<data>
<p>You scream a warning to Kate and together you duck your heads as Mad Dog opens fire with his machine pistol. Your swift action saves you both from decapitation. The bullets pass over the driving compartment and you escape unscathed.</p>
- <p>Knowing that your enemy has only one hand on the wheel of his speeding car, you nudge the side of his speedster, tempting him to retaliate. Then, when he rises to your challenge, you brake heavily and, because he is still holding his machine pistol, he fails to react in time to prevent his car from crossing in front of you and hitting the central barrier. Metal twists and sparks fly from his fender as he scrapes along the crash barrier at nearly 100 miles an hour. You put your foot down and overtake him on the left, powering your roadster away as he fights to extricate himself from the barrier<ch.apos/>s magnet-like grip.</p>
+ <p>Knowing that your enemy has only one hand on the wheel of his speeding car, you nudge the side of his speedster, tempting him to retaliate. Then, when he rises to your challenge, you brake heavily and, because he is still holding his machine pistol, he fails to react in time to prevent his car from crossing in front of you and hitting the central barrier. Metal twists and sparks fly from his fender as he scrapes along the crash barrier at nearly 100 miles an hour. You put your foot down and overtake him on the right, powering your roadster away as he fights to extricate himself from the barrier<ch.apos/>s magnet-like grip.</p>
<choice idref="sect12"><link-text>Turn to 12</link-text>.</choice>
</data>
</section>
<data>
<p>The sun has dipped below the western skyline and an eerie twilight bathes the ruined buildings of Lordsburg as you drive into the town. The tracks show that the convoy stopped here, but it must have been a brief visit for the town is now deserted. The fatigue of the mission is beginning to catch up with everyone, and all of you are having difficulty staying awake. The captain decides to camp here overnight and follow the convoy<ch.apos/>s trail at first light.</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Brian Williams</creator>
+ </meta>
+ <instance class="html" src="small13.png" width="386" height="141" mime-type="image/png"/>
+ <instance class="html-compatible" src="small13.gif" width="386" height="141" mime-type="image/gif"/>
+ <instance class="pdf" src="small13.pdf" width="386" height="150"/>
+ </illustration>
<p>A place to sleep is chosen at random from among the stores and offices that line the main street and the truck is parked in an adjacent alley. You enter to discover that your overnight accommodation was once a video arcade. Scores of video machines line the aisles, standing side-by-side like tombstones in an electronic cemetery. Their screens are blank but their titles are familiar, and they remind you of the hours you spent playing similar machines at home in California before <quote>The Day</quote>.</p>
<p>Much to your relief, Sergeant Haskell volunteers to take the first watch. Before you sleep, you must take a Drink or lose 3 <typ class="attribute">ENDURANCE</typ> points.</p>
<choice idref="sect236"><link-text>Turn to 236</link-text>.</choice>
<p><quote>Ready?</quote></p>
<p>Marine Knott nods his head, his jaw taut with concentration as he acknowledges your question.</p>
<p><quote>OK then. Let<ch.apos/>s go,</quote> you whisper, as you ease yourself over the rampart, using only your elbows and knees to propel you away from the safety of Fort Bliss.</p>
- <p>Anxiously, the captain and Sergeant Haskell watch as the two of you crawl across the broken ground, their weapons ready to give covering fire should the enemy see you approaching. The faint moonlight serves both to help and hinder your progress as you inch your way towards your first goal: an elevated section of Freeway 54. Clan snipers are known to occupy this vantage point, and you are painfully aware that not until you are directly beneath the raised highway itself will you be beyond the reach of their high-powered rifles.</p>
