights cast a white corridor of light along Freeway 20 as you overtake and pull in to take your place at the head of the convoy. With the memory of the biker's raid still fresh in your mind, you cast frequent glances in your rear-view mirror to make sure that the clansmen are not on your tail.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small11.gif" width="386" height="150" />
+ <instance class="pdf" src="small11.pdf" width="386" height="150"/>
+ </illustration>
+
<p>The road climbs steadily for several miles as it approaches the mountains of Erath County. A signpost reflects the glare of your lights, announcing your entry to the town of Thurber, which once had a population of 5,006. You contemplate that figure, wondering how many, if any, inhabitants are still alive, when you are distracted by a light flashing in your mirror. It is the bus: Uncle Jonas is signalling for you to stop.</p>
<p>You reach the bus soon after Cutter and hear him asking what is wrong. Uncle Jonas says nothing. He simply tugs at the steering wheel and watches in dismay as it spins freely on the hub. 'Looks like we've got ourselves a big problem,' says Cutter, peering under the front wheel arch. 'The steering linkage has sheared clean in two. I'd guess that rough ride out o' Santo did for it good and proper.'</p>
<p>'Can you fix it?' asks Uncle Jonas.</p>
<creator>Melvyn Grant</creator>
<description>The Mavericks try to bundle Kate, kicking and punching, into a sidecar.</description>
</meta>
- <instance class="html" src="ill10.gif" width="386" height="589" />
- <instance class="pdf" src="ill10.pdf" width="386" height="589" />
+ <instance class="html" src="ill10.gif" width="386" height="581" />
+ <instance class="pdf" src="ill10.pdf" width="386" height="581" />
</illustration>
<p>Add your current <typ class="attribute">ENDURANCE</typ> points score to your Stealth skill total.</p>
<choice idref="sect221">If you total is 8 or less, <link-text>turn to 221</link-text>.</choice>
<section class="numbered" id="sect190">
<meta><title>190</title></meta>
+ <footnotes>
+ <footnote id="sect190-1-foot" idref="sect190-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your gunfire brings down another of the slavering dogs and the others halt in their tracks. Turning, they run away, scattering in all directions as they flee the highway.</p>
+ <p>Your gunfire brings down another of the slavering dogs and the others halt in their tracks.<a id="sect190-1" idref="sect190-1-foot" class="footnote" /> Turning, they run away, scattering in all directions as they flee the highway.</p>
<choice idref="sect90"><link-text>Turn to 90</link-text>.</choice>
</data>
</section>
<section class="numbered" id="sect191">
<meta><title>191</title></meta>
+ <footnotes>
+ <footnote id="sect191-1-foot" idref="sect191-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Raising your weapon, you trust to instinct alone as you point it at the intruder and squeeze the trigger. At the same time, the double muzzle flash of his shotgun lights up the gloomy interior, and you cry out in pain as birdshot peppers your right arm and shoulder: lose 8 <typ class="attribute">ENDURANCE</typ> points.</p>
+ <p>Raising your weapon, you trust to instinct alone as you point it at the intruder and squeeze the trigger.<a id="sect191-1" idref="sect191-1-foot" class="footnote" /> At the same time, the double muzzle flash of his shotgun lights up the gloomy interior, and you cry out in pain as birdshot peppers your right arm and shoulder: lose 8 <typ class="attribute">ENDURANCE</typ> points.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>You stagger backwards and lean against the wall in order to stay on your feet. Your enemy is not so fortunate. Your gunfire has hit him full in the chest, killing him instantly.</p>
<p>Remember to make the necessary adjustments to your <a idref="action">Action Chart</a>.</p>
<choice idref="sect220">To continue, <link-text>turn to 220</link-text>.</choice>
<data>
<p>'One of them's heading for the roadster,' you say, watching anxiously as the clansman scurries around the rim. 'I'm going to stop him before he gets there!' Kate protests, but you are determined to save your car, and reluctantly she agrees to cover you as best she can with the tiny Derringer pistol that she carries in her boot.</p>
<p>'I call it 'Chihuahua',' she quips, as she cocks the double-hammers and gets ready to fire. 'It don't look much but it makes one hellava noise!'</p>
- <p>You scan the slope. When you have picked out the best place to make your climb, you break cover and zig-zag along the shore towards it. Immediately, the machine-gunner opens up on you. Kate replies with a single shot and he diverts his fire back to the rocks and bushes. Swiftly you claw your way to the top of the slope and run straight at the clansman, grimly determined to intercept him before he can do any damage to your roadster. He sees you approaching, draws a pistol, and, still running, empties it at your chest.</p>
+ <p>You scan the slope. When you have picked out the best place to make your climb, you break cover and zig-zag along the shore towards it. Immediately, the machine gunner opens up on you. Kate replies with a single shot and he diverts his fire back to the rocks and bushes. Swiftly you claw your way to the top of the slope and run straight at the clansman, grimly determined to intercept him before he can do any damage to your roadster. He sees you approaching, draws a pistol, and, still running, empties it at your chest.</p>
<p>Add your Stealth skill total to your current <typ class="attribute">ENDURANCE</typ> points score.</p>
<choice idref="sect258">If your total is 9 or less, <link-text>turn to 258</link-text>.</choice>
<choice idref="sect83">If it is 10 or more, <link-text>turn to 83</link-text>.</choice>
<meta><title>198</title></meta>
<data>
- <p>On your speedy return to the convoy, Uncle Jonas tells you that a moving cloud of dust was sighted to the north soon after you left to scout Denton. Judging by the short time it took to cross the horizon, he suspects that it could only have been made by a large gang of bikers on the move. 'We'd best swing aroun' Denton by the south-west,' he says, squinting at a tattered old route map that he has spread across the hood of your roadster, 'just in case it was some o' them Yankees you tumped in Sherman.'</p>
- <p>You gaze at the now-empty horizon and nod in agreement. 'You take point, Cal,' he says, as he folds his map and goes off to pass word of the detour to Cutter and the others. You see fear and uncertainty in their eyes as Uncle Jonas explains the sudden change of plan. As soon as he is back behind the wheel of the bus, you start your engine and lead the convoy away to the south-west, towards a parched bowl of cracked and barren land that was once the bed of Lake Lewisville.</p>
+ <p>On your speedy return to the convoy, Uncle Jonas tells you that a moving cloud of dust was sighted to the north soon after you left to scout Denton. Judging by the short time it took to cross the horizon, he suspects that it could only have been made by a large gang of bikers on the move. 'We'd best swing aroun' Denton by the southwest,' he says, squinting at a tattered old route map that he has spread across the hood of your roadster, 'just in case it was some o' them Yankees you tumped in Sherman.'</p>
+ <p>You gaze at the now-empty horizon and nod in agreement. 'You take point, Cal,' he says, as he folds his map and goes off to pass word of the detour to Cutter and the others. You see fear and uncertainty in their eyes as Uncle Jonas explains the sudden change of plan. As soon as he is back behind the wheel of the bus, you start your engine and lead the convoy away to the southwest, towards a parched bowl of cracked and barren land that was once the bed of Lake Lewisville.</p>
<p>You must now take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<choice idref="sect137">To continue, <link-text>turn to 137</link-text>.</choice>
</data>
<meta><title>201</title></meta>
<data>
- <p>You recognize at once the chemical symbol for sodium chloride - common salt: you have stumbled upon a huge stockpile of a substance that is vital to human survival, yet one that is becoming harder to find with every passing day. In your excitement you give a shout and can barely stop yourself from dancing around the crate in sheer delight.</p>
+ <p>You recognize at once the chemical symbol for sodium chloride<ch.emdash/>common salt: you have stumbled upon a huge stockpile of a substance that is vital to human survival, yet one that is becoming harder to find with every passing day. In your excitement you give a shout and can barely stop yourself from dancing around the crate in sheer delight.</p>
<choice idref="sect29">If you wish to take as many tubs of salt as you can carry and then return to the convoy, <link-text>turn to 29</link-text>.</choice>
<choice idref="sect152">If you wish to investigate the steel door before leaving the basement, <link-text>turn to 152</link-text>.</choice>
</data>
<meta><title>204</title></meta>
<data>
- <p>The road stretches before you, empty and silent, shimmering beneath the early morning sun. With the temperature already in the mid-nineties, you are grateful for the cool breeze that whips through your hair as you speed across the barren flats. The tracks made by Long lake's tyres are still fresh in the dust that blankets the highway, and you trail them all the way to the outskirts of Sherman, where you discover his pick-up abandoned near an old gas station.</p>
+ <p>The road stretches before you, empty and silent, shimmering beneath the early morning sun. With the temperature already in the mid-nineties, you are grateful for the cool breeze that whips through your hair as you speed across the barren flats. The tracks made by Long Jake's tyres are still fresh in the dust that blankets the highway, and you trail them all the way to the outskirts of Sherman, where you discover his pick-up abandoned near an old gas station.</p>
<p>A line of footprints disappears towards the centre of the town, and, as you follow them along the main street, you catch sight of Long Jake, a rifle in his hand, waving at you from the doorway of his brother's store. Behind him stands a girl. She looks eighteen, maybe younger. Judging by the state of her clothing she must have been through a pretty rough time. You bring your roadster to a halt in front of the store and, nervously, Long Jake motions you to enter. 'Quick, Cal!' he hisses. 'Get over here!'</p>
- <p>You are barely out of the driving seat when a burst of machine-gun fire rings out across the street. Bullets hit the ground near your feet and a number of holes appear, stitched in a jagged row across the trunk of your car.</p>
+ <p>You are barely out of the driving seat when a burst of machine gun fire rings out across the street. Bullets hit the ground near your feet and a number of holes appear, stitched in a jagged row across the trunk of your car.</p>
<choice idref="sect109">If you wish to get back into your roadster and try to escape this ambush, <link-text>turn to 109</link-text>.</choice>
<choice idref="sect307">If you wish to dive to the ground and take cover, <link-text>turn to 307</link-text>.</choice>
</data>
<meta><title>205</title></meta>
<data>
- <p>The foul smell of their unwashed bodies dissuades you from searching through the pockets of your two attackers. However, their clubs lie on the ground nearby and you may keep one if you wish (record it on your Weapons list as a Club (2)).</p>
+ <p>The foul smell of their unwashed bodies dissuades you from searching through the pockets of your two attackers. However, their clubs lie on the ground nearby and you may keep one if you wish (record it on your <a idref="action">Weapons List</a> as a Club (2)).</p>
<p>A search of the store reveals no trace of Maria, and you are about to leave to look elsewhere when your transceiver crackles into life. It is Kate, and she has good news: she has found Maria and she is on her way back to the school. You acknowledge her call, then tune your handset to Uncle Jonas' signal and use it to guide you back to base.</p>
<choice idref="sect280"><link-text>Turn to 280</link-text>.</choice>
</data>
<data>
<p>'Here Cal, take this,' says Uncle Jonas, offering you his sawn-off shotgun. 'When you git in close you won't need to be too fussy where you point this beauty.'</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>You take the gun and check that both barrels are loaded. 'I'll go left,' whispers Cutter.</p>
<p>'Whenever you're ready,' you reply, tensing your body in preparation for the run.</p>
<choice idref="sect177"><link-text>Turn to 177</link-text>.</choice>
<meta><title>209</title></meta>
<data>
- <p>A sudden sound to your left betrays the hiding place of a would-be ambusher. You spin on your heel, drawing your hunting knife and tensing yourself in expectation of an attack. Lurking in the doorway is a scrawny youth dressed in tattered buckskin. His clothes, and the coloured stripes that mark his face, remind you of books you read when you were young; books with pictures of red indian braves, who fought the cowboys of the old West. The youth screams a curse and casts a rope lasso around your shoulders, but before he can draw it tight, you sever it with one sweep of your razor-sharp blade. His scream echoes across the street and draws forth others of his kind all of them dressed in similar red indian costumes. They advance towards you, brandishing knives and axes, and you turn and run in fear for your life.</p>
+ <p>A sudden sound to your left betrays the hiding place of a would-be ambusher. You spin on your heel, drawing your hunting knife and tensing yourself in expectation of an attack. Lurking in the doorway is a scrawny youth dressed in tattered buckskin. His clothes, and the coloured stripes that mark his face, remind you of books you read when you were young; books with pictures of Red Indian braves, who fought the cowboys of the old West. The youth screams a curse and casts a rope lasso around your shoulders, but before he can draw it tight, you sever it with one sweep of your razor-sharp blade. His scream echoes across the street and draws forth others of his kind all of them dressed in similar Red Indian costumes. They advance towards you, brandishing knives and axes, and you turn and run in fear for your life.</p>
<p>As you run past the entrance to a small bar, another group appears on the sidewalk less than twenty yards ahead. Shots ring out, forcing you to dive for cover inside the bar. Fortunately the place is deserted, but the angry screams of the mob grow louder by the second. Quickly you scan the gloomy interior, searching for a way out or a place to hide. Two possibilities present themselves: the staircase to the first floor, and the counter at the rear of the bar.</p>
<choice idref="sect286">If you wish to ascend the stairs to the first floor, <link-text>turn to 286</link-text>.</choice>
<choice idref="sect118">If you wish to hide behind the counter, <link-text>turn to 118</link-text>.</choice>
<data>
<p>You check your rear-view mirror and see both Cutter and Uncle Jonas giving you a thumbs up. 'Hold on tight,' you shout to Kate, your voice almost lost as you rev your engine. 'Here we go!'</p>
- <p>You move away, keeping an eye on your mirror to make sure that you do not out-distance the rest of the convoy. Then, as you approach the outskirts of the town, Kate raises her shotgun and gets ready to greet the Maverick clansmen who are brave, or foolish, enough to stand in your way. Gunfire erupts from the windows of the nearby buildings and bullets whistle past, fired from all directions. Kate opens up in reply, empty cartridge cases spewing from her gun as she picks off the renegade bikers with chilling accuracy. Then the first of the obstacles appears and you stamp your foot to the floor. The force of your car's acceleration hits you like a kick in the back. The car screams through the town, scattering motorcycles and riders, its rear wheels trailing a blue haze of friction-burnt rubber.</p>
+ <p>You move away, keeping an eye on your mirror to make sure that you do not outdistance the rest of the convoy. Then, as you approach the outskirts of the town, Kate raises her shotgun and gets ready to greet the Maverick clansmen who are brave, or foolish, enough to stand in your way. Gunfire erupts from the windows of the nearby buildings and bullets whistle past, fired from all directions. Kate opens up in reply, empty cartridge cases spewing from her gun as she picks off the renegade bikers with chilling accuracy. Then the first of the obstacles appears and you stamp your foot to the floor. The force of your car's acceleration hits you like a kick in the back. The car screams through the town, scattering motorcycles and riders, its rear wheels trailing a blue haze of friction-burnt rubber.</p>
<p>The last few buildings are flashing past on either side when you see a solitary figure standing in the middle of the highway ahead. As you scream towards him, coolly he raises a rifle and takes aim at your windshield.</p>
<illustration class="float">
<meta>
<creator>Melvyn Grant</creator>
<description>Coolly the figure raises a rifle and takes aim at your windshield.</description>
</meta>
- <instance class="html" src="ill11.gif" width="386" height="593" />
- <instance class="pdf" src="ill11.pdf" width="386" height="593" />
+ <instance class="html" src="ill11.gif" width="386" height="589" />
+ <instance class="pdf" src="ill11.pdf" width="386" height="589" />
</illustration>
<p>Pick a number from the <a idref="random">Random Number Table</a>.</p>
<choice idref="sect27">If the number you have picked is 0-2, <link-text>turn to 27</link-text>.</choice>
<data>
<p>The familiar outline of McKinney appears on the horizon and you increase speed. You are keen to return as quickly as you can and warn the colony of the danger now approaching from the north. Your return is met with mixed feelings: all are upset to hear that Long Jake is dead, and many are disappointed that you could not save the cache of rifles and ammunition that he found. However, all, without exception, are thankful that you are still alive and, despite the threat of a revenge attack by Mad Dog Michigan, they welcome Kate to the colony with open arms.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small4.gif" width="386" height="150" />