+ <p>Anxiously, the captain and Sergeant Haskell watch as the two of you crawl across the broken ground, their weapons ready to give covering fire should the enemy see you approaching. The faint moonlight serves both to help and hinder your progress as you inch your way towards your first goal: an elevated section of Highway 54. Clan snipers are known to occupy this vantage point, and you are painfully aware that not until you are directly beneath the raised highway itself will you be beyond the reach of their high-powered rifles.</p>
<p>Minutes pass like hours until you make it to the comparative safety of a shallow ditch that runs parallel to the concrete freeway supports. Knott arrives while you are scanning the dark, arch-like gaps between the concrete pillars, searching for the enemy, and immediately he points out a threat. Three clansmen are positioned behind a mound of rubble less than twenty yards away to your right. You study them, silently cursing your luck, for they are Detroit Lions; getting past these clansmen is not going to be easy.</p>
<illustration class="float">
<meta>
<data>
<p>You scream as Mad Dog opens fire with his machine pistol, and slam your foot on the brake pedal. Your swift action saves you from death but you do not escape unscathed. One bullet clips your forearm and another grazes your neck: lose 4 <typ class="attribute">ENDURANCE</typ> points.</p>
- <p>Knowing that your enemy has only one hand on the wheel of his speeding car, you nudge the side of his speedster, tempting him to retaliate, and then, when he rises to your challenge, you brake heavily. Because he is still holding his machine pistol, he fails to react in time to prevent his car from crossing in front of you and hitting the central barrier. Metal twists and sparks fly from his fender as he scrapes along the crash barrier at nearly 100 miles an hour. You put your foot down and overtake him on the left, powering your roadster away as he fights to extricate himself from the barrier<ch.apos/>s magnet-like grip.</p>
+ <p>Knowing that your enemy has only one hand on the wheel of his speeding car, you nudge the side of his speedster, tempting him to retaliate, and then, when he rises to your challenge, you brake heavily. Because he is still holding his machine pistol, he fails to react in time to prevent his car from crossing in front of you and hitting the central barrier. Metal twists and sparks fly from his fender as he scrapes along the crash barrier at nearly 100 miles an hour. You put your foot down and overtake him on the right, powering your roadster away as he fights to extricate himself from the barrier<ch.apos/>s magnet-like grip.</p>
<choice idref="sect12"><link-text>Turn to 12</link-text>.</choice>
</data>
</section>
<data>
<p>By keeping strictly to the alleys and side streets you are able to make your way deep into the heart of the city, avoiding the numerous clan patrols. At length you reach the banks of the Rio Grande and follow the river westwards towards your rendezvous destination. Your early encounters with Mad Dog<ch.apos/>s men have delayed you and now, as you hurry along the walkways and plazas bordering the river, you are fearful that you will arrive too late to join the others. You are hurrying along a walled sidewalk when you catch sight of the Stanton Street Toll Bridge less than 400 yards away. You are confident that it is the right bridge for it is the only one still intact. A glance at your wristwatch shows that you have less than ten minutes to spare.</p>
- <p>You are about to break into a run when suddenly you hear a noise behind you that makes you freeze: it is the sound of a pistol being cocked. Instinctively you reach for your gun as you spin around to face your potential attacker, but your fear quickly evaporates when you see the familiar face of Marine Knott peering at you from over the walkway wall.</p>
- <p><quote>You<ch.apos/>re getting a touch careless, Cal,</quote> he says, as he holsters his pistol and clambers over the wall to join you.</p>
- <p><quote>Yeah, you<ch.apos/>re right,</quote> you reply, self-consciously. <quote>I oughta know by now. Better late than dead, right?</quote></p>
- <p><quote>Right,</quote> he says, and slaps you reassuringly on the back. <quote>The bridge is over there. It<ch.apos/>ll only take a few minutes to reach it. If all<ch.apos/>s well, the captain and Sergeant Haskell should be there already waitin<ch.apos/> for us.</quote></p>
+ <p><quote>The bridge is over there,</quote> Marine Knott says. <quote>It<ch.apos/>ll only take a few minutes to reach it.If all<ch.apos/>s well, the captain and Sergeant Haskell should be there already waitin<ch.apos/> for us.</quote></p>
<p>You set off, soon reaching a cluster of old US immigration offices standing at the approach to the bridge. As Knott predicted, Frankland and Haskell are waiting for you to show and, as you approach the buildings, they call you over to join them. They have already scouted the bridge and determined that there are four clan guards on the bridge itself, but none at all on the service walkway that runs beneath it.</p>
<p><quote>We<ch.apos/>ve less than an hour before the explosives are due to arrive,</quote> says the captain, checking his watch. <quote>Is everyone ready?</quote></p>
<p>You nod in unison. <quote>OK then. Let<ch.apos/>s go!</quote></p>
<data>
<p>The clansmen are armed with assault rifles, which they empty at the truck. Bullets ricochet from the rear and whistle past on every side, forcing you to duck behind the tailgate for cover. Your reflexes save you from being hit, but as you duck for cover, you catch your chin on the edge of the tailgate, splitting the skin: lose 1 <typ class="attribute">ENDURANCE</typ> point.</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Brian Williams</creator>
+ </meta>
+ <instance class="html" src="small12.png" width="386" height="112" mime-type="image/png"/>
+ <instance class="html-compatible" src="small12.gif" width="386" height="112" mime-type="image/gif"/>
+ <instance class="pdf" src="small12.pdf" width="386" height="150"/>
+ </illustration>
<p>The firing stops and you raise your head in time to see the clan leader running into the middle of the highway, his hand outstretched to pick up a walkie-talkie that must have dropped from his pocket. He could attempt to radio another clan outpost, perhaps in Mimbres or even nearer, and forewarn them of your arrival.</p>
<choice idref="sect22">If you wish to attempt to shoot the clansman to prevent him from using his radio, <link-text>turn to 22</link-text>.</choice>
<choice idref="sect335">If you have insufficient ammunition, or if you do not wish to fire at him, <link-text>turn to 335</link-text>.</choice>
<data>
<p><quote>OK, Cal,</quote> says the captain. <quote>Me and the sergeant<ch.apos/>ll take the scenic route. We<ch.apos/>ll go first. Give us time to clear the zone then wait five minutes before you and Knott make your move. Is that clear?</quote></p>
<p><quote>No problem,</quote> you reply, confidently. <quote>We<ch.apos/>ll meet up at the toll bridge at 0100 hours.</quote></p>
- <p>With bated breath you watch as the two soldiers slip over the perimeter wall and crawl away from the safety of Fort Bliss. Expertly they merge with the broken wasteland so that you soon find it impossible to track their path, leading to an elevated section of Freeway 54. Fifteen minutes later, all is still as quiet as the grave. You are sure that they have made it across the zone by now, and so you motion to Marine Knott to follow as you lower yourself head-first over the rampart and propel yourself across the rocky ground using only your elbows and knees.</p>
+ <p>With bated breath you watch as the two soldiers slip over the perimeter wall and crawl away from the safety of Fort Bliss. Expertly they merge with the broken wasteland so that you soon find it impossible to track their path, leading to an elevated section of Highway 54. Fifteen minutes later, all is still as quiet as the grave. You are sure that they have made it across the zone by now, and so you motion to Marine Knott to follow as you lower yourself head-first over the rampart and propel yourself across the rocky ground using only your elbows and knees.</p>
<p>The faint moonlight serves both to help and hinder your progress as you inch your way towards the Montana Road, a highway that runs 100 yards in front of, and parallel to, the clansmen<ch.apos/>s position. Every move you make is slow and deliberate as though the ground were strewn with eggs, so urgent is the need to prevent dust from betraying your position. Eventually you reach a shallow ditch bordering the highway and you use it as cover as you advance towards a group of ruined buildings at the edge of the city. You are less than twenty yards from the ruins when you are frozen by the sound of howling dogs. They are clan bloodhounds and they have picked up your scent on the warm night air.</p>