+ <instance class="pdf" src="small4.pdf" width="386" height="150"/>
+ </illustration>
+
<p>In the light of this new threat to your safety it is decided that the colony should not wait until tomorrow to begin its long journey west. With all the major preparations already completed, the convoy is loaded and ready to move off within the hour. All that remains to do, once the convoy is at a safe distance, is to set fire to the ranch. This will destroy the supplies you are forced to leave behind, preventing them from falling into the hands of either Mad Dog Michigan, or the murderous city gangs of Dallas and Fort Worth.</p>
<p>Once the Ewell ranch is ablaze, you lead the convoy cross-country towards Denton. There you hope to pick up Freeway 35 and follow it south on the first stage of your journey to Big Spring. Two miles outside Denton, you signal to the others to halt while you go ahead and make sure that the town is empty and the freeway is clear of obstructions.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Add together your current levels of Field Craft and Perception. Now, pick a number from the <a idref="random">Random Number Table</a> (0 = zero) and add this to your score.</p>
<choice idref="sect155">If your total is now 6-12, <link-text>turn to 155</link-text>.</choice>
<choice idref="sect46">If it is 13 or more, <link-text>turn to 46</link-text>.</choice>
<data>
<p>Hurriedly you bring your shotgun to your shoulder, draw a breath through clenched teeth, and take aim at the enemy sniper perched on the building opposite.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect349">If your total score is now 11 or less, <link-text>turn to 349</link-text>.</choice>
<choice idref="sect229">If your total score is now 12 or more, <link-text>turn to 229</link-text>.</choice>
<li>Water Canteen</li>
<li>Enough water for two Drinks (1 pint)</li>
<li>Twelve rounds of 9mm ammunition</li>
- <li>Three rounds of 12-gauge shotgun ammunition</li>
+ <li>Three rounds of 12-gauge ammunition</li>
<li><typ class="item">Telescope</typ></li>
<li><typ class="item">File</typ></li>
</ul>
<data>
<p>Beyond the door lies a mass of heavy machinery: an engine that once powered a thrilling space ride, which was the biggest attraction of this provincial town park. You glimpse the obsolete engine as you dive and manage to twist aside at the last moment. Although you graze your shoulder (lose 2 <typ class="attribute">ENDURANCE</typ> points), you save yourself from crashing head first against its stainless-steel casing.</p>
- <p>As you recover, your hand locates the sharp implement that caused your wound. It is a Crowbar (2). If you wish to keep this item, record it on your Weapons list as a close combat weapon.</p>
+ <p>As you recover, your hand locates the sharp implement that caused your wound. It is a Crowbar (2). If you wish to keep this item, record it on your <a idref="action">Weapons List</a> as a close combat weapon.</p>
<choice idref="sect56"><link-text>Turn to 56</link-text>.</choice>
</data>
</section>
<data>
<p>'We gotta get out <ch.ellips/>' you say, turning towards Long Jake. But your words of warning stick in your throat when you catch sight of him lying on the floor, unmoving, his chest wet with blood. You reach for a Medi-kit and rush to his side, but it is too late; he caught the worst of the shotgun blast and nothing can be done to help him now.</p>
- <p>'Watch the street,' shouts the girl, as she moves forward to search the body of Long Jake's killer. 'This dude you've wasted has some real mean kin. They'll soon get to wonderin' what's hap'ning in here and 'll come to check us out.' She pockets some cartridges, snatches up the killer's shotgun, and hurriedly reloads it as she moves towards the door. From out of the ruins opposite step three punks armed with pistols. Slowly they advance, their movements stiff with caution.</p>
- <p>'Make a run for the car,' she says. 'I'll cover you.' You nod in agreement and take a deep breath before launching yourself out of the doorway. The punks stop and shoot wildly at your moving form, but their nerve deserts them when the girl opens fire, and they soon melt away into the ruins. You reach your roadster, start the engine, then beckon to the girl to follow. The moment she is safely aboard, you drop the clutch and stamp your foot on the gas pedal. The engine roars and the back wheels spin, sending up great clouds of dust and loose stones, but the car does not move forwards. Panic knots your stomach as you feel the rear end snaking sideways - you are losing control. Then the tyres grip the road and you are thrown back in your seat as you screech away, accelerating like a rocket along the main street that leads out of Sherman.</p>
+ <p>'Watch the street,' shouts the girl, as she moves forward to search the body of Long Jake's killer. 'This dude you've wasted has some real mean kin. They'll soon get to wonderin' what's hap'ning in here and'll come to check us out.' She pockets some cartridges, snatches up the killer's shotgun, and hurriedly reloads it as she moves towards the door. From out of the ruins opposite step three punks armed with pistols. Slowly they advance, their movements stiff with caution.</p>
+ <p>'Make a run for the car,' she says. 'I'll cover you.' You nod in agreement and take a deep breath before launching yourself out of the doorway. The punks stop and shoot wildly at your moving form, but their nerve deserts them when the girl opens fire, and they soon melt away into the ruins. You reach your roadster, start the engine, then beckon to the girl to follow. The moment she is safely aboard, you drop the clutch and stamp your foot on the gas pedal. The engine roars and the back wheels spin, sending up great clouds of dust and loose stones, but the car does not move forwards. Panic knots your stomach as you feel the rear end snaking sideways<ch.emdash/>you are losing control. Then the tyres grip the road and you are thrown back in your seat as you screech away, accelerating like a rocket along the main street that leads out of Sherman.</p>
<choice idref="sect318"><link-text>Turn to 318</link-text>.</choice>
</data>
</section>
<meta><title>222</title></meta>
<data>
- <p>Despite your anxiety you manage to get a few hours sleep before dawn. As the sky brightens, Uncle Jonas voices his fear that the vehicles are far too exposed out on the highway, where they can easily be spotted and will be sure to attract another raid like the one you endured last night at Santo. Cutter agrees, so before you set off for Strawn he fixes a line to the back of the tanker and tows the bus into a nearby gulley.</p>
+ <p>Despite your anxiety you manage to get a few hours sleep before dawn. As the sky brightens, Uncle Jonas voices his fear that the vehicles are far too exposed out on the highway, where they can easily be spotted and will be sure to attract another raid like the one you endured last night at Santo. Cutter agrees, so before you set off for Strawn he fixes a line to the back of the tanker and tows the bus into a nearby gully.</p>
<p>There, Uncle Jonas and the others set to work dismantling the broken steering linkage, while Mountain Goat draws a map of Strawn, showing the location of the truck depot. He hands the sketch to Cutter, and you and he check your equipment and bid farewell to the others before setting off.</p>
<p>Two hours later you catch sight of the fortified town. It is perched on a ridge of high ground and enjoys an unobstructed view over the surrounding land. You note its perimeter wall, constructed of rubble and old cars, and the crudely built watchtowers that command its freeway approaches. It seems to you that it would be impossible for a large group, or even a single vehicle to approach this town undetected, yet the rocky terrain that surrounds it enables you and Cutter to crawl to within a few hundred yards of the perimeter wall without being seen.</p>
<p>Patiently you observe the inhabitants of Strawn while waiting for night to fall. During your long vigil you must eat a Meal (or lose 3 <typ class="attribute">ENDURANCE</typ> points) and take two Drinks (or lose 6 <typ class="attribute">ENDURANCE</typ> points). You identify two weak links in the defensive wall: one is an alley that services an old shopping mall; the other is a chain-link fence that surrounds a derelict amusement park at the edge of town. Cutter suggests that you enter Strawn separately in order to minimize the risk of being seen, then meet at the depot itself. He offers you first choice of approach.</p>
<meta><title>224</title></meta>
<data>
- <p>You return to the convoy and tell the others the disappointing news, that the bridge at Lakeside Village is out. There is only one alternative - the bridge across Lake Worth. As you take your place at the head of the column and lead the convoy along Highway 820, you can only pray that it has not suffered a similar fate.</p>
+ <p>You return to the convoy and tell the others the disappointing news, that the bridge at Lakeside Village is out. There is only one alternative<ch.emdash/>the bridge across Lake Worth. As you take your place at the head of the column and lead the convoy along Highway 820, you can only pray that it has not suffered a similar fate.</p>
<choice idref="sect149"><link-text>Turn to 149</link-text>.</choice>
</data>
</section>
<creator>Melvyn Grant</creator>
<description>The tanker catches and spins the torn wreckage directly into your path.</description>
</meta>
- <instance class="html" src="ill12.gif" width="386" height="597" />
- <instance class="pdf" src="ill12.pdf" width="386" height="597" />
+ <instance class="html" src="ill12.gif" width="386" height="586" />
+ <instance class="pdf" src="ill12.pdf" width="386" height="586" />
</illustration>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Driving and Perception skill totals.</p>
<choice idref="sect323">If your total is now 0-10, <link-text>turn to 323</link-text>.</choice>
<section class="numbered" id="sect229">
<meta><title>229</title></meta>
+ <footnotes>
+ <footnote id="sect229-1-foot" idref="sect229-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You fire and immediately the sniper clutches his chest. He gives a loud scream and then tumbles over the parapet, landing with a thud on the sidewalk below. With grim satisfaction you stare at his body, but your gaze is distracted when a column of motor cycles - the main body of the clan - rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.'</p>
+ <p>You fire and immediately the sniper clutches his chest.<a id="sect229-1" idref="sect229-1-foot" class="footnote" /> He gives a loud scream and then tumbles over the parapet, landing with a thud on the sidewalk below. With grim satisfaction you stare at his body, but your gaze is distracted when a column of motor cycles<ch.emdash/>the main body of the clan<ch.emdash/>rides into view. They are now less than a mile from the bridge. 'C'mon you two!' shouts Cutter. 'It's time to go.'</p>
<p>The tanker has made it across the platform and is no parked with the other vehicles on the far side of the river. You leave the factory and run back towards the bridge. When you reach the position that Kate is defending, you say breathlessly: 'Set the bomb <ch.ellips/> I'll stay here and cover you!'</p>
- <p>Tensely you watch the clansmen as they gun their bikes along the freeway, and you glance repeatedly over your shoulder, praying for Kate to signal that the bomb is ready. Then the front line of bikers open fire with their machine pistols, and suddenly the air is filled with the whine and whistle of bullets. 'It's ready!' shouts Kate, and takes off across the bridge. at a run.</p>
- <p>Add together your current <typ class="attribute">ENDURANCE</typ> POINTS score and your Stealth skill total. (Note: If your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack items in order to increase your Stealth skill level).</p>
+ <p>Tensely you watch the clansmen as they gun their bikes along the freeway, and you glance repeatedly over your shoulder, praying for Kate to signal that the bomb is ready. Then the front line of bikers open fire with their machine pistols, and suddenly the air is filled with the whine and whistle of bullets. 'It's ready!' shouts Kate, and takes off across the bridge at a run.</p>
+ <p>Add together your current <typ class="attribute">ENDURANCE</typ> POINTS score and your Stealth skill total. (Note: If your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack Items in order to increase your Stealth skill level).</p>
<choice idref="sect324">If your total is 11 or less, <link-text>turn to 324</link-text>.</choice>
<choice idref="sect200">If your total is 12 or more, <link-text>turn to 200</link-text>.</choice>
</data>
<data>
<p>You watch carefully as the group draws closer, noticing several things that make you feel uneasy. The dogs look much larger than ordinary alsatians, and flecks of white foam drip from their mouths as they tug and snap repeatedly at their heavy chain leashes. By contrast, the two handlers appear painfully thin and gaunt, the skin on their faces unnaturally pale despite the burning desert sun.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small1.gif" width="386" height="150" />
+ <instance class="pdf" src="small1.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Rather than await their arrival, you decide to return to your roadster and leave, but you have taken barely a dozen steps towards your car when the dogs emit blood-curdling howls and come racing across the rocky ground towards you.</p>
<choice idref="sect133">If you possess enough food for three Meals, <link-text>turn to 133</link-text>.</choice>
<choice idref="sect322">If you do not possess this much food, <link-text>turn to 322</link-text>.</choice>
<data>
<p>You grab your rifle, pull back its bolt, and let it spring forward to chamber a round. With the safety off and the tangent sight set at 200 yards, you rest the barrel across the rollbar of your roadster and take aim at your distant target. At this range the figure in black appears little more than 1/16 inch high, but this does not cause you any worries. You are used to hitting targets up to half a mile away, using this rifle.</p>
- <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you wish to fire (minimum - one round; maximum - four rounds). For every round you fire, add one point to your current score.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you wish to fire (minimum: one round; maximum: four rounds). For every round you fire, add one point to your current score.</p>
<choice idref="sect164">If your total score is now 7 or less, <link-text>turn to 164</link-text>.</choice>
<choice idref="sect58">If it is 8 or more, <link-text>turn to 58</link-text>.</choice>
</data>
<meta><title>242</title></meta>
<data>
- <p>You are winded by your fall and lie for several minutes staring helplessly at the starry sky. Gradually you recover your senses and manage to pull yourself unsteadily to your feet. A cursory check of your equipment reveals that your <typ class="item">C
.B. Radio</typ> is smashed to pieces, together with the second Backpack item listed on your <a idref="action">Action Chart</a> (erase both of these items from your list).</p>
- <p>As your strength returns, you resolve to climb out of the gulley as quickly as you can.</p>
+ <p>You are winded by your fall and lie for several minutes staring helplessly at the starry sky. Gradually you recover your senses and manage to pull yourself unsteadily to your feet. A cursory check of your equipment reveals that your <typ class="item">C
B Radio</typ> is smashed to pieces, together with the second Backpack item listed on your <a idref="action">Action Chart</a> (erase both of these items from your list).</p>
+ <p>As your strength returns, you resolve to climb out of the gully as quickly as you can.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Stealth and Field Craft skill totals.</p>
<choice idref="sect80">If your total score is now 10 or less, <link-text>turn to 80</link-text>.</choice>
<choice idref="sect12">If your total score is now 11 or more, <link-text>turn to 12</link-text>.</choice>
<data>
<p>You enter the derelict factory and take up your position at a top floor window that overlooks both the freeway and the bridge. Below you can see Kate. She is crouching behind the auto wreck with a rifle in her hands. Nervously you count the passing seconds, your eyes fixed on the road.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small9.gif" width="386" height="150" />
+ <instance class="pdf" src="small9.pdf" width="386" height="150"/>
+ </illustration>
+
<p>The first of the Lions appears: it is a motorcycle and sidecar. A lion's head flag flutters from an aerial fixed to the rider's saddle, and a heavy-calibre machine gun is mounted in front of his partner's chair. As soon as they see the tanker they open fire, sending a stream of tracer bullets arcing towards the bridge. The fiery shells tear great holes in the asphalt and riddle Kate's position, but bravely she holds her ground. You rest your weapon on the window ledge and watch the enemy vehicle through your gunsight as it speeds towards the bridge. You are about to fire when a single shot echoes along the street, and you see the rider throw his hands up to his face. Seconds later the speeding machine careers off the road, slams into the wall of an office building, and explodes in a searing ball of flame.</p>
<p>With grim satisfaction you stare at the burning wreckage, but your gaze is soon distracted by something moving across the roof of the building opposite. It is a clansman, dressed wholly in black leather and wearing a visored crash helmet. He stops at the corner, unslings a rifle, and takes careful aim at the bridge. Your pulse quickens when you see that the barrel of his gun is pointing directly at Kate.</p>
<illustration class="float">
<creator>Melvyn Grant</creator>
<description>Your gaze is distracted by something moving across the roof of the building opposite. It is a clansman.</description>
</meta>
- <instance class="html" src="ill13.gif" width="386" height="596" />
- <instance class="pdf" src="ill13.pdf" width="386" height="596" />
+ <instance class="html" src="ill13.gif" width="386" height="589" />
+ <instance class="pdf" src="ill13.pdf" width="386" height="589" />
</illustration>
<choice idref="sect124">If the gun you are holding is a Pistol, <link-text>turn to 124</link-text>.</choice>
<choice idref="sect2">If it is a Machine Pistol, <link-text>turn to 2</link-text>.</choice>
<meta><title>246</title></meta>
<data>
- <p>You drop your containers and slide down the slope, riding the loose shale feet first. As you near the bottom you dig in your heels, using the speed of your descent to lever you forwards into a perfect dive. You reach Kate in a matter of seconds, but she is struggling so fiercely that it takes many minutes before you are able to get hold of her and swim towards the shallows. Eventually, breathless and bedraggled, you crawl out of the water and collapse side by side on the muddy shore.</p>
+ <p>You drop your containers and slide down the slope, riding the loose shale feet-first. As you near the bottom you dig in your heels, using the speed of your descent to lever you forwards into a perfect dive. You reach Kate in a matter of seconds, but she is struggling so fiercely that it takes many minutes before you are able to get hold of her and swim towards the shallows. Eventually, breathless and bedraggled, you crawl out of the water and collapse side by side on the muddy shore.</p>
<choice idref="sect335"><link-text>Turn to 335</link-text>.</choice>
</data>
</section>
<data>
<p>Instantly you drop to the ground and take cover behind the engine compartment of your car. A glance over the hood invites another shot; it passes within inches of your scalp and makes you duck, but not before you notice the muzzle flash of the sniper's gun. The ambusher is hiding in the doorway of a diner on the other side of the highway. Two motorcycles are parked at the side of the building, indicating that he is not alone.</p>
- <choice idref="sect116">If you possess a <typ class="item">C.B. Radio</typ>, <link-text>turn to 116</link-text>.</choice>
+ <choice idref="sect116">If you possess a <typ class="item">CB Radio</typ>, <link-text>turn to 116</link-text>.</choice>
<choice idref="sect99">If you do not possess this item, <link-text>turn to 99</link-text>.</choice>
</data>
</section>
<meta><title>250</title></meta>
<data>
- <p>As you close in on them, the machine-gunner unsheathes a hunting knife and runs forward to meet your advance. He curses vilely as he sweeps the blade through an arc towards your throat. You back away and avoid its razor-sharp tip, but the Maverick follows up his advantage and lunges at your heart.</p>
+ <p>As you close in on them, the machine gunner unsheathes a hunting knife and runs forward to meet your advance. He curses vilely as he sweeps the blade through an arc towards your throat. You back away and avoid its razor-sharp tip, but the Maverick follows up his advantage and lunges at your heart.</p>
<combat><enemy>Warhol</enemy><enemy-attribute class="closecombatskill">17</enemy-attribute><enemy-attribute class="endurance">26</enemy-attribute></combat>
<choice idref="sect350">If you win the combat, <link-text>turn to 350</link-text>.</choice>
</data>
<meta><title>253</title></meta>
<data>
- <p>'Better set up your transceiver before you go, Cal,' says Pop Ewell, 'so's you can call us if you get in a fix.' 'Use the 153 megahertz band,' says Cutter. We'll have someone here listenin' out for you the whole time you're away.'</p>
+ <p>'Better set up your transceiver before you go, Cal,' says Pop Ewell, 'so's you can call us if you get in a fix.'</p>
+ <p>'Use the 153 megahertz band,' says Cutter. We'll have someone here listenin' out for you the whole time you're away.'</p>
<p>You set your radio to the chosen frequency and make sure there is sufficient power left in its miniaturized solar-pac before you get ready to leave.</p>
<p>'Good luck, boy,' says Uncle Jonas, as you switch on your ignition and check your instrumentation. 'Don't take no unnecessary risks, y'hear!'</p>
<p>With a wave, you bid him farewell, before accelerating the roadster along the highway that leads to Mineral Wells.</p>
<p>The steel door appears to be held shut by an electronic lock. You suspect it to be jammed, its power source run down long ago, but as soon as you run your fingers over the keypad, an LED display glows into life above it.</p>
<p>Eleven numbers appear, arranged in three horizontal rows. There are four numbers on the top row, four on the second, and three on the third:</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance class="html" src="small14.gif" width="386" height="200" />
+ <instance class="pdf" src="small14.pdf" width="386" height="200"/>
+ </illustration>
+
+<!--
<table>
- <tr>
- <td>8</td>
- <td>7</td>
- <td>9</td>
- <td>6</td>
- </tr>
- <tr>
- <td>94</td>
- <td>20</td>
- <td>37</td>
- <td>77</td>
- </tr>
- <tr>
- <td>52</td>
- <td>57</td>
- <td>11</td>
- <td>-</td>
- </tr>
+ <tr><td>8</td><td>7</td><td>9</td><td>6</td></tr>
+ <tr><td>94</td><td>20</td><td>37</td><td>77</td></tr>
+ <tr><td>52</td><td>57</td><td>11</td><td>-</td></tr>
</table>
+-->
<p>You study the rows of numbers carefully, looking for a pattern. By tapping on the keypad the number that is missing from the last row, you will release the lock and open the door.</p>
<p>When you think you know the missing number turn to the entry that bears that number.<a id="sect255-1" idref="sect255-1-foot" class="footnote" /></p>
<meta><title>256</title></meta>
<data>
- <p>As your fingers close around the chief's wrist, you twist his hand aside with all the strength you can muster. He screams in frustration and tries to counter your unexpected move by grabbing at your throat with his free hand. In the desperate struggle the blade passes within an inch of your chest. He tightens his grip until you can no longer breathe, but you fight tenaciously to maintain your hold. The tip of the dagger wavers, dangerously close, then jerks upwards and cuts through your bonds. Instinctively you lash out with your freed hand and knock the chief down with a forceful punch to the jaw. By the time he has recovered and staggered to his feet, you have stripped away the remaining ropes and freed yourself from the totem. He still holds the dagger, but he is alone - his clansmen are deeply entranced and oblivious to the struggle that is taking place before them.</p>
+ <p>As your fingers close around the chief's wrist, you twist his hand aside with all the strength you can muster. He screams in frustration and tries to counter your unexpected move by grabbing at your throat with his free hand. In the desperate struggle the blade passes within an inch of your chest. He tightens his grip until you can no longer breathe, but you fight tenaciously to maintain your hold. The tip of the dagger wavers, dangerously close, then jerks upwards and cuts through your bonds. Instinctively you lash out with your freed hand and knock the chief down with a forceful punch to the jaw. By the time he has recovered and staggered to his feet, you have stripped away the remaining ropes and freed yourself from the totem. He still holds the dagger, but he is alone<ch.emdash/>his clansmen are deeply entranced and oblivious to the struggle that is taking place before them.</p>
<p>'Heng will be appeased!' screams the chief, and lunges once more at your heart.</p>
<illustration class="float">
<meta>
<creator>Melvyn Grant</creator>
<description>'Heng will be appeased!' screams the chief, and lunges once more at your heart.</description>
</meta>
- <instance class="html" src="ill14.gif" width="386" height="584" />
- <instance class="pdf" src="ill14.pdf" width="386" height="584" />
+ <instance class="html" src="ill14.gif" width="386" height="582" />
+ <instance class="pdf" src="ill14.pdf" width="386" height="582" />
</illustration>
<combat><enemy>Chief Drawoher</enemy><enemy-attribute class="closecombatskill">17</enemy-attribute><enemy-attribute class="endurance">28</enemy-attribute></combat>
<choice idref="sect136">If you win the combat, <link-text>turn to 136</link-text>.</choice>
<meta><title>257</title></meta>
<data>
- <p>'You'll never regret this,' he says, excitedly, and scurries away to the rear of the cave to collect his meagre belongings. He reappears a few minutes later with a tattered rucksack on his back, and offers to lead the way down the steep hill. During the descent he tells you that Strawn is the next town due west. Before 'the Day', a large service depot that repaired buses and trucks was located there. If the part you need still exists, the service depot at Strawn is the place where you are most likely to find it.</p>
+ <p>'You'll never regret this,' he says, excitedly, and scurries away to the rear of the cave to collect his meagre belongings. He reappears a few minutes later with a tattered rucksack on his back, and offers to lead the way down the steep hill. During the descent he tells you that Strawn is the next town due west. Before 'The Day', a large service depot that repaired buses and trucks was located there. If the part you need still exists, the service depot at Strawn is the place where you are most likely to find it.</p>
<p>Upon reaching the bus, you find that the reaction of the colony to Mountain Goat is less than enthusiastic. Most, especially the women, are horrified at the thought of having to share the bus with a smelly, flea-ridden hermit, and angrily they voice their protest.</p>
<p>Not until they have heard how he can help to get the bus moving again do they change their minds.</p>
<p>'Where is this depot?' asks Cutter.</p>
<p>'It's six miles west o' here,' pipes Mountain Goat, eager to appear helpful.</p>
<p>'Good. At first light, Cal can drive us there and you can help locate the part we need.'</p>
- <p>'Mrnmm<ch.ellips/> OK,' replies Mountain Goat, hesitantly, 'but first I think there's something y'all should know.'</p>
+ <p>'Mmmm<ch.ellips/> OK,' replies Mountain Goat, hesitantly, 'but first I think there's something y'all should know.'</p>
<choice idref="sect189"><link-text>Turn to 189</link-text>.</choice>
</data>
</section>
<meta><title>259</title></meta>
<data>
- <p>Suddenly your fingers go numb as the biker lashes out at your hand with the heel of his boot, sending your pistol spinning high into the air. You curse the loss of a good weapon (remember to delete this pistol from your list of missile weapons), and fumble for your Hunting Knife as your attacker gets ready to leap into the seat beside you.</p>
+ <p>Suddenly your fingers go numb as the biker lashes out at your hand with the heel of his boot, sending your pistol spinning high into the air. You curse the loss of a good weapon (remember to delete this Pistol from your list of missile weapons), and fumble for your Hunting Knife as your attacker gets ready to leap into the seat beside you.</p>
<combat><enemy>Bronx</enemy><enemy-attribute class="closecombatskill">15</enemy-attribute><enemy-attribute class="endurance">26</enemy-attribute></combat>
<p>Because of your numb hand and your need to remain in control of the roadster throughout this combat, reduce your <typ class="attribute">CLOSE COMBAT SKILL</typ> by 4 points for the duration of the fight.</p>
<choice idref="sect187">If you win and the fight lasts four rounds or less, <link-text>turn to 187</link-text>.</choice>
<data>
<p>Instinctively you dive away from the window, your speedy reactions saving you from being cut down by the swathe of bullets. Then you hear a man scream and abruptly the firing ceases. You chance a glance out of the window to see the sniper falling from the parapet, clutching at his chest as he crashes to the sidewalk below. With a smile you signal a thumbs-up to Kate and she returns your thanks with a wave of her rifle.</p>
- <p>A few minutes later a column of motorcycles - the main body of the clan - rides into view. They are now less than a mile from the bridge, 'C'mon you two!' shouts Cutter. 'It's time to go.'</p>
+ <p>A few minutes later a column of motorcycles<ch.emdash/>the main body of the clan<ch.emdash/>rides into view. They are now less than a mile from the bridge, 'C'mon you two!' shouts Cutter. 'It's time to go.'</p>
<p>The tanker has made it across the platform and is now parked with the other vehicles on the far side of the river. You leave the factory and run back towards the bridge. When you reach the position that Kate is defending, you say breathlessly: 'Set the bomb <ch.ellips/> I'll stay here and cover you!'</p>
<p>Tensely you watch the clansmen as they gun their bikes along the freeway, and you glance repeatedly over your shoulder, praying for Kate to signal that the bomb is ready. Then the front line of bikers open fire with their machine pistols, and suddenly the air is filled with the whine and whistle of bullets. 'Its ready!' shouts Kate, and takes off across the bridge at a run.</p>
- <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your stealth skill total. (NOTE: if your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack items in order to increase your Stealth skill level.)</p>
+ <p>Add together your current <typ class="attribute">ENDURANCE</typ> points score and your stealth skill total. (NOTE: if your <typ class="attribute">ENDURANCE</typ> score is low and you are heavily encumbered, it may be advisable to discard some of your Backpack Items in order to increase your Stealth skill level.)</p>
<choice idref="sect324">If your total is 11 or less, <link-text>turn to 324</link-text>.</choice>
<choice idref="sect200">If your total is 12 or more, <link-text>turn to 200</link-text>.</choice>
</data>
<section class="numbered" id="sect261">
<meta><title>261</title></meta>
+ <footnotes>
+ <footnote id="sect261-1-foot" idref="sect261-1">
+ <p>Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You snatch your Beretta 92 from its holster and flick back the safety as you level it at the leading dog. You take aim between its wild, feral eyes, but as you squeeze the trigger it leaps up and your bullet strikes low, catching it in the throat. The dog crashes to the ground, mortally wounded, yet the others continue to advance, undeterred. They leap across the body of their injured brother and hurl themselves at your chest.</p>
+ <p>You snatch your Beretta 92 from its holster and flick back the safety as you level it at the leading dog. You take aim between its wild, feral eyes, but as you squeeze the trigger it leaps up and your bullet strikes low, catching it in the throat.<a id="sect261-1" idref="sect261-1-foot" class="footnote" /> The dog crashes to the ground, mortally wounded, yet the others continue to advance, undeterred. They leap across the body of their injured brother and hurl themselves at your chest.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total. Now decide how many rounds you wish to fire at the remaining dogs (minimum: one round; maximum: five rounds). For every round you fire, add 1 point to your score.</p>
<choice idref="sect64">If your total score is now 10 or less, <link-text>turn to 64</link-text>.</choice>
<choice idref="sect190">If your total score is now 1l or more, <link-text>turn to 190</link-text>.</choice>
<data>
<p>Carefully, you push the barrel of your rifle through the bush and flick the adjustable rear sight to a range setting of sixty yards. The wooden stock feels uncomfortably warm against your cheek as you take aim at the running clansman. Holding your breath, slowly you squeeze the trigger.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Add your Shooting skill total to your current <typ class="attribute">ENDURANCE</typ> points score.</p>
<choice idref="sect96">If your total score is now 7 or less, <link-text>turn to 96</link-text>.</choice>
<choice idref="sect77">If your total score is now 8 or more, <link-text>turn to 77</link-text>.</choice>
<data>
<p>Unfortunately, the stores show signs of having been looted recently. Lockers, drums, and crates that were once full of spares and munitions lie discarded in heaps on the floor. You climb across the debris, searching among the empty ammunition lockers. After nearly an hour of painstaking work, you manage to find just three rounds of 7.62mm ammunition, and a Hammer (2).</p>
- <p>If you wish to keep these items, amend your Weapons list and Ammo Pouch accordingly.</p>
+ <p>If you wish to keep these items, amend your <a idref="action">Weapons List</a> and Ammo Pouch accordingly.</p>
<choice idref="sect123">To leave the stores, <link-text>turn to 123</link-text>.</choice>
</data>
</section>
<meta><title>270</title></meta>
<data>
- <p>You lead the convoy along the split and cratered surface of State Highway 571, across a wasteland of bleached hills and scorched scrub. In the distance you see mountains - the twin summits of Caddo Peaks and the craggy outline of Spring Mesa - standing sharp and clear against the backdrop of a cloudless sky. By mid-afternoon the temperature has climbed to 110<ch.deg/> Fahrenheit, and the combined effects of the heat and poor road surface begin to take their toll. Two miles inside Comanche County, the tanker is forced to halt with an overheated engine. Luckily, the breakdown occurs within sight of the Sabanna River, now little more than a torpid stream, and enough water is soon collected to enable the tanker to continue. (If you wish, you can refill your water canteen at the river at the cost of one Medi-kit unit).</p>
+ <p>You lead the convoy along the split and cratered surface of State Highway 571, across a wasteland of bleached hills and scorched scrub. In the distance you see mountains<ch.emdash/>the twin summits of Caddo Peaks and the craggy outline of Spring Mesa<ch.emdash/>standing sharp and clear against the backdrop of a cloudless sky. By mid-afternoon the temperature has climbed to 110<ch.deg/> Fahrenheit, and the combined effects of the heat and poor road surface begin to take their toll. Two miles inside Comanche County, the tanker is forced to halt with an overheated engine. Luckily, the breakdown occurs within sight of the Sabanna River, now little more than a torpid stream, and enough water is soon collected to enable the tanker to continue. (If you wish, you can refill your Water Canteen at the river at the cost of one Medi-kit unit).</p>
<p>Gradually the road turns westwards and climbs towards high plains country. Then, as you approach the outskirts of a town called Rising Star, Cutter signals to you to stop. 'We've got six people down with heat exhaustion, and four more on the brink,' he says, his face awash with sweat. 'We've got to get 'em out of this travelling oven and let 'em rest awhile in the shade.'</p>