<p>With your pulse racing, you peer over the edge of the ditch, seeking to catch a clear view of the enemy. You cannot see them, but you can hear them approaching fast. You must act quickly if you are to avoid being caught by the hounds and their handlers.</p>
<choice idref="sect109">If you possess at least one Meal<ch.apos/>s worth of food and wish to use it to delay the hounds, <link-text>turn to 109</link-text>.</choice>
<data>
<p>The truck hits the wall of cars with a tremendous crash that sends a violent shudder through the floor. Angry voices and the sharp crackle of automatic gunfire can be heard amidst the roar of the engine as the truck lurches through the enemy line and accelerates along the main street. The air becomes livid with the sounds of singing bullets. They pierce the canvas and shatter against the cage-like frame. An occasional fragment singes your skin but otherwise you escape unharmed.</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Brian Williams</creator>
+ </meta>
+ <instance class="html" src="small12.png" width="386" height="112" mime-type="image/png"/>
+ <instance class="html-compatible" src="small12.gif" width="386" height="112" mime-type="image/gif"/>
+ <instance class="pdf" src="small12.pdf" width="386" height="150"/>
+ </illustration>
<p>Now Haskell is at the tailgate, returning fire at the clansmen who are guarding the barricade, forcing them to quit shooting and dive for cover. You move to join him but you are distracted when you feel the truck decelerating. A glance over your shoulder in the direction of the cab window soon reveals why Knott is slowing down.</p>
<choice idref="sect7"><link-text>Turn to 7</link-text>.</choice>
</data>
<data>
<p>Confident that the clansmen are too shaken to be able to shoot straight, you laugh with disdain at their attempt to hit the truck. Unfortunately, they are armed with high-powered, M-10 assault rifles that are fitted with telescopic sights. Moreover all three men are expert shots.</p>
+ <illustration class="inline">
+ <meta>
+ <creator>Brian Williams</creator>
+ </meta>
+ <instance class="html" src="small12.png" width="386" height="112" mime-type="image/png"/>
+ <instance class="html-compatible" src="small12.gif" width="386" height="112" mime-type="image/gif"/>
+ <instance class="pdf" src="small12.pdf" width="386" height="150"/>
+ </illustration>
<p>A withering hail of bullets hits you in a line across your chest and sends you tumbling backwards to crash against the cab. You feel no pain, for two of the rounds have pierced your heart. Death is instantaneous.</p>
<deadend>Tragically, your life and your mission end here on Highway 9.</deadend>
</data>
<data>
<p>Steadily the highway climbs towards a pass, beyond which there is a hairpin bend. You manage to negotiate it safely, only to find that a rockfall has partially blocked the road less than twenty yards beyond the bend. Your driving instinct warns you not to brake heavily for fear of sending the jeep into a skid, so you try to steer around the mound of fallen rock without slowing down. Your tactics work: you clear the mound with inches to spare. Unluckily, as you straighten the steering wheel, you strike a stray boulder and the jeep is brought to a grinding halt.</p>
<p><quote>The front running gear<ch.apos/>s wrecked,</quote> says Captain Frankland, despondently, as he inspects the damage. <quote>There<ch.apos/>s no way we<ch.apos/>ll get any further in this vehicle.</quote></p>
- <p>The situation looks bleak: the clansmen are likely to show up at any time and they are sure to catch you now that the jeep is wrecked. Then an idea occurs to you that might just throw them off your trail. If you were to set fire to the jeep and push it into the deep canyon that borders this section of the mountain road, the sight of the burning wreckage might convince them that you had met with a fatal accident. The others agree that it is worth a try and immediately set about preparing the jeep. Together you manhandle it to the edge of the road, and then light a rag, which Haskell has stuffed into the gasolene filter pipe. Once it is burning, you give one last push and send the vehicle careering over the edge into the canyon 300 feet below. After the resounding crash, you hear the clansmen approaching and you quickly take cover among the boulders. To make it seem more realistic Marine Knott drops his bloodstained tunic at the edge of the road before he takes cover, seconds before the first riders appear on the scene.</p>