<p>You suggest that the convoy waits in Rising Star while you go on ahead to make sure that Cross Plains is safe to enter. By the time you have checked it out and returned, the worst of the afternoon heat will have passed and the colony will be in better shape to continue. Before you leave for Cross Plains you must take a drink or lose 3 <typ class="attribute">ENDURANCE</typ> points. Unless you possess a tub of <typ class="item">Salt</typ>, you must reduce your current <typ class="attribute">ENDURANCE</typ> total by 4 points, due to excessive salt loss.</p>
<choice idref="sect42"><link-text>Turn to 42</link-text>.</choice>
<section class="numbered" id="sect275">
<meta><title>275</title></meta>
+ <footnotes>
+ <footnote id="sect275-1-foot" idref="sect275-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your enemy's reactions are lightning fast. He throws himself down behind the window and your gunfire passes harmlessly through the now empty frame. An instant later, the unexpected sound of running feet makes you spin on your heel. A leather-clad punk, his skull shaved and sprayed with rings of metallic brown paint, is charging at you from the ruins with a knife held high in his hand. You raise your weapon, but before you can squeeze the trigger, he dives full length and catches you in the chest with the crown of his head. His attack slams you backwards to the ground and, gasping for breath, you struggle to grab hold of his wrist before he can make use of his deadly blade.</p>
+ <p>Your enemy's reactions are lightning fast. He throws himself down behind the window and your gunfire passes harmlessly through the now empty frame.<a id="sect275-1" idref="sect275-1-foot" class="footnote" /> An instant later, the unexpected sound of running feet makes you spin on your heel. A leather-clad punk, his skull shaved and sprayed with rings of metallic brown paint, is charging at you from the ruins with a knife held high in his hand. You raise your weapon, but before you can squeeze the trigger, he dives full length and catches you in the chest with the crown of his head. His attack slams you backwards to the ground and, gasping for breath, you struggle to grab hold of his wrist before he can make use of his deadly blade.</p>
<combat><enemy>Copperhead</enemy><enemy-attribute class="closecombatskill">14</enemy-attribute><enemy-attribute class="endurance">24</enemy-attribute></combat>
<p>Owing to the suddenness of his attack, you must fight the first two rounds of combat unarmed and with your <typ class="attribute">CLOSE COMBAT SKILL</typ> reduced by 2 points. If you are still alive at the start of the third combat round, you will then be able to draw your Hunting Knife.</p>
<choice idref="sect63">If you win the fight, <link-text>turn to 63</link-text>.</choice>
<data>
<p>You are about to pick up and inspect one of the empty cartridge cases when you hear something moving above you. Immediately you dive to your left, acting purely on instinct, a reflex that saves you from being caught beneath a heavy rope net dropped from the roof to the sheriff's office by two thin-faced punks. It falls, smothering the ground where, only seconds before, you were standing.</p>
<p>The silence is shattered by a riot of noise as a dozen clansmen rush out of the surrounding buildings, screaming and brandishing an assortment of weapons. Escape is your only thought as they start to close in, and swiftly you jump to your feet and race towards an alley that runs alongside the sheriff's office. Bullets ricochet off the wall as you turn the corner, urging you to quicken your pace, but you are brought to a sudden halt when you see that the alley is a dead end. With a howling, bloodthirsty mob in hot pursuit, you search desperately for a way out.</p>
- <p>You can see only two routes that offer an exit from this alley. One is a iron staircase - the rusty remains of an old fire escape - that leads to the roof of a warehouse; the other is a door at ground level that leads into the same building.</p>
+ <p>You can see only two routes that offer an exit from this alley. One is a iron staircase<ch.emdash/>the rusty remains of an old fire escape<ch.emdash/>that leads to the roof of a warehouse; the other is a door at ground level that leads into the same building.</p>
<choice idref="sect173">If you wish to climb the staircase to the roof, <link-text>turn to 173</link-text>.</choice>
<choice idref="sect81">If you decide to enter the door at ground level, <link-text>turn to 81</link-text>.</choice>
</data>
<data>
<p>Two shots are fired almost simultaneously, filling the bar with a deafening explosion of noise. They rip open the front of the counter less than five feet from where you are crouching, bringing down most of the rickety shelves that line the back wall. Amid a cascade of bottles and glasses, you scurry towards the end of the counter, your eyes fixed on a door situated beneath the staircase. Above it, an unlit sign reads:</p>
- <signpost>EXIT - FIRE ESCAPE USE IN CASE OF EMERGENCY</signpost>
+ <signpost>EXIT<ch.emdash/>FIRE ESCAPE USE IN CASE OF EMERGENCY</signpost>
<p>'I reckon this constitutes an emergency,' you mutter, as you get ready to break cover and run towards the door. Just as you are about to leave your hand brushes against the stock of a sawn-off shotgun that is lying on a shelf beneath the counter. Both hammers are cocked and the chamber tags show that both barrels are loaded.</p>
<choice idref="sect176">If you wish to take this weapon, <link-text>turn to 176</link-text>.</choice>
<choice idref="sect84">If you decide to ignore it, <link-text>turn to 84</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>Two savage-looking women, both armed with knives.</description>
</meta>
- <instance class="html" src="ill15.gif" width="386" height="586" />
- <instance class="pdf" src="ill15.pdf" width="386" height="586" />
+ <instance class="html" src="ill15.gif" width="386" height="580" />
+ <instance class="pdf" src="ill15.pdf" width="386" height="580" />
</illustration>
<combat><enemy>Lipsync</enemy><enemy-attribute class="closecombatskill">12</enemy-attribute><enemy-attribute class="endurance">18</enemy-attribute></combat>
<combat><enemy>Catsup</enemy><enemy-attribute class="closecombatskill">11</enemy-attribute><enemy-attribute class="endurance">20</enemy-attribute></combat>
<meta><title>288</title></meta>
<data>
- <p>The roar of 100 motorcycle engines fills the air as the Detroit Lions come racing along the freeway into Colorado City. 'Y'better take this, Cal,' says Kate, handing you a Rifle that she found while you were away. 'I think you'll be needin' it real soon.' You draw back the bolt and work a cartridge into the breech, noting that there are only two 7.62mm rounds remaining in the magazine (remember to record all three of these 7.62mm rounds - one in the breech and two in the magazine - in the Ammo Pouch section of your <a idref="action">Action Chart</a>).</p>
+ <p>The roar of 100 motorcycle engines fills the air as the Detroit Lions come racing along the freeway into Colorado City. 'Y'better take this, Cal,' says Kate, handing you a Rifle that she found while you were away. 'I think you'll be needin' it real soon.' You draw back the bolt and work a cartridge into the breech, noting that there are only two 7.62mm rounds remaining in the magazine (remember to record all three of these 7.62mm rounds<ch.emdash/>one in the breech and two in the magazine<ch.emdash/>in the Ammo Pouch section of your <a idref="action">Action Chart</a>).</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<p>'You gotta hold 'em off until we've got this baby across,' shouts Cutter, as he waves frantic signals to Uncle Jonas, who is having to fight to keep the tanker in a straight line. The sight of the makeshift platform sagging under the weight of the heavy vehicle makes your stomach churn.</p>
<p>'You can count on it!' you shout in reply, then turn and follow Kate as she runs back towards the town.</p>
<p>As you reach the end of the bridge you notice two ideal defensive positions. One is a three-storey factory that overlooks the freeway; the other is an auto wreck overturned on the approach ramp to the bridge.</p>
<meta><title>290</title></meta>
<data>
- <p>You throw yourself forward and your swift reflexes save you from being cut in half by a swathe of bullets. As you rise to your feet once more, the shooting stops with a dull click, a sound that tells you that the gun is now empty.</p>
+ <p>You throw yourself forward and your swift reflexes save you from being cut in half by a swathe of bullets. As you rise to your feet once more, the shooting stops with a dull <onomatopoeia>click</onomatopoeia>, a sound that tells you that the gun is now empty.</p>
<choice idref="sect132">If you have a missile weapon, and wish to use it, <link-text>turn to 132</link-text>.</choice>
<choice idref="sect250">If you do not have a missile weapon, or do not have sufficient ammunition to use it, <link-text>turn to 250</link-text>.</choice>
</data>
<section class="numbered" id="sect293">
<meta><title>293</title></meta>
+ <footnotes>
+ <footnote id="sect293-1-foot" idref="sect293-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Guided by instinct alone, you swing your gun around and squeeze the trigger. At the same time, the double muzzle flash of your enemy's weapon lights up the store, and you cry out in pain as a fistful of birdshot clips your right shoulder: lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
+ <p>Guided by instinct alone, you swing your gun around and squeeze the trigger.<a id="sect293-1" idref="sect293-1-foot" class="footnote" /> At the same time, the double muzzle flash of your enemy's weapon lights up the store, and you cry out in pain as a fistful of birdshot clips your right shoulder: lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<p>Your wound is superficial. However, your enemy is not so lucky. Your gunfire hits him squarely in the chest, killing him instantly.</p>
<choice idref="sect220"><link-text>Turn to 220</link-text>.</choice>
</data>
<p>'You scoutin' for the Skulls, ain't you boy?' he says, his hand caressing the butt of a pistol that is holstered on his hip. 'That 'roach Alcatraz sent you here t'check us out, didn't he?' Resentful mutterings fill the corridor outside, urging the beady-eyed clansman to settle the matter by shooting you.</p>
<p>'Do I look like a Skull?' you ask, defensively.</p>
<p>'Maybe not,' he growls, 'but If you ain't a Skull, what you doing nosin' around Albany?'</p>
- <p>You choose your words with care, managing to convince the clansman and his cohorts that you are a loner, desperately short of food and water, who ran across their town by chance and decided to enter in search of supplies. The clansman, who calls himself Manhattan, seems impressed by your story and invites you to join his gang, which is known as 'the Kickers'. You have little option but to accept his invitation in the hope that once you are released from the cell you will be able to escape.</p>
+ <p>You choose your words with care, managing to convince the clansman and his cohorts that you are a loner, desperately short of food and water, who ran across their town by chance and decided to enter in search of supplies. The clansman, who calls himself Manhattan, seems impressed by your story and invites you to join his gang, which is known as the 'Kickers'. You have little option but to accept his invitation in the hope that once you are released from the cell you will be able to escape.</p>
<p>'Good!' snarls Manhattan. He informs his men of your decision and orders them to make preparations for 'the Rite'. When you ask what 'the Rite' is, he narrows his eyes and sniggers. 'You must earn the right to become a Kicker,' he says, grimly. 'You must prove to us that you are worthy.'</p>
<choice idref="sect337"><link-text>Turn to 337</link-text>.</choice>
</data>
<data>
<p>As soon as Cutter has the engine running smoothly and everyone is back on board the bus, you return to your roadster and lead them west to Weatherford.</p>
<p>As the afternoon wears on, the rays of the sun cast a blood-red hue on the surrounding landscape. Ahead, the freeway cuts a straight line due west, towards the high peaks of the Edwards Plateau that pierce the horizon like a row of sharpened flints, jagged and blue. You stare into the distance, trying to relax and not think about the dangers you have faced today, or the unknown perils that lie ahead.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
<p>An hour later you catch sight of Weatherford and signal the convoy to stop. You are hungry and must now eat a Meal or lose 3 <typ class="attribute">ENDURANCE</typ> points. Despite the delays, the convoy is making better time than expected, and with at least an hour of light still remaining, it is decided that it would be best to press on to the next town and make camp there overnight.</p>
- <p>You are finishing your food when suddenly Pop Ewell calls to everyone to hurry to the bus. He has located a broadcast on his C.B. radio set, and he is as excited as a youngster on Christmas morning. 'Listen to this,' he says, holding up the earphones. A faint call sign can be heard above the crackle of static, broadcasting the same message repeatedly: 'Radio K.L.F.M. Mineral Wells <ch.ellips/> Radio K.L.F.M. Mineral Wells <ch.ellips/>'</p>
- <p>'That's a town about twenty-five miles north-west o' here,' says Cutter, scratching his scalp. 'It's not where we're planned on headin' but it would be worth checking out.'</p>
+ <p>You are finishing your food when suddenly Pop Ewell calls to everyone to hurry to the bus. He has located a broadcast on his CB radio set, and he is as excited as a youngster on Christmas morning. 'Listen to this,' he says, holding up the earphones. A faint call sign can be heard above the crackle of static, broadcasting the same message repeatedly: 'Radio K.L.F.M. Mineral Wells <ch.ellips/> Radio K.L.F.M. Mineral Wells <ch.ellips/>'</p>
+ <p>'That's a town about twenty-five miles northwest o' here,' says Cutter, scratching his scalp. 'It's not where we're planned on headin' but it would be worth checking out.'</p>
<choice idref="sect74">If you wish to volunteer to go to Mineral Wells and investigate the source of the radio broadcast, <link-text>turn to 74</link-text>.</choice>
<choice idref="sect93">If you choose to ignore the broadcast and insist that the convoy continues along its chosen route, <link-text>turn to 93</link-text>.</choice>
</data>
<meta><title>296</title></meta>
<data>
- <p>Bullets whistle across the open ground, hitting the side of the bus with a ringing whine. Silhouetted against the skyline, the convoy makes an easy target for whoever is firing at you from the town. Anxious for the safety of the colony, you search for cover and see a shallow gulley away to your right. Immediately you steer the convoy towards it. The sides of the depression hide the vehicles from view and enable you to bypass Westbrook safely and continue along the freeway.</p>
+ <p>Bullets whistle across the open ground, hitting the side of the bus with a ringing whine. Silhouetted against the skyline, the convoy makes an easy target for whoever is firing at you from the town. Anxious for the safety of the colony, you search for cover and see a shallow gully away to your right. Immediately you steer the convoy towards it. The sides of the depression hide the vehicles from view and enable you to bypass Westbrook safely and continue along the freeway.</p>
<choice idref="sect347"><link-text>Turn to 347</link-text>.</choice>
</data>
</section>
<meta><title>298</title></meta>
<data>
- <p>Cautiously, you drive through the centre of the town, your nerves like coiled springs as you scour every inch of the ruins for some sign of life. Having reached the far side of Denton and seen nothing untoward, you decide to turn your car around and head back towards the convoy. Then you hear the sound of motorcycle engines being kicked into life, and suddenly three bikes burst out of a wooden building near the centre of the town and come racing towards you, their riders whooping like red indians. All three machines are carrying pillion passengers who are armed with an assortment of weapons. As the first bike draws level, its passenger gets ready to leap into the seat beside you.</p>
+ <p>Cautiously, you drive through the centre of the town, your nerves like coiled springs as you scour every inch of the ruins for some sign of life. Having reached the far side of Denton and seen nothing untoward, you decide to turn your car around and head back towards the convoy. Then you hear the sound of motorcycle engines being kicked into life, and suddenly three bikes burst out of a wooden building near the centre of the town and come racing towards you, their riders whooping like Red Indians. All three machines are carrying pillion passengers who are armed with an assortment of weapons. As the first bike draws level, its passenger gets ready to leap into the seat beside you.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>, and add to it your current Driving skill total.</p>
<choice idref="sect76">If your total is now 0-10, <link-text>turn to 76</link-text>.</choice>
<choice idref="sect244">If it is 11 or more, <link-text>turn to 244</link-text>.</choice>
<data>
<p>There is a rush of wind, like a sound of a whip before it cracks, then something tightens around your body, pinning your arms to your sides. Fear wells up inside when you realize that you have been lassoed. Desperately you struggle to grab the rope that is biting into your flesh, but you are pulled roughly to the ground before you can break free.</p>
- <p>Cursing wildly, you blink the dust from your eyes in time to see a scrawny youth advancing towards you, his hands tugging and shortening the rope to maintain his hold on you. He is dressed in tattered buckskin, and his cheeks and forehead are painted with coloured stripes. His strange appearance reminds you of books you read when you were young; books with pictures of
red indian braves who fought cowboys of the old West. The youth gives a warbling scream and more of his kind appear, all of them dressed in similar red indian costumes. With howls of delight they jump on you, take your missile and close combat weapons (erase these from your <a idref="action">Action Chart</a>), and hold your arms securely behind your back while the youth retrieves his lasso. Then, without a word of explanation, they drag you to the centre of the street and tie you to the totem pole.</p>
+ <p>Cursing wildly, you blink the dust from your eyes in time to see a scrawny youth advancing towards you, his hands tugging and shortening the rope to maintain his hold on you. He is dressed in tattered buckskin, and his cheeks and forehead are painted with coloured stripes. His strange appearance reminds you of books you read when you were young; books with pictures of
Red Indian braves who fought cowboys of the old West. The youth gives a warbling scream and more of his kind appear, all of them dressed in similar Red Indian costumes. With howls of delight they jump on you, take your missile and close combat weapons (erase these from your <a idref="action">Action Chart</a>), and hold your arms securely behind your back while the youth retrieves his lasso. Then, without a word of explanation, they drag you to the centre of the street and tie you to the totem pole.</p>
<p>The sound of a car horn echoes in the distance and your captors cease their whooping. The moment the vehicle glides into view, they throw themselves to their knees and bow their heads devoutly. Open-mouthed, you stare at the approaching car, scarcely able to believe your eyes.</p>
<choice idref="sect38"><link-text>Turn to 38</link-text>.</choice>
</data>
<section class="numbered" id="sect302">
<meta><title>302</title></meta>
+ <footnotes>
+ <footnote id="sect302-1-foot" idref="sect302-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your gunfire smashes the window and hits the Maverick rider in the upper chest, killing him instantly. With the Molotov cocktail still gripped in his hand, his lifeless body tumbles from the motorcycle and hits the road with terrific force. There is a flash as the bottle disintegrates, then his body and the bike are consumed by a ball of roaring flame.</p>
+ <p>Your gunfire smashes the window and hits the Maverick rider in the upper chest, killing him instantly.<a id="sect302-1" idref="sect302-1-foot" class="footnote" /> With the Molotov cocktail still gripped in his hand, his lifeless body tumbles from the motorcycle and hits the road with terrific force. There is a flash as the bottle disintegrates, then his body and the bike are consumed by a ball of roaring flame.</p>
<choice idref="sect188"><link-text>Turn to 188</link-text>.</choice>
</data>
</section>
<creator>Melvyn Grant</creator>
<description>A scrawny old man, dressed in an assortment of evil-smelling rags.</description>
</meta>
- <instance class="html" src="ill16.gif" width="386" height="580" />
- <instance class="pdf" src="ill16.pdf" width="386" height="580" />
+ <instance class="html" src="ill16.gif" width="386" height="581" />
+ <instance class="pdf" src="ill16.pdf" width="386" height="581" />
</illustration>
<p>'Saw your lights on the road,' he croaks, a toothy smile cracking several layers of dirt that have built up around his nose and mouth. 'Said to m'self, those folks will come a' callin'. Best whup up a real larrupin' meal to make 'em feel right welcome.' He jabs his metal rod into the fire and spears the blackened remains of a large rat. Proudly he holds it up and nods enthusiastically, as if he were about to serve you a prime T-bone steak. Your stomach turns when he offers you the charred carcass. You refuse politely.</p>
- <p>'You gone an' broked down, ain't you' boy?' he says, pointing at the convoy on the highway below. 'What exactly's the problem? You never know, maybe I kin help you out. You'd not be the first folks that ol' Mountain Goat'd set right.'</p>
+ <p>'You gone an' broked down, ain't you boy?' he says, pointing at the convoy on the highway below. 'What exactly's the problem? You never know, maybe I kin help you out. You'd not be the first folks that ol' Mountain Goat'd set right.'</p>
<p>Half-heartedly you tell the old hermit about the breakdown, suspecting that he is just wasting your time. When you have finished, he smiles once more, and taps the side of his nose with a greasy forefinger. 'I know just where you can lay y'hands on the part you need to fix that ol' bus o' yours,' he says, smugly.</p>
<p>'Where?' you reply.</p>
<p>'If you agree to take me with you, I'll tell you where. Is it a deal?'</p>
<meta><title>308</title></meta>
<data>
- <p>You rest the butt of your pistol on the side of the auto wreck and, as the enemy vehicle speeds nearer, you cock the hammer and focus your aim at the driver's bead.</p>
+ <p>You rest the butt of your pistol on the side of the auto wreck and, as the enemy vehicle speeds nearer, you cock the hammer and focus your aim at the driver's head.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Shooting skill total.</p>
<choice idref="sect172">If your total score is now 14 or less, <link-text>turn to 172</link-text>.</choice>
<choice idref="sect23">If your total score is now 15 or more, <link-text>turn to 23</link-text>.</choice>
<data>
<p>As the group draws closer you notice several things about them that stir your curiosity. The dogs look much larger than ordinary alsatians, and great flecks of white foam drip from their jaws as they tug and snap repeatedly at their heavy chain leashes. By contrast, the two handlers appear painfully thin and gaunt, the skin of their hands and faces unnaturally grey despite the burning desert sun.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small1.gif" width="386" height="150" />
+ <instance class="pdf" src="small1.pdf" width="386" height="150"/>
+ </illustration>
+
<p>Suddenly the handlers see you and release the chain leashes. With a rasping scream, they command the dogs to attack and immediately the pack obeys.</p>
<choice idref="sect107">If you possess a missile weapon, and wish to use it, <link-text>turn to 107</link-text>.</choice>
<choice idref="sect16">If you do not possess a missile weapon, or do not wish to use it, <link-text>turn to 16</link-text>.</choice>
<data>
<p>After a brief conference with Uncle Jonas and the others, they agree to wait here at the junction while you go off and scout the bridge at Lakeside Village. If it proves safe, you will return and lead them across.</p>
- <p>It takes you less than five minutes to reach Lakeside Village and, to your relief, you find it deserted. However, your hopes of an easy crossing are dashed: the bridge across the Trinity no longer exists - it collapsed several years ago.</p>
+ <p>It takes you less than five minutes to reach Lakeside Village and, to your relief, you find it deserted. However, your hopes of an easy crossing are dashed: the bridge across the Trinity no longer exists<ch.emdash/>it collapsed several years ago.</p>
<p>You are preparing to turn back when you notice an old school bus, almost identical to the colony's vehicle, lying on its side amid the rubble of a derelict building.</p>
<choice idref="sect85">If you wish to investigate the old bus, <link-text>turn to 85</link-text>.</choice>
<choice idref="sect224">If you decide to ignore it and return to the convoy, <link-text>turn to 224</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>The Maverick spins around and tries to grab you by the throat.</description>
</meta>
- <instance class="html" src="ill17.gif" width="386" height="591" />
- <instance class="pdf" src="ill17.pdf" width="386" height="591" />
+ <instance class="html" src="ill17.gif" width="386" height="587" />
+ <instance class="pdf" src="ill17.pdf" width="386" height="587" />
</illustration>
<combat><enemy>Emteevee:</enemy><enemy-attribute class="closecombatskill">17</enemy-attribute><enemy-attribute class="endurance">25</enemy-attribute></combat>
<choice idref="sect70">If you win the combat, <link-text>turn to 70</link-text>.</choice>
<meta><title>314</title></meta>
<data>
- <p>The clansman collapses at your feet, his fingers clasping the fatal wound that you have dealt him. You pick up his Meat Hook (2), which lies nearby, swallowing uneasily as you inspect its razor-sharp tip (if you wish to keep this weapon, remember to record it on your Weapons list). You are about to search his body when you hear the mob approaching the warehouse door. Quickly you run to the far side of the building and escape through a door that leads to a deserted passage. At the end of the passage you discover a derelict timber yard where, behind a stack of rotten fencing posts, you crouch, waiting for the chance to slip out of Albany. While you are lying low, you must take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
+ <p>The clansman collapses at your feet, his fingers clasping the fatal wound that you have dealt him. You pick up his Meat Hook (2), which lies nearby, swallowing uneasily as you inspect its razor-sharp tip (if you wish to keep this weapon, remember to record it on your <a idref="action">Weapons List</a>). You are about to search his body when you hear the mob approaching the warehouse door. Quickly you run to the far side of the building and escape through a door that leads to a deserted passage. At the end of the passage you discover a derelict timber yard where, behind a stack of rotten fencing posts, you crouch, waiting for the chance to slip out of Albany. While you are lying low, you must take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<choice idref="sect61">To continue, <link-text>turn to 61</link-text>.</choice>
</data>
</section>
<data>
<p>You make your way back to the convoy, aware that less than a few hours of daylight remain. Cutter and Uncle Jonas greet your return with a nod and a wave, both of them itching to get underway. Quickly you climb into your roadster, switch on the ignition and lead them single file on to the southbound carriageway of Freeway 35.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small2.gif" width="386" height="150" />
+ <instance class="pdf" src="small2.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect22"><link-text>Turn to 22</link-text>.</choice>
</data>
</section>
<meta><title>318</title></meta>
<data>
- <p>As you watch the town shrinking in your rear view mirror, the shock of your encounter, especially the death of Long Jake, makes you shiver despite the burning midday heat. 'D'you know those guys?' you ask, anxious to make some sense of the situation.</p>
+ <p>As you watch the town shrinking in your rear-view mirror, the shock of your encounter, especially the death of Long Jake, makes you shiver despite the burning midday heat. 'D'you know those guys?' you ask, anxious to make some sense of the situation.</p>
<p>'Yeah,' replies the girl, her voice shaky, 'though not by choice.'</p>
- <p>As you race back along the highway to McKinney. The girl, whose name is Kate Norton, tells you about the events leading up to your meeting. She comes from Kansas City and is one of the lucky few who have managed to survive there since the holocaust. A month ago her colony was attacked and wiped out by a gang of motorcycle renegades called 'the Lions'. Their leader, who calls himself Mad Dog Michigan, took a liking to her and spared her life. He was once a high-ranking HAVOC agent who had escaped from Pontiac Deep Pen near Detroit, and he and his gang, most of whom were also HAVOC escapees, were heading for the Fort Hood Military Reserve near Killeen, the largest armoury in the whole of the United States.</p>
+ <p>As you race back along the highway to McKinney, the girl, whose name is Kate Norton, tells you about the events leading up to your meeting. She comes from Kansas City and is one of the lucky few who have managed to survive there since the holocaust. A month ago her colony was attacked and wiped out by a gang of motorcycle renegades called 'the Lions'. Their leader, who calls himself Mad Dog Michigan, took a liking to her and spared her life. He was once a high-ranking HAVOC agent who had escaped from Pontiac Deep Pen near Detroit, and he and his gang, most of whom were also HAVOC escapees, were heading for the Fort Hood Military Reserve near Killeen, the largest armoury in the whole of the United States.</p>
<p>'He hopes to find enough weapons and ammunition there to equip the other HAVOC clans who are in control of cities all along the eastern seaboard. Once he's armed his army he'll take over the rest of the country,' she says, her blue eyes brimming with tears. 'Three days ago the Lions reached Oklahoma City. They were desperate for food, so Mad Dog decided to camp there and forage the surrounding area. Until then they'd always been kept closely guarded, but while most of them were away I managed to steal a bike and escape. I was beginning to think I'd made it. I was wrong. I ran out of fuel just north of Sherman and had to ditch the bike. I met up with your friend this morning when he walked into town. Soon after he'd told me all about you and your colony and your plans to head west, those guys back there arrived. Mad Dog sent them to find me.' She pauses to wipe her tears and brush the tangle of windswept blonde hair away from her beautiful face.</p>
<p>'I'm really sorry about what happened to Long Jake. It's all my fault.'</p>
<p>'Don't blame yourself,' you say, trying to console her. 'It's over now. Once we get back to DC1 and take off for Big Spring, Mad Dog and his gang will be just a bad memory.'</p>
<section class="numbered" id="sect320">
<meta><title>320</title></meta>
+ <footnotes>
+ <footnote id="sect320-1-foot" idref="sect320-1">
+ <p>Remember to deduct a round of 12-gauge ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You pump a cartridge into the breach and take aim at the leading dog. You fire as it leaps, the full force of your shot catching it squarely in the cheat. Its lifeless body somersaults backwards into the rest of the pack.</p>
+ <p>You pump a cartridge into the breach and take aim at the leading dog. You fire as it leaps, the full force of your shot catching it squarely in the chest.<a id="sect320-1" idref="sect320-1-foot" class="footnote" /> Its lifeless body somersaults backwards into the rest of the pack.</p>
<choice idref="sect190">If you wish to fire a second round at the rabid dogs, and are able to do so, <link-text>turn to 190</link-text>.</choice>
<choice idref="sect64">If you have run out of ammunition, or choose not to fire a second round, <link-text>turn to 64</link-text>.</choice>
</data>
<li><typ class="item">Solar Torch</typ></li>
</ul>
<p>If you decide to keep any of these items be sure to adjust your <a idref="action">Action Chart</a> accordingly.</p>
- <p>From a window on the first floor, you watch as a large group of indian clansmen pour out of an alley opposite. They divide into two groups and begin searching the adjoining street, seemingly convinced that you are still out in the open. Silently you crouch by the window, awaiting the chance to slip out of Cross Plains unseen. While you are lying low, you must take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
+ <p>From a window on the first floor, you watch as a large group of Indian clansmen pour out of an alley opposite. They divide into two groups and begin searching the adjoining street, seemingly convinced that you are still out in the open. Silently you crouch by the window, awaiting the chance to slip out of Cross Plains unseen. While you are lying low, you must take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<p>It is dusk before you are able to escape from the town. With relief you discover that your roadster is still parked at the gas station where you left it, and quickly you climb in and accelerate away.</p>
<p>When you reach Rising Star you find that the convoy is awaiting your return with trepidation. Because you are so long overdue, they feared that you had fallen foul of Mad Dog Michigan and his bikers. You tell them what happened to you in Cross Plains and everyone agrees that, with darkness almost upon you, it is too dangerous to continue.</p>
- <p>The night at Rising Star passes uneventfully, and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy north-west, back towards Freeway 20. It is shortly after midday when you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
+ <p>The night at Rising Star passes uneventfully, and at first light the convoy sets off cross-country towards Abilene. The arid, stony bed of Pecan Bayou provides excellent cover from the surrounding high ground and leads the convoy northwest, back towards Freeway 20. It is shortly after midday when you reach the freeway, from which you can see the outskirts of Abilene less than five miles distant.</p>
<choice idref="sect100"><link-text>Turn to 100</link-text>.</choice>
</data>
</section>
<creator>Melvyn Grant</creator>
<description>Slumped over a control panel is the body of Doctor Drool, former ace DJ.</description>
</meta>
- <instance class="html" src="ill18.gif" width="386" height="589" />
- <instance class="pdf" src="ill18.pdf" width="386" height="589" />
+ <instance class="html" src="ill18.gif" width="386" height="587" />
+ <instance class="pdf" src="ill18.pdf" width="386" height="587" />
</illustration>
- <p>You use your C.B. to call the convoy and tell them what you have found. Then you cut the power to the control panel, pausing briefly to sign-off for the last time on behalf of the Doctor.</p>
+ <p>You use your CB radio to call the convoy and tell them what you have found. Then you cut the power to the control panel, pausing briefly to sign-off for the last time on behalf of the Doctor.</p>
<choice idref="sect66">If you wish to search the radio station, <link-text>turn to 66</link-text>.</choice>
<choice idref="sect284">If you decide to return to the convoy without delay, <link-text>turn to 284</link-text>.</choice>
</data>
<data>
<p>With a squeal of tyres, you accelerate away, retracing your route along Freeway 20 towards the convoy. As you drive, you are haunted by images of the two Rad-vics that you encountered at the trench: the chilling memory of their gaunt, grey faces has awakened your deepest fears. The road crests a rise and you see the convoy parked less than a quarter of a mile away. The welcoming sight distracts you from your morbid thoughts, but the relief is to be short-lived.</p>