+ <p>The situation looks bleak: the clansmen are likely to show up at any time and they are sure to catch you now that the jeep is wrecked. Then an idea occurs to you that might just throw them off your trail. If you were to set fire to the jeep and push it into the deep canyon that borders this section of the mountain road, the sight of the burning wreckage might convince them that you had met with a fatal accident. The others agree that it is worth a try and immediately set about preparing the jeep. Together you manhandle it to the edge of the road, and then light a rag, which Haskell has stuffed into the gasolene filler pipe. Once it is burning, you give one last push and send the vehicle careering over the edge into the canyon 300 feet below. After the resounding crash, you hear the clansmen approaching and you quickly take cover among the boulders. To make it seem more realistic Marine Knott drops his bloodstained tunic at the edge of the road before he takes cover, seconds before the first riders appear on the scene.</p>
<choice idref="sect227"><link-text>Turn to 227</link-text>.</choice>
</data>
</section>
<data>
<p>You freeze for an instant, and then raise your hands above your head slowly in a desperate attempt to save yourself by surrendering to the assassin. Unfortunately, your actions do not impress the cold-hearted murderer.</p>
- <p>With horror you see the muzzle of his rifle spit a core of yellow flame, and then an agonizing pain erupts in the middle of your forehead. The impact lifts your feet off the ground, sending you sprawling against the courthouse wall. The pain disappears to be replaced by a numbness that clouds your vision and drains the last of your strength from your unfeeling limbs. An overwhelming desire to sleep assails your senses, and, although you fight to stay awake, it is a fight you have no hope of winning.</p>
+ <p>With horror you see the muzzle of his rifle spit a cone of yellow flame, and then an agonizing pain erupts in the middle of your forehead. The impact lifts your feet off the ground, sending you sprawling against the courthouse wall. The pain disappears to be replaced by a numbness that clouds your vision and drains the last of your strength from your unfeeling limbs. An overwhelming desire to sleep assails your senses, and, although you fight to stay awake, it is a fight you have no hope of winning.</p>
<deadend>Tragically, your life and your mission end here in Tombstone, Arizona.</deadend>
</data>
</section>
<p>(<a idref="sect13">13</a>) Replaced <quote>nearby, then</quote> with <quote>nearby; then</quote>. Replaced <quote>If the fight lasts</quote> with <quote>If you win and the fight lasts</quote>.</p>
<p>(<a idref="sect14">14</a>) Replaced <quote>plateau, towards</quote> with <quote>plateau towards</quote>. Replaced <quote>plateau, under</quote> with <quote>plateau under</quote>.</p>
<p>(<a idref="sect19">19</a>) Replaced <quote>over, then</quote> with <quote>over, and then</quote>. Added <quote>(Remember to deduct the relevant number of rounds from your <a idref="action">Ammo Pouch</a>.)</quote>.</p>
+ <p>(<a idref="sect21">21</a>) Replaced <quote>overtake him on the left</quote> with <quote>overtake him on the right</quote>.</p>
<p>(<a idref="sect22">22</a>) Replaced <quote>reply; <ch.lsquot/>bruised</quote> with <quote>reply. <ch.lsquot/>Bruised</quote>. Added <quote>(Remember to deduct the relevant number of rounds from your <a idref="action">Ammo Pouch</a>.)</quote>.</p>
<p>(<a idref="sect23">23</a>) Replaced <quote>equal to, or less than, the</quote> with <quote>less than or equal to the</quote>.</p>
<p>(<a idref="sect25">25</a>) Replaced each occurrence of <quote>on to</quote> with <quote>onto</quote>. Replaced <quote>bang</quote> with <quote><onomatopoeia>bang</onomatopoeia></quote>.</p>