- <p>As you bring your roadster to a halt alongside the bus, you see Cutter standing on the roof, a pair of battered binoculars pressed to his eyes. 'Looks like we're goin' to have company real soon,' he says, staring at a large cloud of dust that is advancing towards Eastland from the north-east. 'I reckon there's over 100 bikes out there on the prairie, and they're all headin' this way. Looks like that Mad Dog Michigan decided not to go to Killeen after all!'</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small11.gif" width="386" height="150" />
+ <instance class="pdf" src="small11.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>As you bring your roadster to a halt alongside the bus, you see Cutter standing on the roof, a pair of battered binoculars pressed to his eyes. 'Looks like we're goin' to have company real soon,' he says, staring at a large cloud of dust that is advancing towards Eastland from the northeast. 'I reckon there's over 100 bikes out there on the prairie, and they're all headin' this way. Looks like that Mad Dog Michigan decided not to go to Killeen after all!'</p>
<p>'I think we should head for Cisco and lay low until they pass,' says Uncle Jonas, but he soon changes his mind when you tell him about your encounter at the trench.</p>
<p>'Abilene would be safer,' says Kate, leaning out of a window of the bus. 'But we'll have to pass wide of Cisco to get there.'</p>
- <p>Cutter convenes a hasty conference to decide the best way to reach Abilene. The terrain in this area is too rocky to attempt a cross-country detour at speed, so you must use what little remains of the secondary highways in order to reach your goal. After studying the map and staring at the surrounding plain from the roof of the bus, you determine two possible routes: north-west via the town of Albany, or south-west via the town of Cross Plains. The colony is undecided as to which route would be best, and so, as convoy scout, the decision is left to you.</p>
- <choice idref="sect156">If you decide to take the highway north-west to Albany, <link-text>turn to 156</link-text>.</choice>
- <choice idref="sect270">If you choose to take the south-west route through Cross Plains, <link-text>turn to 270</link-text>.</choice>
+ <p>Cutter convenes a hasty conference to decide the best way to reach Abilene. The terrain in this area is too rocky to attempt a cross-country detour at speed, so you must use what little remains of the secondary highways in order to reach your goal. After studying the <a idref="map">map</a> and staring at the surrounding plain from the roof of the bus, you determine two possible routes: northwest via the town of Albany, or southwest via the town of Cross Plains. The colony is undecided as to which route would be best, and so, as convoy scout, the decision is left to you.</p>
+ <choice idref="sect156">If you decide to take the highway northwest to Albany, <link-text>turn to 156</link-text>.</choice>
+ <choice idref="sect270">If you choose to take the southwest route through Cross Plains, <link-text>turn to 270</link-text>.</choice>
</data>
</section>
<data>
<p>The instant you set foot in the store, two hands reach out of the darkness, grab you by the jacket lapels and pull you away from the doorway. Immediately, there is a long burst of fire and a hail of bullets scythes the air where you were standing only moments before.</p>
<p>'These ain't no ordinary punks,' growls Long Jake, peering cautiously over the edge of the bullet-shattered window frame. 'They're scouts for a Yankee gang that's headin' this way, looking to take over. They're a mite anxious to get their hands on her, too,' he says, nodding towards the girl who is crouching behind the store counter, her eyes wide with fright.</p>
- <p>'What do they want with her?' you ask, but before Long Jake can reply there is a flash and a deafening explosion. The store's rear door is blown inwards and a searing wave of heat and flying debris knocks you off your feet. Stunned by the blast, you rise unsteadily and reach for a weapon. A grey shape fills the rear entrance, its outline fuzzy in the smoke and dust that hovers there. Then the shape draws into focus and you see the silhouette of a tall man, lean and sinewy, his thin mouth set in cruel sneer.</p>
+ <p>'What do they want with her?' you ask, but before Long Jake can reply there is a flash and a deafening explosion. The store's rear door is blown inwards and a searing wave of heat and flying debris knocks you off your feet. Stunned by the blast, you rise unsteadily and reach for a weapon. A grey shape fills the rear entrance, its outline fuzzy in the smoke and dust that hovers there. Then the shape draws into focus and you see the silhouette of a tall man, lean and sinewy, his thin mouth set in a cruel sneer.</p>
<p>'Look out!' screams Long Jake, as the figure leaps through the doorway, a shotgun held before him ready to fire.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>. If your current Shooting, Stealth and Perception points (when added together) total 8 or more, then add 2 to the number you have picked.</p>
<choice idref="sect191">If your total is now 0-3, <link-text>turn to 191</link-text>.</choice>
<data>
<p>You crouch behind the wrecked car and watch as Kate disappears into the factory. Minutes later you see her face at a window on the top floor and notice the barrel of her gun resting on its ledge. Nervously you count the passing seconds, your eyes fixed on the road ahead.</p>
<p>The first of the Lions appears: it is a motorcycle and sidecar. A lion's head flag flutters from an aerial fixed behind the rider's saddle, and a heavy-calibre machine gun is mounted in front of the chair. As soon as they see the tanker they open fire, sending a stream of tracer bullets arcing towards your position. As the fiery shells rip through your cover, you fight the urge to throw yourself down on the ground, and take aim at the approaching vehicle. You know that you must make your shot count, for if just one of the tracer shells were to pierce the tanker, it would ignite the fuel and blow it sky high.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small9.gif" width="386" height="150" />
+ <instance class="pdf" src="small9.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect308">If the gun you are holding is a Pistol, <link-text>turn to 308</link-text>.</choice>
<choice idref="sect102">If it is a Machine Pistol, <link-text>turn to 102</link-text>.</choice>
<choice idref="sect268">If it is a Rifle, <link-text>turn to 268</link-text>.</choice>
<data>
<p>The evil-sounding laughter is cut short by a deafening roar as both barrels of a Browning Citori are discharged at the counter. The heavy loads rip through the front, bringing down most of the rickety shelves that line the back wall. A cascade of bottles and glasses rains down on your head, causing you further injury as you scurry towards the end of the counter: lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<p>Ahead, beneath the staircase, you see a door with an unlit sign above it that reads:</p>
- <signpost>EXIT - FIRE ESCAPE</signpost>
+ <signpost>EXIT<ch.emdash/>FIRE ESCAPE</signpost>
<signpost>USE IN CASE OF EMERGENCY ONLY</signpost>
<p>'I reckon this constitutes an emergency,' you mutter, as you get ready to break cover and run towards the door. Just as you are about to leave your hand brushes against the stock of a sawn-off shotgun that is lying on a shelf beneath the counter. Both hammers are cocked and the chamber tags show that both barrels are loaded.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
<choice idref="sect176">If you wish to take the weapon, <link-text>turn to 176</link-text>.</choice>
<choice idref="sect84">If you decide to ignore it, <link-text>turn to 84</link-text>.</choice>
</data>
<meta><title>336</title></meta>
<data>
- <p>The rotten wood splits and crumbles under the slightest pressure, enabling you to open the crate with your bare hands. Inside, you discover hundreds of square plastic tubs, bound together with tape into units of twelve. Sealing the whole consignment is a vast sheet of clear polythene - just what your uncle wanted! Using your hunting knife, you slit open the sheeting at the corners, remove it from the tubs and fold it away carefully for future use.</p>
+ <p>The rotten wood splits and crumbles under the slightest pressure, enabling you to open the crate with your bare hands. Inside, you discover hundreds of square plastic tubs, bound together with tape into units of twelve. Sealing the whole consignment is a vast sheet of clear polythene<ch.emdash/>just what your uncle wanted! Using your hunting knife, you slit open the sheeting at the corners, remove it from the tubs and fold it away carefully for future use.</p>
<p>The tubs themselves are each adorned with blue and white labels that display the letters: N a C l.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Perception skill total.</p>
<choice idref="sect134">If the total is now 6 or less, <link-text>turn to 134</link-text>.</choice>
<creator>Melvyn Grant</creator>
<description>The combat is to the death; you both launch yourself towards the centre of the corral.</description>
</meta>
- <instance class="html" src="ill19.gif" width="386" height="588" />
- <instance class="pdf" src="ill19.pdf" width="386" height="588" />
+ <instance class="html" src="ill19.gif" width="386" height="586" />
+ <instance class="pdf" src="ill19.pdf" width="386" height="586" />
</illustration>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Stealth skill total.</p>
<choice idref="sect122">If your total score is 7 or less, <link-text>turn to 122</link-text>.</choice>
<data>
<p>At the place where it enters the town, the surface of the freeway glitters as if it were covered with hundreds of tiny mirrors. You narrow your eyes to focus on these glimmering points of light, and a chill runs down your spine when you realize what they are. The highway is covered with metal spikes.</p>
- <p>You signal to the convoy to halt and then inform the other drivers - Cutter and Uncle Jonas - of what you have seen. 'We'll have to circle around this place,' says Uncle Jonas. 'We can't risk our tyres on this stretch o' road. According to that Rickenbacker guy, this land's now bandit territory.'</p>
+ <p>You signal to the convoy to halt and then inform the other drivers<ch.emdash/>Cutter and Uncle Jonas<ch.emdash/>of what you have seen. 'We'll have to circle around this place,' says Uncle Jonas. 'We can't risk our tyres on this stretch o' road. According to that Rickenbacker guy, this land's now bandit territory.'</p>
<p>'I bet they're responsible for spikin' the road,' says Cutter. 'It'll be gettin' dark soon an' I sure don't wanna be bushwhacked while changing tyres. Besides, we're gettin' real close to home. I'm sure we all'd like to make camp tonight in Big Spring.' You nod your agreement.</p>
<p>The three of you decide to detour the town and pick up the freeway a few miles further on. You lead the convoy cross-country, but as you draw level with the town you hear the sound of gunfire.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your Driving skill total.</p>
<meta><title>339</title></meta>
<data>
- <p>You raise the heavy Zeiss binoculars to your eyes and slowly scan the ruins. There is little to confirm your suspicions: rolling tumbleweed and the shimmering heat of early afternoon are the only movements you observe among the derelict remains of Denton. Then something catches your eye at the entrance to an alley near the centre of the town. Your pulse quickens when you recognize it. It is a haze of oily blue smoke - the exhaust fumes of a motorcycle.</p>
+ <p>You raise the heavy Zeiss binoculars to your eyes and slowly scan the ruins. There is little to confirm your suspicions: rolling tumbleweed and the shimmering heat of early afternoon are the only movements you observe among the derelict remains of Denton. Then something catches your eye at the entrance to an alley near the centre of the town. Your pulse quickens when you recognize it. It is a haze of oily blue smoke<ch.emdash/>the exhaust fumes of a motorcycle.</p>
<choice idref="sect298">If you wish to enter Denton and take a closer look, <link-text>turn to 298</link-text>.</choice>
<choice idref="sect198">If you decide to return to the convoy and warn them to avoid Denton, <link-text>turn to 198</link-text>.</choice>
</data>
<section class="numbered" id="sect340">
<meta><title>340</title></meta>
+ <footnotes>
+ <footnote id="sect340-1-foot" idref="sect340-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You have aimed too high and, as the window disintegrates, your gunfire passes harmlessly over the head of the Maverick rider. He hurls his fire-bomb, and screams of terror fill your ears as your people scramble across the seats in a desperate attempt to escape the blast. You hear a sharp crack as the bottle strikes the edge of a seat, then there is a brilliant flash of orange and yellow light as it smashes and bursts into flames.</p>
+ <p>You have aimed too high and, as the window disintegrates, your gunfire passes harmlessly over the head of the Maverick rider.<a id="sect340-1" idref="sect340-1-foot" class="footnote" /> He hurls his fire-bomb, and screams of terror fill your ears as your people scramble across the seats in a desperate attempt to escape the blast. You hear a sharp crack as the bottle strikes the edge of a seat, then there is a brilliant flash of orange and yellow light as it smashes and bursts into flames.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>.</p>
<choice idref="sect79">If the number you have picked is 0-2, <link-text>turn to 79</link-text>.</choice>
<choice idref="sect197">If the number is 3-9, <link-text>turn to 197</link-text>.</choice>
<data>
<p>The drive to Albany takes you across a rolling plain that once fed a million head of longhorn cattle. Now the once-lush grassland is a vast desert of parched and blistered earth, completely devoid of life. The town stands at the centre of this bald prairie, its battered wooden houses and stores clustered haphazardly in groups on either side of a single main street. You stop your car half a mile from the town and park it in the shade of an old farm building, before venturing into Albany on foot.</p>
- <p>The first building that you see is the ruins of the Shackelford county sheriffs office. Spent cartridge cases litter the ground around its entrance, marking the site of a recent gunfight.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small10.gif" width="386" height="150" />
+ <instance class="pdf" src="small10.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>The first building that you see is the ruins of the Shackelford County Sheriff's office. Spent cartridge cases litter the ground around its entrance, marking the site of a recent gunfight.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a>, and add to it your current Stealth and Perception skill totals.</p>
<choice idref="sect31">If your total score is now 12 or less, <link-text>turn to 31</link-text>.</choice>
<choice idref="sect277">If your total score is now 13 or more, <link-text>turn to 277</link-text>.</choice>
<section class="numbered" id="sect344">
<meta><title>344</title></meta>
+ <footnotes>
+ <footnote id="sect344-1-foot" idref="sect344-1">
+ <p>Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>Your bullet hits the clansman in the chest and knocks him clean off his feet. As he disappears from sight, his partner unleashes a long burst of fire that powders the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
+ <p>Your bullet hits the clansman in the chest and knocks him clean off his feet.<a id="sect344-1" idref="sect344-1-foot" class="footnote" /> As he disappears from sight, his partner unleashes a long burst of fire that powders the scree behind you. When the firing stops, you raise your head and peer through the bushes, expecting to see your enemy reloading. Instead he discards his empty magazine and turns to run away. He has exhausted his ammunition and has decided to make his escape before you have a chance to return fire.</p>
<p>As soon as you are sure that the coast is clear, you rise cautiously and help Kate to her feet. The sound of a motorcycle riding away into the distance reassures you that your ambusher has fled, and confidently you scramble up the slope and go to examine the body of the one who did not get away.</p>
<choice idref="sect175"><link-text>Turn to 175</link-text>.</choice>
</data>
<section class="numbered" id="sect348">
<meta><title>348</title></meta>
+ <footnotes>
+ <footnote id="sect348-1-foot" idref="sect348-1">
+ <p>Remember to deduct a round of 12-gauge ammunition from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You raise your arm and fire your shotgun without aiming. The speed of your reflexes and the spread of the Double-A target load guarantee that your enemy will never point his pistol at anyone again.</p>
- <p>As the smoke clears, you see Cutter approach the gulley and reload his gun as he stares over the edge at the lifeless bodies of your ambushers. You are soon joined by the others and together you search their bodies for useful items.</p>
+ <p>You raise your arm and fire your shotgun without aiming.<a id="sect348-1" idref="sect348-1-foot" class="footnote" /> The speed of your reflexes and the spread of the Double-A target load guarantee that your enemy will never point his pistol at anyone again.</p>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Melvyn Grant</creator>
+ </meta>
+ <instance class="html" src="small3.gif" width="386" height="150" />
+ <instance class="pdf" src="small3.pdf" width="386" height="150"/>
+ </illustration>
+
+ <p>As the smoke clears, you see Cutter approach the gully and reload his gun as he stares over the edge at the lifeless bodies of your ambushers. You are soon joined by the others and together you search their bodies for useful items.</p>
<choice idref="sect216"><link-text>Turn to 216</link-text>.</choice>
</data>
</section>
<section class="numbered" id="sect349">
<meta><title>349</title></meta>
+ <footnotes>
+ <footnote id="sect349-1-foot" idref="sect349-1">
+ <p>Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </footnote>
+ </footnotes>
+
<data>
- <p>You have aimed too low: your gunfire hits the stone parapet of the roof, alerting the sniper to your position. Quickly he lifts his assault rifle, swings the barrel around towards the factory, and focuses on your window. You glimpse a muzzle flash a split-second before the ledge and frame are blown to pieces by a dozen high-velocity bullets.</p>