<p>(<a idref="sect41">41</a>) Replaced <quote>on to</quote> with <quote>onto</quote>.</p>
<p>(<a idref="sect42">42</a>) Replaced <quote>shockwave</quote> with <quote>shock wave</quote>. Replaced <quote>The colony have</quote> with <quote>The colony has</quote>.</p>
<p>(<a idref="sect43">43</a>) Replaced <quote>much-needed</quote> with <quote>much needed</quote>.</p>
- <p>(<a idref="sect44">44</a>) Replaced <quote>OK then, let<ch.apos/>s</quote> with <quote>OK then. Let<ch.apos/>s</quote>. Added a paragraph break between <quote>Ready?<ch.rsquot/><ch.thinspace/></quote>. Replaced <quote>Marine Knott nods his head</quote>.</p>
+ <p>(<a idref="sect44">44</a>) Replaced <quote>OK then, let<ch.apos/>s</quote> with <quote>OK then. Let<ch.apos/>s</quote>. Added a paragraph break between <quote>Ready?<ch.rsquot/><ch.thinspace/></quote>. Replaced <quote>Marine Knott nods his head</quote>. Replaced <quote>Freeway 54</quote> with <quote>Highway 54</quote>.</p>
<p>(<a idref="sect46">46</a>) Replaced <quote>spyhole</quote> with <quote>spy-hole</quote>. Replaced <quote>dimly-lit</quote> with <quote>dimly lit</quote>. Replaced <quote>lock, and</quote> with <quote>lock and</quote>.</p>
<p>(<a idref="sect53">53</a>) Replaced <quote>despatch</quote> with <quote>dispatch</quote>. Replaced <quote>belt, then</quote> with <quote>belt, and then</quote>. Added <quote>(Remember to deduct the relevant number of rounds from your <a idref="action">Ammo Pouch</a>.)</quote>.</p>
<p>(<a idref="sect54">54</a>) Replaced <quote><typ class="item">HE Grenade</typ>, and</quote> with <quote><typ class="item">HE Grenade</typ> and</quote>. Replaced <quote>Tennon Saw, and</quote> with <quote><typ class="item">Tenon Saw</typ> and</quote>. Replaced <quote>Backpack item</quote> with <quote>Backpack Item</quote>. Replaced <quote>or choose</quote> with <quote>or if you choose</quote>.</p>
<p>(<a idref="sect82">82</a>) Replaced <quote>silently and</quote> with <quote>silently, and</quote>. Replaced <quote>Bowie Knife [3]</quote> with <quote>Bowie Knife (3)</quote>.</p>
<p>(<a idref="sect85">85</a>) Replaced <quote>sideways, then</quote> with <quote>sideways, and then</quote>.</p>
<p>(<a idref="sect86">86</a>) Replaced <quote>brighter, then</quote> with <quote>brighter, and then</quote>. Replaced <quote>three, then</quote> with <quote>three, and then</quote>.</p>
+ <p>(<a idref="sect87">87</a>) Replaced <quote>overtake him on the left</quote> with <quote>overtake him on the right</quote>.</p>
<p>(<a idref="sect88">88</a>) Replaced <quote>If the fight lasts six rounds or more,</quote> with <quote>If the fight lasts to a sixth round</quote>. Replaced <quote>turn to 11</quote> with <quote>turn immediately to 11</quote>.</p>
<p>(<a idref="sect89">89</a>) Replaced <quote>pistol; the</quote> with <quote>pistol, the</quote>.</p>
<p>(<a idref="sect92">92</a>) Replaced <quote>syphoning</quote> with <quote>siphoning</quote>. Replaced <quote>syphon</quote> with <quote>siphon</quote>. Replaced <quote>Backpack items</quote> with <quote>Backpack Items</quote>.</p>
+ <p>(<a idref="sect93">93</a>) Replaced <ch.lsquot/>You are about to break into a run when suddenly you hear a noise behind you that makes you freeze: it is the sound of a pistol being cocked. Instinctively you reach for your gun as you spin around to face your potential attacker, but your fear quickly evaporates when you see the familiar face of Marine Knott peering at you from over the walkway wall.</p>
+ <p><quote>You<ch.apos/>re getting a touch careless, Cal,</quote> he says, as he holsters his pistol and clambers over the wall to join you.</p>
+ <p><quote>Yeah, you<ch.apos/>re right,</quote> you reply, self-consciously. <quote>I oughta know by now. Better late than dead, right?</quote></p>
+ <p><quote>Right,</quote> he says, and slaps you reassuringly on the back. <quote>The bridge is over there. It<ch.apos/>ll only take a few minutes to reach it. If all<ch.apos/>s well, the captain and Sergeant Haskell should be there already waitin<ch.apos/> for us.</quote><ch.thinspace/><ch.rsquot/> with <quote><ch.thinspace/><quote>The bridge is over there,</quote> Marine Knott says. <quote>It<ch.apos/>ll only take a few minutes to reach it.If all<ch.apos/>s well, the captain and Sergeant Haskell should be there already waitin<ch.apos/> for us.</quote><ch.thinspace/></quote></p>