+ <p>You have aimed too low: your gunfire hits the stone parapet of the roof, alerting the sniper to your position.<a id="sect349-1" idref="sect349-1-foot" class="footnote" /> Quickly he lifts his assault rifle, swings the barrel around towards the factory, and focuses on your window. You glimpse a muzzle flash a split-second before the ledge and frame are blown to pieces by a dozen high-velocity bullets.</p>
<p>Pick a number from the <a idref="random">Random Number Table</a> and add to it your current Stealth skill total.</p>
<choice idref="sect151">If your total score is now 7 or less, <link-text>turn to 151</link-text>.</choice>
<choice idref="sect260">If your total score is now 8 or more, <link-text>turn to 260</link-text>.</choice>
<p>Seething with anger you watch as the remaining biker climbs astride his machine and kicks it into life. You rush forward in a brave but hopeless attempt to save Kate from being abducted: the Maverick clansman accelerates away before you can even get near. As you watch his fleeing form disappear into the night, you promise yourself that you will get Kate back, no matter what it takes. You run towards your roadster, determined to follow him and rescue Kate, but your plans are frustrated when the bus pulls up close by and Cutter shouts a warning. 'There's a whole mess o' lights headin' this way, Cal. I'm sure it's the Lions. We've got to move now or they'll catch us before we get inside Big Spring.' Reluctantly you agree with Cutter. It would be madness to drive alone into the Detroit Lions.</p>
<p>The convoy enters the fortified gates of Big Spring and receives a rapturous welcome from the colonists of the settlement. The mood is celebratory, for your arrival marks the start of an alliance that is destined to grow stronger over the forthcoming months. You have completed the first stage of your difficult journey and, although your achievement is overshadowed by Kate's abduction, your mission is a success.</p>
<p>For you, Cal Phoenix, champion and protector of Dallas Colony 1, the journey continues in Book 2 of the Freeway Warrior series, entitled:</p>
-<!-- <p><cite><a href="&link.02smr;">SLAUGHTER MOUNTAIN RUN</a></cite></p>-->
- <p>SLAUGHTER MOUNTAIN RUN</p>
+ <p><cite><a href="&link.02smr;">SLAUGHTER MOUNTAIN RUN</a></cite></p>
</data>
</section>
</data>
</section>
- <section class="backmatter" id="map">
- <meta><title>Map of Central Texas</title></meta>
-
- <data>
- <illustration class="inline">
- <meta>
- <creator>Melvyn Grant</creator>
- </meta>
- <instance src="map.jpg" width="1024" height="768" class="html" />
- <instance src="map.pdf" width="1024" height="768" class="pdf" />
- </illustration>
- </data>
- </section>
-
- <section class="backmatter" id="action">
- <meta><title>Action Chart</title></meta>
-
- <data>
+ <section class="backmatter" id="map">
+ <meta><title>Map of Central Texas</title></meta>
+ <data>
<illustration class="inline">
<meta>
- <creator>Iain Smith</creator>
+ <creator>Melvyn Grant</creator>
</meta>
- <instance src="acskills.gif" width="386" height="123" class="html" mime-type="image/gif" />
+ <instance src="map.jpg" width="1024" height="768" class="html" />
+ <instance src="map.pdf" width="1024" height="768" class="pdf" />
</illustration>
+ </data>
+ </section>
- <illustration class="inline">
- <meta>
- <creator>Iain Smith</creator>
- </meta>
- <instance src="acitems.gif" width="386" height="308" class="html" mime-type="image/gif" />
- </illustration>
+ <section class="backmatter" id="action">
+ <meta><title>Action Chart</title></meta>
- <illustration class="inline">
- <meta>
- <creator>Iain Smith</creator>
- </meta>
- <instance src="accombat.gif" width="386" height="358" class="html" mime-type="image/gif" />
- </illustration>
+ <data>
- <illustration class="inline">
- <meta>
- <creator>Iain Smith</creator>
- </meta>
- <instance src="acammo.gif" width="386" height="363" class="html" mime-type="image/gif" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance src="acskills.gif" width="386" height="123" class="html" mime-type="image/gif" />
+ </illustration>
- <illustration class="inline">
- <meta>
- <creator>Iain Smith</creator>
- </meta>
- <instance src="acweapns.gif" width="386" height="383" class="html" mime-type="image/gif" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance src="acitems.gif" width="386" height="308" class="html" mime-type="image/gif" />
+ </illustration>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance src="accombat.gif" width="386" height="358" class="html" mime-type="image/gif" />
+ </illustration>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance src="acammo.gif" width="386" height="363" class="html" mime-type="image/gif" />
+ </illustration>
+
+ <illustration class="inline">
+ <meta>
+ <creator>Iain Smith</creator>
+ </meta>
+ <instance src="acweapns.gif" width="386" height="383" class="html" mime-type="image/gif" />
+ </illustration>
<!--
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="ac1.tex" width="400" height="500" class="tex" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="ac1.tex" width="400" height="500" class="tex" />
+ </illustration>
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="ac2.tex" width="400" height="500" class="tex" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="ac2.tex" width="400" height="500" class="tex" />
+ </illustration>
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="ac3.tex" width="400" height="500" class="tex" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="ac3.tex" width="400" height="500" class="tex" />
+ </illustration>
-->
- </data>
- </section>
+ </data>
+ </section>
- <section class="backmatter" id="crsumary">
- <meta><title>Close Combat Rules Summary</title></meta>
+ <section class="backmatter" id="crsumary">
+ <meta><title>Close Combat Rules Summary</title></meta>
- <data>
- <li>Add to your <typ class="attribute">CLOSE COMBAT SKILL</typ> any extra points gained through use of a close combat weapon.</li>
- <li>Subtract the <typ class="attribute">CLOSE COMBAT SKILL</typ> score of your enemy from your total. The resulting number is the Combat Ratio.</li>
-
<li>Pick a number from the <a idref="random">Random Number Table</a>.</li>
- <li>Turn to the <a idref="crtable">Combat Results Table</a>.</li>
- <li>Find your Combat Ratio along the top of the chart and cross-reference it with the random number you have picked. (E indicates enemy's loss of <typ class="attribute">ENDURANCE</typ> points. CP indicates Cal Phoenix's loss of <typ class="attribute">ENDURANCE</typ> points.)</li>
- <li>Continue the combat from stage 3 until one combatant has zero <typ class="attribute">ENDURANCE</typ> points, this is when he is declared dead.</li>
- </ol>
-
- <section class="backmatter" id="smevazn">
- <meta><title>To Evade Combat</title></meta>
- <data>
- <li>You may only evade combat when the text of the adventure offers you the opportunity.</li>
- <li>If the text offers the chance of taking evasive action instead of entering into combat, you may evade in the first round of combat or in any subsequent round.</li>
- <li>If you decide to evade after a round of combat, ignore all points lost by the enemy in that round: only Cal Phoenix loses <typ class="attribute">ENDURANCE</typ> points.</li>
- </ol>
- </data>
- </section>
+ <data>
+ <ol>
+ <li>Add to your <typ class="attribute">CLOSE COMBAT SKILL</typ> any extra points gained through use of a close combat weapon.</li>
+ <li>Subtract the <typ class="attribute">CLOSE COMBAT SKILL</typ> score of your enemy from your total. The resulting number is the Combat Ratio.</li>
+ <li>Pick a number from the <a idref="random">Random Number Table</a>.</li>
+ <li>Turn to the <a idref="crtable">Close Combat Results Table</a>.</li>
+ <li>Find your Combat Ratio along the top of the chart and cross-reference it with the random number you have picked. (E indicates enemy's loss of <typ class="attribute">ENDURANCE</typ> points. CP indicates Cal Phoenix's loss of <typ class="attribute">ENDURANCE</typ> points.)</li>
+ <li>Continue the combat from stage 3 until one combatant has zero or fewer <typ class="attribute">ENDURANCE</typ> points, this is when he is declared dead.</li>
+ </ol>
+
+ <section class="backmatter" id="smevazn">
+ <meta><title>To Evade Combat</title></meta>
+ <data>
+ <ol>
+ <li>You may only evade combat when the text of the adventure offers you the opportunity.</li>
+ <li>If the text offers the chance of taking evasive action instead of entering into combat, you may evade in the first round of combat or in any subsequent round.</li>
+ <li>If you decide to evade after a round of combat, ignore all points lost by the enemy in that round: only Cal Phoenix loses <typ class="attribute">ENDURANCE</typ> points.</li>
+ </ol>
+ </data>
+ </section>
- </data>
- </section>
+ </data>
+ </section>
- <section class="backmatter" id="crtable">
- <meta><title>Combat Results Table</title></meta>
+ <section class="backmatter" id="crtable">
+ <meta><title>Combat Results Table</title></meta>
- <data>
+ <data>
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="crtneg.gif" width="386" height="472" class="html" mime-type="image/gif" />
- <instance src="crtneg.tex" width="380" height="500" class="tex" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="crtneg.gif" width="386" height="472" class="html" mime-type="image/gif" />
+ <instance src="crtneg.tex" width="380" height="500" class="tex" />
+ </illustration>
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="crtpos.gif" width="386" height="472" class="html" mime-type="image/gif" />
- <instance src="crtpos.tex" width="380" height="500" class="tex" />
- </illustration>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="crtpos.gif" width="386" height="472" class="html" mime-type="image/gif" />
+ <instance src="crtpos.tex" width="380" height="500" class="tex" />
+ </illustration>
- </data>
- </section>
+ </data>
+ </section>
- <section class="backmatter" id="random">
- <meta><title>Random Number Table</title></meta>
+ <section class="backmatter" id="random">
+ <meta><title>Random Number Table</title></meta>
- <data>
- <illustration class="inline">
- <meta>
- <creator>Jonathan Blake</creator>
- </meta>
- <instance src="random.gif" width="332" height="432" class="html" mime-type="image/gif" />
- </illustration>
+ <data>
+ <illustration class="inline">
+ <meta>
+ <creator>Jonathan Blake</creator>
+ </meta>
+ <instance src="random.gif" width="332" height="432" class="html" mime-type="image/gif" />
+ </illustration>
- </data>
- </section>
+ </data>
+ </section>
- <section class="backmatter" id="errata">
- <meta><title>Errata</title></meta>
+ <section class="backmatter" id="errata">
+ <meta><title>Errata</title></meta>
- <data>
+ <data>
- <section class="backmatter" id="errintro">
- <meta><title>Introduction</title></meta>
- <data>
- <p>We have taken our unique opportunity to correct errors and to enforce a standard of English usage. We list our changes here. If you see anything that needs correction, please <a href="&link.staff.contact;">contact</a> the Project Aon Staff.</p>
- </data>
- </section>
-
- <section class="backmatter" id="errerr">
- <meta><title>Errata</title></meta>
- <data>
- <p>(<a idref="gamerulz">The Game Rules</a>) Replaced <quote>if you pick a O</quote> with <quote>if you pick a 0</quote>.</p>
- <p>(<a idref="equipmnt">Equipment</a>) Replaced <quote>map of Central Texas</quote> with <quote>Map of Central Texas</quote>.</p>
- <p>(<a idref="cmbtrulz">Combat Rules</a>) Replaced <quote>CLOSECOMBAT</quote> with <quote>CLOSE COMBAT</quote>.</p>
- <p>(<a idref="cmbtrulz">Combat Rules</a>) Replaced <quote>cross-refer</quote> with <quote>cross-reference</quote>.</p>
- <p>(<a idref="cmbtrulz">Combat Rules</a>) Replaced <quote>as <ch.plus/>1 If </quote> with <quote>as <ch.plus/>1. If </quote>.</p>
- <p>(<a idref="calstory">Cal's Story</a>) Replaced <quote>re-establish</quote> with <quote>reestablish</quote>.</p>
- <p>(<a idref="sect13">13</a>) Added missing period after <quote>Random Number Table</quote>.</p>
- <p>(<a idref="sect48">48</a>) Replaced <quote>dislodgng</quote> with <quote>dislodging</quote>.</p>
- <p>(<a idref="sect48">48</a>) Replaced <quote>Skull,'</quote> with <quote>Skull?'</quote>.</p>
- <p>(<a idref="sect55">55</a>) Replaced <quote>thunderbird</quote> with <quote>Thunderbird</quote>.</p>
- <p>(<a idref="sect94">94</a>) Replaced <quote>shouting :</quote> with <quote>shouting: </quote>.</p>
- <p>(<a idref="sect117">117</a>) Added missing period after <quote>(0 equals 10)</quote>.</p>
- <p>(<a idref="sect122">122</a>) Replaced <quote>gutteral</quote> with <quote>guttural</quote>.</p>
- <p>(<a idref="sect143">143</a>) Replaced <quote>( with</quote> with <quote>(with</quote>.</p>
- <p>(<a idref="sect149">149</a>) Replaced <quote>assess</quote> with <quote>assesses</quote>.</p>
- <p>(<a idref="sect156">156</a>) Replaced <quote>take its toll of those</quote> with <quote>take its toll on those</quote>.</p>
- <p>(<a idref="sect182">182</a>) Replaced <quote>Erath country</quote> with <quote>Erath County</quote>.</p>
- <p>(<a idref="sect189">189</a>) Replaced <quote>womped</quote> with <quote>whomped</quote>.</p>
- <p>(<a idref="sect189">189</a>) Replaced <quote>come 'an pay</quote> with <quote>come an' pay</quote>.</p>
- <p>(<a idref="sect229">229</a>) Replaced <quote>breathlessly:'Set </quote> with <quote>breathlessly: 'Set </quote>.</p>
- <p>(<a idref="sect248">248</a>) Replaced <quote>C.B. radio</quote> with <quote>C.B. Radio</quote>.</p>
- <p>(<a idref="sect260">260</a>) Replaced <quote>Cmon</quote> with <quote>C'mon</quote>.</p>
- <p>(<a idref="sect270">270</a>) Replaced <quote>Comanche county</quote> with <quote>Comanche County</quote>.</p>
- <p>(<a idref="sect288">288</a>) Replaced <quote>auto-wreck</quote> with <quote>auto wreck</quote>.</p>
- <p>(<a idref="sect305">305</a>) Replaced <quote>fininshed</quote> with <quote>finished</quote>.</p>
- <p>(<a idref="sect336">336</a>) Replaced <quote>letters,</quote> with <quote>letters:</quote>.</p>
- <p>(<a idref="sect338">338</a>) Replaced <quote>bushwacked</quote> with <quote>bushwhacked</quote>.</p>
- <p>(<a idref="sect338">338</a>) Replaced <quote>Rickenbaker</quote> with <quote>Rickenbacker</quote>.</p>
- <p>(<a idref="sect342">338</a>) Replaced <quote>fusilage</quote> with <quote>fuselage</quote>.</p>
- <p>(<a idref="crsumary">Combat Rules Summary</a>) Added missing period after <quote>from your total</quote>.</p>
- <p>(<a idref="crsumary">Combat Rules Summary</a>) Replaced <quote>cross-refer</quote> with <quote>cross-reference</quote>.</p>
- </data>
- </section>
- </data>
- </section>
+ <section class="backmatter" id="errintro">
+ <meta><title>Introduction</title></meta>
+ <data>
+ <p>We have taken our unique opportunity to correct errors and to enforce a standard of English usage. We list our changes here. If you see anything that needs correction, please <a href="&link.staff.contact;">contact</a> the Project Aon Staff.</p>
+ </data>
+ </section>
+
+ <section class="backmatter" id="errerr">
+ <meta><title>Errata</title></meta>
+ <data>
+ <p>(<a idref="gamerulz">The Game Rules</a>) Replaced <quote>if you pick a O</quote> with <quote>if you pick a 0</quote>, <quote>On pages 6 and 7 you will find an Action Chart</quote> with <quote>An Action Chart has been supplied</quote>, <quote>the Random Number Table at the back of this book</quote> with <quote>the Random Number Table</quote>, and <quote>survival skills</quote> with <quote>Survival Skills</quote>.</p>
+ <p>(<a idref="gamerulz">The Game Rules</a>) Removed <quote>For ease of use during play it is recommended that you photocopy these pages</quote>.</p>
+ <p>(<a idref="equipmnt">Equipment</a>) Replaced <quote>map of Central Texas</quote> with <quote>Map of Central Texas</quote>, <quote>potassium iodine</quote> with <quote>potassium iodide</quote>, <quote>H.E. (High Explosive) GRENADE</quote> with <quote>HE (High Explosive) GRENADE</quote>, <quote>C.B. RADIO</quote> with <quote>CB RADIO</quote>, and <quote>sulphonamides</quote> with <quote>sulfonamides</quote>.</p>
+ <p>(<a idref="cmbtrulz">Combat Rules</a>) Replaced <quote>CLOSECOMBAT</quote> with <quote>CLOSE COMBAT</quote>, <quote>cross-refer</quote> with <quote>cross-reference</quote>, and <quote>as <ch.plus/>1 If </quote> with <quote>as <ch.plus/>1. If </quote>.</p>
+ <p>(<a idref="cmbtrulz">Combat Rules</a>) Removed <quote>on the inside back cover of the book</quote>.</p>
+ <p>(<a idref="dtd">Dateline to Disaster</a>) Replaced <quote>training and</quote> with <quote>training, and</quote>.</p>
+ <p>(<a idref="calstory">Cal's Story</a>) Replaced <quote>re-establish</quote> with <quote>reestablish</quote>, <quote>Denton county</quote> with <quote>Denton County</quote>, and <quote>fuel, food or water</quote> with <quote>fuel, food, or water</quote>.</p>
+ <p>(<a idref="sect1">1</a>) Replaced <quote>syphoned</quote> with <quote>siphoned</quote>, and <quote>C.B. radio</quote> with <quote>CB radio</quote>.</p>
+ <p>(<a idref="sect13">13</a>) Added missing period after <quote>Random Number Table</quote>.</p>
+ <p>(<a idref="sect20">20</a>) Replaced <quote>GEIGER COUNTER</quote>, <quote>ALTIMETER</quote> and <quote>RADIATION SUIT</quote> with initial capitals.</p>
+ <p>(<a idref="sect26">26</a>) Replaced <quote>machine-gunner</quote> with <quote>machine gunner</quote>.</p>
+ <p>(<a idref="sect30">30</a>) Replaced <quote>indian</quote> with <quote>Indian</quote>.</p>
+ <p>(<a idref="sect36">36</a>) Replaced <quote>under way</quote> with <quote>underway</quote>.</p>
+ <p>(<a idref="sect38">38</a>) Replaced <quote>indian</quote> with <quote>Indian</quote>.</p>
+ <p>(<a idref="sect43">43</a>) Replaced <quote>N a C l</quote> with <quote>NaCl</quote>.</p>
+ <p>(<a idref="sect48">48</a>) Replaced <quote>dislodgng</quote> with <quote>dislodging</quote>, <quote>Skull,'</quote> with <quote>Skull?'</quote>, and <quote>'the Kickers'</quote> with <quote>the 'Kickers'</quote>.</p>
+ <p>(<a idref="sect55">55</a>) Replaced <quote>thunderbird</quote> with <quote>Thunderbird</quote>.</p>
+ <p>(<a idref="sect61">61</a>) Replaced <quote>south-west</quote> with <quote>southwest</quote>.</p>
+ <p>(<a idref="sect65">65</a>) Replaced <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect66">66</a>) Replaced <quote>First Aid Box</quote> with <quote>first aid box</quote>.</p>
+ <p>(<a idref="sect68">68</a>) Replaced <quote>'the Mavericks'</quote> with <quote>the 'Mavericks'</quote>.</p>
+ <p>(<a idref="sect72">72</a>) Replaced <quote>shooting skill</quote> with <quote>Shooting skill</quote> and <quote>(minimum - one round; maximum - four rounds)</quote> with <quote>(minimum: one round; maximum: four rounds)</quote>.</p>
+ <p>(<a idref="sect73">73</a>) Replaced <quote>C.B. transceiver</quote> with <quote>CB transceiver</quote>, and <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect74">74</a>) Replaced <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect82">82</a>) Replaced <quote>needin</quote> with <quote>needin'</quote>.</p>
+ <p>(<a idref="sect85">85</a>) Replaced <quote>DISTRIBUTOR CAP</quote>, <quote>CONDENSER</quote>, <quote>GAS MODIFIER</quote>, <quote>OIL PLUG</quote>, <quote>FAN BELT</quote> with initial capitals.</p>
+ <p>(<a idref="sect86">86</a>) Replaced <quote>north-west</quote> with <quote>northwest</quote>.</p>
+ <p>(<a idref="sect92">92</a>) Replaced <quote>It it is 7-9</quote> with <quote> If it is 7-9</quote>.</p>
+ <p>(<a idref="sect94">94</a>) Replaced <quote>shouting :</quote> with <quote>shouting: </quote>.</p>
+ <p>(<a idref="sect96">96</a>) Replaced <quote>machine-gunner</quote> with <quote>machine gunner</quote>.</p>
+ <p>(<a idref="sect98">98</a>) Replaced <quote>GEIGER COUNTER</quote>, <quote>ALTIMETER</quote> and <quote>RADIATION SUIT</quote> with initial capitals.</p>
+ <p>(<a idref="sect99">99</a>) Replaced <quote>H.E. Grenade</quote> with <quote>HE Grenade</quote>.</p>
+ <p>(<a idref="sect100">100</a>) Replaced <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect101">101</a>) Replaced <quote>(minimum - one round; maximum - six rounds)</quote> with <quote>(minimum: one round; maximum: six rounds)</quote></p>
+ <p>(<a idref="sect109">109</a>) Replaced <quote>feet first</quote> with <quote>feet-first</quote>.</p>
+ <p>(<a idref="sect116">116</a>) Replaced <quote>key-in</quote> with <quote>key in</quote>.</p>
+ <p>(<a idref="sect117">117</a>) Added missing period after <quote>(0 equals 10)</quote>.</p>
+ <p>(<a idref="sect119">119</a>) Replaced <quote>Water Canteen, containing</quote> with <quote>Water Canteen containing</quote> and <quote>sulphonamides</quote> with <quote>sulfonamides</quote>.</p>
+ <p>(<a idref="sect122">122</a>) Replaced <quote>gutteral</quote> with <quote>guttural</quote>.</p>
+ <p>(<a idref="sect131">131</a>) Replaced <quote>(minimum - one round; maximum - five rounds)</quote> with <quote>(minimum: one burst; maximum: five bursts)</quote></p>
+ <p>(<a idref="sect132">132</a>) Replaced <quote>machine-gunner</quote> with <quote>machine gunner</quote>.</p>
+ <p>(<a idref="sect133">133</a>) Replaced <quote>feet first</quote> with <quote>feet-first</quote>.</p>
+ <p>(<a idref="sect136">136</a>) Replaced <quote>north-west</quote> with <quote>northwest</quote>.</p>
+ <p>(<a idref="sect137">137</a>) Replaced <quote>south-west</quote> with <quote>southwest</quote>.</p>
+ <p>(<a idref="sect142">142</a>) Replaced <quote>feet first</quote> with <quote>feet-first</quote>.</p>
+ <p>(<a idref="sect143">143</a>) Replaced <quote>( with</quote> with <quote>(with</quote>, <quote>Water Canteen, containing</quote> with <quote>Water Canteen containing</quote>, and <quote>sulphonamides</quote> with <quote>sulfonamides</quote>.</p>
+ <p>(<a idref="sect149">149</a>) Replaced <quote>assess</quote> with <quote>assesses</quote>.</p>
+ <p>(<a idref="sect152">152</a>) Replaced text based number puzzle with illustration.</p>
+ <p>(<a idref="sect155">155</a>) Replaced <quote>red indian</quote> with <quote>Red Indian</quote>.</p>
+ <p>(<a idref="sect156">156</a>) Replaced <quote>take its toll of those</quote> with <quote>take its toll on those</quote>.</p>
+ <p>(<a idref="sect158">158</a>) Replaced <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect162">162</a>) Replaced <quote>Ammo pouch</quote> with <quote>Ammo Pouch</quote> and <quote>once sophisticated</quote> with <quote>once-sophisticated</quote>.</p>
+ <p>(<a idref="sect165">165</a>) Replaced <quote>rear view mirror</quote> with <quote>rear-view mirror</quote>.</p>
+ <p>(<a idref="sect171">171</a>) Replaced <quote>de-activates</quote> with <quote>deactivates</quote>.</p>
+ <p>(<a idref="sect175">175</a>) Replaced <quote>anti-biotics</quote> with <quote>antibiotics</quote> and <quote>H.E. Grenade</quote> with <quote>HE Grenade</quote>.</p>
+ <p>(<a idref="sect181">181</a>) Replaced <quote>rope</quote> with <quote>Rope</quote> and <quote>feet first</quote> with <quote>feet-first</quote>.</p>
+ <p>(<a idref="sect182">182</a>) Replaced <quote>Erath country</quote> with <quote>Erath County</quote>.</p>
+ <p>(<a idref="sect189">189</a>) Replaced <quote>womped</quote> with <quote>whomped</quote> and <quote>come 'an pay</quote> with <quote>come an' pay</quote>.</p>
+ <p>(<a idref="sect194">194</a>) Replaced <quote>de-activates</quote> with <quote>deactivates</quote>.</p>
+ <p>(<a idref="sect195">195</a>) Replaced <quote>machine-gunner</quote> with <quote>machine gunner</quote>.</p>
+ <p>(<a idref="sect198">198</a>) Replaced <quote>south-west</quote> with <quote>southwest</quote> (x2).</p>
+ <p>(<a idref="sect204">204</a>) Replaced <quote>machine-gun fire</quote> with <quote>machine gun fire</quote>.</p>
+ <p>(<a idref="sect209">209</a>) Replaced <quote>red indian</quote> with <quote>Red Indian</quote>.</p>
+ <p>(<a idref="sect210">210</a>) Replaced <quote>out-distance</quote> with <quote>outdistance</quote>.</p>
+ <p>(<a idref="sect216">216</a>) Replaced <quote>Three rounds of 12-gauge shotgun ammunition</quote> with <quote>Three rounds of 12-gauge ammunition</quote>.</p>
+ <p>(<a idref="sect220">220</a>) Replaced <quote>and 'll</quote> with <quote>and'll</quote>.</p>
+ <p>(<a idref="sect229">229</a>) Replaced <quote>breathlessly:'Set </quote> with <quote>breathlessly: 'Set </quote>.</p>
+ <p>(<a idref="sect229">229</a>) Replaced <quote>across the bridge. at a run.</quote> with <quote>across the bridge at a run.</quote></p>
+ <p>(<a idref="sect233">233</a>) Replaced <quote>(minimum - one round; maximum - four rounds)</quote> with <quote>(minimum: one round; maximum: four rounds)</quote></p>
+ <p>(<a idref="sect242">242</a>) Replaced <quote>C.B. Radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect246">246</a>) Replaced <quote>feet first</quote> with <quote>feet-first</quote>.</p>
+ <p>(<a idref="sect248">248</a>) Replaced <quote>C.B. radio</quote> with <quote>CB Radio</quote>.</p>
+ <p>(<a idref="sect250">250</a>) Replaced <quote>machine-gunner</quote> with <quote>machine gunner</quote>.</p>
+ <p>(<a idref="sect253">253</a>) Started a new paragraph for Cutter's speech.</p>
+ <p>(<a idref="sect255">255</a>) Replaced text based number puzzle with illustration.</p>
+ <p>(<a idref="sect259">259</a>) Replaced <quote>pistol</quote> with <quote>Pistol</quote>.</p>
+ <p>(<a idref="sect260">260</a>) Replaced <quote>Cmon</quote> with <quote>C'mon</quote> and <quote>Comanche county</quote> with <quote>Comanche County</quote>.</p>
+ <p>(<a idref="sect270">270</a>) Replaced <quote>water canteen</quote> with <quote>Water Canteen</quote>.</p>
+ <p>(<a idref="sect288">288</a>) Replaced <quote>auto-wreck</quote> with <quote>auto wreck</quote>.</p>
+ <p>(<a idref="sect294">294</a>) Replaced <quote>'the Kickers'</quote> with <quote>the 'Kickers'</quote>.</p>
+ <p>(<a idref="sect295">295</a>) Replaced <quote>C.B. radio</quote> with <quote>CB radio</quote> and <quote>north-west</quote> with <quote>northwest</quote>.</p>
+ <p>(<a idref="sect298">298</a>) Replaced <quote>red indian</quote> with <quote>Red Indian</quote>.</p>
+ <p>(<a idref="sect300">300</a>) Replaced <quote>red indian</quote> with <quote>Red Indian</quote>.</p>
+ <p>(<a idref="sect305">305</a>) Replaced <quote>fininshed</quote> with <quote>finished</quote>.</p>
+ <p>(<a idref="sect305">305</a>) Replaced <quote>ain't you' boy?'</quote> with <quote>ain't you boy?'</quote>.</p>
+ <p>(<a idref="sect318">318</a>) Replaced <quote>rear view mirror</quote> with <quote>rear-view mirror</quote>.</p>
+ <p>(<a idref="sect321">321</a>) Replaced <quote>indian</quote> with <quote>Indian</quote> and <quote>north-west</quote> with <quote>northwest</quote>.</p>
+ <p>(<a idref="sect325">325</a>) Replaced <quote>C.B.</quote> with <quote>CB radio</quote>.</p>
+ <p>(<a idref="sect327">327</a>) Replaced <quote>north-east</quote> with <quote>northeast</quote>, <quote>north-west</quote> with <quote>northwest</quote> (x2), and <quote>south-west</quote> with <quote>southwest</quote>.</p>
+ <p>(<a idref="sect329">329</a>) Replaced <quote>set in cruel sneer.</quote> with <quote>set in a cruel sneer.</quote>.</p>
+ <p>(<a idref="sect336">336</a>) Replaced <quote>letters,</quote> with <quote>letters:</quote>.</p>
+ <p>(<a idref="sect338">338</a>) Replaced <quote>bushwacked</quote> with <quote>bushwhacked</quote>, <quote>Rickenbaker</quote> with <quote>Rickenbacker</quote> and <quote>fusilage</quote> with <quote>fuselage</quote>.</p>
+ <p>(<a idref="sect343">343</a>) Replaced <quote>Shackelford county sheriff's office</quote> with <quote>Shackelford County Sheriff's office</quote>.</p>
+ <p>(<a idref="sect12">12</a>,<a idref="sect24">24</a>,<a idref="sect80">80</a>,<a idref="sect105">105</a>,<a idref="sect117">117</a>,<a idref="sect177">177</a>,<a idref="sect222">222</a>,<a idref="sect242">242</a>,<a idref="sect296">296</a>,<a idref="sect348">348</a>) Replaced <quote>gulley</quote> with <quote>gully</quote>.</p>
+ <p>(<a idref="sect23">23</a>,<a idref="sect73">73</a>,<a idref="sect85">85</a>,<a idref="sect138">138</a>,<a idref="sect163">163</a>,<a idref="sect229">229</a>,<a idref="sect260">260</a>) Replaced <quote>Backpack items</quote> with <quote>Backpack Items</quote>.</p>
+ <p>(<a idref="sect63">63</a>,<a idref="sect162">162</a>,<a idref="sect205">205</a>,<a idref="sect218">218</a>,<a idref="sect269">269</a>,<a idref="sect314">314</a>) Replaced <quote>Weapons list</quote> with <quote>Weapons List</quote>.</p>
+ <p>(<a idref="calstory">Cal's Story</a>,<a idref="sect105">105</a>,<a idref="sect160">160</a>,<a idref="sect257">257</a>) Replaced <quote>'the Day'</quote> with <quote>'The Day'</quote>.</p>
+ <p>(<a idref="crsumary">Combat Rules Summary</a>) Added missing period after <quote>from your total</quote>. Replaced <quote>cross-refer</quote> with <quote>cross-reference</quote>, <quote>Combat Results Table</quote> with <quote>Close Combat Results Table</quote>, and <quote>zero ENDURANCE</quote> with <quote>zero or fewer ENDURANCE</quote>.</p>
+ </data>
+ </section>
+ </data>
+ </section>
- <section class="backmatter" id="footnotz">
- <meta><title>Footnotes</title></meta>
+ <section class="backmatter" id="footnotz">
+ <meta><title>Footnotes</title></meta>
- <data>
- <p>(<a idref="sect20">20</a>) This is the correct answer to the keypad puzzle in <a idref="sect152">Section 152.</a></p>
- <p>(<a idref="sect98">98</a>) This is the correct answer to the keypad puzzle in <a idref="sect255">Section 255.</a></p>
- <p>(<a idref="sect152">152</a>) The section corresponding to the correct answer will have a footnote confirming that it is indeed correct.</p>
- <p>(<a idref="sect255">255</a>) The section corresponding to the correct answer will have a footnote confirming that it is indeed correct.</p>
- </data>
- </section>
+ <data>
+ <p>(<a idref="sect5">5</a>) Remember to deduct six rounds of 9mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect20">20</a>) This is the correct answer to the keypad puzzle in <a idref="sect152">Section 152</a>.</p>
+ <p>(<a idref="sect23">23</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect28">28</a>) Remember to deduct a round of 7.62mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect58">58</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect62">62</a>) Remember to deduct a round of 12-gauge ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect64">64</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch (if any).</p>
+ <p>(<a idref="sect77">77</a>) Remember to deduct a round of 7.62mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect96">96</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect98">98</a>) This is the correct answer to the keypad puzzle in <a idref="sect255">Section 255</a>.</p>
+ <p>(<a idref="sect132">132</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect152">152</a>) The section corresponding to the correct answer will have a footnote confirming that it is indeed correct.</p>
+ <p>(<a idref="sect153">153</a>) Remember to deduct six rounds of 9mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect164">164</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect168">168</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect172">172</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect174">174</a>) Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect190">190</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect191">191</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect229">229</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect255">255</a>) The section corresponding to the correct answer will have a footnote confirming that it is indeed correct.</p>
+ <p>(<a idref="sect261">261</a>) Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect275">275</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect293">293</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect302">302</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect320">320</a>) Remember to deduct a round of 12-gauge ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect340">340</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ <p>(<a idref="sect344">344</a>) Remember to deduct a round of 9mm ammunition from your Ammo Pouch.</p>
+ <p>(<a idref="sect349">349</a>) Remember to deduct the relevant number of rounds from your Ammo Pouch.</p>
+ </data>
+ </section>
- <section class="backmatter" id="illstrat">
- <meta><title>Table of Illustrations</title></meta>
+ <section class="backmatter" id="illstrat">
+ <meta><title>Table of Illustrations</title></meta>
- <data>
- <p>The following is a list of all Sections containing illustrations found in this book:</p>
-
- <section class="backmatter" id="primill">
- <meta><title>Primary Illustrations</title></meta>
-
- <data>
- <ul class="unbulleted">
- <li>Illustration I (<a idref="sect16">Section 16</a>)</li>
- <li>Illustration II (<a idref="sect30">Section 30</a>)</li>
- <li>Illustration III (<a idref="sect48">Section 48</a>)</li>
- <li>Illustration IV (<a idref="sect68">Section 68</a>)</li>
- <li>Illustration V (<a idref="sect89">Section 89</a>)</li>
- <li>Illustration VI (<a idref="sect103">Section 103</a>)</li>
- <li>Illustration VII (<a idref="sect133">Section 133</a>)</li>
- <li>Illustration VIII (<a idref="sect150">Section 150</a>)</li>
- <li>Illustration IX (<a idref="sect162">Section 162</a>)</li>
- <li>Illustration X (<a idref="sect188">Section 188</a>)</li>
- <li>Illustration XI (<a idref="sect210">Section 210</a>)</li>
- <li>Illustration XII (<a idref="sect227">Section 227</a>)</li>
- <li>Illustration XIII (<a idref="sect243">Section 243</a>)</li>
- <li>Illustration XIV (<a idref="sect256">Section 256</a>)</li>
- <li>Illustration XV (<a idref="sect286">Section 286</a>)</li>
- <li>Illustration XVI (<a idref="sect305">Section 305</a>)</li>
- <li>Illustration XVII (<a idref="sect313">Section 313</a>)</li>
- <li>Illustration XVIII (<a idref="sect325">Section 325</a>)</li>
- <li>Illustration XIX (<a idref="sect337">Section 337</a>)</li>
- <li><a idref="map">Map Of Central Texas</a></li>
- <li><a idref="action">Action Chart</a></li>
- </ul>
- </data>
- </section>
+ <data>
+ <p>The following is a list of all Sections containing illustrations found in this book:</p>
- <section class="backmatter" id="secill">
- <meta><title>Secondary Illustrations</title></meta>
+ <section class="backmatter" id="primill">
+ <meta><title>Primary Illustrations</title></meta>
<data>
<ul class="unbulleted">
-<!--
- <li><a idref="sect8">8</a>, <a idref="sect339">339</a></li>
--->
- </ul>
- </data>
- </section>
+ <li>Illustration I (<a idref="sect16">Section 16</a>)</li>
+ <li>Illustration II (<a idref="sect30">Section 30</a>)</li>
+ <li>Illustration III (<a idref="sect48">Section 48</a>)</li>
+ <li>Illustration IV (<a idref="sect68">Section 68</a>)</li>
+ <li>Illustration V (<a idref="sect89">Section 89</a>)</li>
+ <li>Illustration VI (<a idref="sect103">Section 103</a>)</li>
+ <li>Illustration VII (<a idref="sect133">Section 133</a>)</li>
+ <li>Illustration VIII (<a idref="sect150">Section 150</a>)</li>
+ <li>Illustration IX (<a idref="sect162">Section 162</a>)</li>
+ <li>Illustration X (<a idref="sect188">Section 188</a>)</li>
+ <li>Illustration XI (<a idref="sect210">Section 210</a>)</li>
+ <li>Illustration XII (<a idref="sect227">Section 227</a>)</li>
+ <li>Illustration XIII (<a idref="sect243">Section 243</a>)</li>
+ <li>Illustration XIV (<a idref="sect256">Section 256</a>)</li>
+ <li>Illustration XV (<a idref="sect286">Section 286</a>)</li>
+ <li>Illustration XVI (<a idref="sect305">Section 305</a>)</li>
+ <li>Illustration XVII (<a idref="sect313">Section 313</a>)</li>
+ <li>Illustration XVIII (<a idref="sect325">Section 325</a>)</li>
+ <li>Illustration XIX (<a idref="sect337">Section 337</a>)</li>
+ <li><a idref="map">Map Of Central Texas</a></li>
+ <li><a idref="action">Action Chart</a></li>
+ </ul>
+ </data>
+ </section>
+ <section class="backmatter" id="secill">
+ <meta><title>Secondary Illustrations</title></meta>
+ <data>
+ <p>Only the first occurrence of each secondary illustration is cited.</p>
+ <ul class="unbulleted">
+ <li><a idref="calstory">Cal's Story</a></li>
+ <li><a idref="sect22">Section 22</a></li>
+ <li><a idref="sect26">Section 26</a></li>
+ <li><a idref="calstory">Cal's Story</a></li>
+ <li><a idref="calstory">Cal's Story</a></li>
+ <li><a idref="equipmnt">Equipment</a></li>
+ <li></li>
+ <li><a idref="calstory">Cal's Story</a></li>
+ <li><a idref="sect135">Section 135</a></li>
+ <li><a idref="sect343">Section 343</a></li>
+ <li><a idref="sect17">Section 17</a></li>
+ <li><a idref="sect2">Section 2</a></li>
+ <li><a idref="sect152">Section 152</a></li>
+ <li><a idref="sect255">Section 255</a></li>
+ </ul>
+ </data>
+ </section>
+
</data>
</section>
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