<p>(<a idref="sect95">95</a>) Replaced <quote>or do</quote> with <quote>or if you do</quote>.</p>
<p>(<a idref="sect97">97</a>) Added <quote>(Remember to deduct the relevant number of rounds from your <a idref="action">Ammo Pouch</a>.)</quote>.</p>
<p>(<a idref="sect98">98</a>) Replaced <quote>If is is 11 or more</quote> with <quote>If it is 11 or more</quote>.</p>
<p>(<a idref="sect185">185</a>) Replaced <quote>evilly, then</quote> with <quote>evilly, and then</quote>.</p>
<p>(<a idref="sect188">188</a>) Replaced <quote>noise, then</quote> with <quote>noise, and then</quote>. Replaced <quote>clansmen, and</quote> with <quote>clansmen and</quote>. Replaced <quote>or are</quote> with <quote>or if you are</quote>.</p>
<p>(<a idref="sect189">189</a>) Replaced <quote>pineclad</quote> with <quote>pine-clad</quote>. Replaced <quote>gnarled and</quote> with <quote>gnarled, and</quote>.</p>
- <p>(<a idref="sect190">190</a>) Replaced <quote>or do</quote> with <quote>or if you do</quote>.</p>
+ <p>(<a idref="sect190">190</a>) Replaced <quote>or do</quote> with <quote>or if you do</quote>. Replaced <quote>Freeway 54</quote> with <quote>Highway 54</quote>.</p>
<p>(<a idref="sect192">192</a>) Replaced <quote>Backpack items</quote> with <quote>Backpack Items</quote>. Replaced <quote>units or</quote> with <quote>units, or</quote>. Replaced <quote>Knife [2]</quote> with <quote>Knife (2)</quote>. Replaced <quote>Hammer [2]</quote> with <quote>Hammer (2)</quote>.</p>
<p>(<a idref="sect193">193</a>) Replaced <quote>neck and</quote> with <quote>neck, and</quote>.</p>
<p>(<a idref="sect195">195</a>) Replaced <quote>syphon</quote> with <quote>siphon</quote>. Replaced <quote>newly repaired</quote> with <quote>newly-repaired</quote>.</p>
<p>(<a idref="sect242">242</a>) Replaced <quote>flash, then</quote> with <quote>flash, and then</quote>.</p>
<p>(<a idref="sect243">243</a>) Replaced <quote>a handful of faded family photographs stands</quote> with <quote>a handful of faded family photographs stand</quote>.</p>
<p>(<a idref="sect252">252</a>) Replaced <quote>machine gunfire</quote> with <quote>machine gun fire</quote>. Replaced <quote>minutes, then</quote> with <quote>minutes; then</quote>. Replaced <quote>Pantona Wash</quote> with <quote>Pantano Wash</quote>.</p>
- <p>(<a idref="sect258">258</a>) Replaced <quote>blood-stained</quote> with <quote>bloodstained</quote>.</p>
+ <p>(<a idref="sect258">258</a>) Replaced <quote>blood-stained</quote> with <quote>bloodstained</quote>. Replaced <quote>filter pipe</quote> with <quote>filler pipe</quote>.</p>
<p>(<a idref="sect259">259</a>) Replaced <quote>torchbeam</quote> with <quote>torch<ch.apos/>s beam</quote>.</p>
<p>(<a idref="sect262">262</a>) Replaced <quote>spins, then</quote> with <quote>spins, and then</quote>.</p>
<p>(<a idref="sect263">263</a>) Replaced <quote>your lenses</quote> with <quote>your magnifying device</quote>.</p>
<p>(<a idref="sect266">266</a>) Replaced <quote>spyhole</quote> with <quote>spy-hole</quote>. Replaced <quote>lock, and</quote> with <quote>lock and</quote>.</p>
<p>(<a idref="sect267">267</a>) Added <quote>(Remember to deduct the relevant number of rounds from your <a idref="action">Ammo Pouch</a>.)</quote>.</p>
<p>(<a idref="sect269">269</a>) Replaced <quote>syphon</quote> with <quote>siphon</quote>.</p>
- <p>(<a idref="sect270">270</a>) Replaced <quote>instant, then</quote> with <quote>instant, and then</quote>. Replaced <quote>flame, then</quote> with <quote>flame, and then</quote>.</p>
+ <p>(<a idref="sect270">270</a>) Replaced <quote>instant, then</quote> with <quote>instant, and then</quote>. Replaced <quote>flame, then</quote> with <quote>flame, and then</quote>. Replaced <quote>core of yellow flame</quote> with <quote>cone of yellow flame</quote>.</p>
<p>(<a idref="sect271">271</a>) Replaced <quote>weapon, then</quote> with <quote>weapon; then</quote>.</p>
<p>(<a idref="sect273">273</a>) Replaced <quote>f<ch.apos/> sure</quote> with <quote>f<ch.apos/>sure</quote>.</p>
<p>(<a idref="sect274">274</a>) Replaced <quote>on to</quote> with <quote>onto</quote>.</p>
Project Aon Git Repositories / project-aon.git / commitdiff